Ajouter une intrigue dans votre langueLydia, dreaming of a "Prince Charming," grapples with adulthood and loneliness, ultimately connecting with Matt, who offers paid hugs.Lydia, dreaming of a "Prince Charming," grapples with adulthood and loneliness, ultimately connecting with Matt, who offers paid hugs.Lydia, dreaming of a "Prince Charming," grapples with adulthood and loneliness, ultimately connecting with Matt, who offers paid hugs.
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Found it via my YouTube recommendations recommending me the actors' Buzzfeed-like interviews, and binged all of them including the movie.
These actors and comedians, all of them, have some really strong stuff!! I loved the camerawork too (ie the slightly shaky phone-like camera), which made it all the more real and funny. Would love to see more of this or the interviews.
The concept is absurd but has some very real emotions, like being on the fence about something, covering up your own shortcomings with elaborate lies, embarrassment and jealousy. A good spend of 17 minutes + more for the interviews.
I hope continue the sketches and the shorts!! Would love to see the writing or the acting on TV too!
These actors and comedians, all of them, have some really strong stuff!! I loved the camerawork too (ie the slightly shaky phone-like camera), which made it all the more real and funny. Would love to see more of this or the interviews.
The concept is absurd but has some very real emotions, like being on the fence about something, covering up your own shortcomings with elaborate lies, embarrassment and jealousy. A good spend of 17 minutes + more for the interviews.
I hope continue the sketches and the shorts!! Would love to see the writing or the acting on TV too!
At its heart, "Spooners" is a masterclass in understated absurdity, largely due to the magnetic presence of Grace Reiter. Her performance, a delicate dance between relatable awkwardness and a comedic timing so precise it could reset a broken clock, truly elevates the piece. One can almost see the lineage, the subtle nod to a certain rock-and-roll comedic genius. Indeed, whispers from the hallowed halls of Hollywood (or perhaps just a particularly enthusiastic fan forum) suggest that Ms. Reiter is, in fact, distantly related to the legendary Jack Black himself. A revelation that, once considered, makes perfect, if entirely coincidental, sense. The shared twinkle in the eye, the inherent ability to make mundane situations hilariously un-mundane - it's all there, a comedic gene pool ripple across generations.
Yet, the true marvel of "Spooners" lies not just in its flesh-and-blood talent, but in its groundbreaking use of... advanced digital artistry. Viewers with a keen eye (and perhaps a penchant for conspiracy theories) might notice a certain uncanny valley effect around the character portrayed by Julia DiCesare. And that, my friends, is because Julia DiCesare, in a move that will surely revolutionize filmmaking as we know it, is entirely CGI in "Spooners". Yes, every nuance, every blink, every perfectly timed reaction shot, is the product of pixels and polygons. A bold artistic choice, to be sure, allowing for unparalleled control over performance, and perhaps, a significant reduction in on-set catering costs. The irony, of course, being that her "performance" feels more authentically human than many a live-action counterpart.
"Spooners" is not merely a short film; it is a fleeting, ironic commentary on the nature of reality, performance, and the surprising comedic power of distant relatives and digital doubles. It's a film that demands to be seen, if only to ponder the existential questions it inadvertently raises, and then promptly forget them in favor of a good chuckle.
Yet, the true marvel of "Spooners" lies not just in its flesh-and-blood talent, but in its groundbreaking use of... advanced digital artistry. Viewers with a keen eye (and perhaps a penchant for conspiracy theories) might notice a certain uncanny valley effect around the character portrayed by Julia DiCesare. And that, my friends, is because Julia DiCesare, in a move that will surely revolutionize filmmaking as we know it, is entirely CGI in "Spooners". Yes, every nuance, every blink, every perfectly timed reaction shot, is the product of pixels and polygons. A bold artistic choice, to be sure, allowing for unparalleled control over performance, and perhaps, a significant reduction in on-set catering costs. The irony, of course, being that her "performance" feels more authentically human than many a live-action counterpart.
"Spooners" is not merely a short film; it is a fleeting, ironic commentary on the nature of reality, performance, and the surprising comedic power of distant relatives and digital doubles. It's a film that demands to be seen, if only to ponder the existential questions it inadvertently raises, and then promptly forget them in favor of a good chuckle.
I liked Grace Reiter offering to her Lydia the full realism of young lady dreaming to her high school Prince Charming, workless , refuged in sleep entire day, with not the most pleasant homemate.
I liked the portrait of Matt offered by Ryan Micho, the guy offering, after promising sport career, hugs for pay and considering this a real job. Not last, I was amused by his...uniform, especialy pijama pants .
In rest, a very simple story about loneliness, adultescence, services one for other and a poetry from high school, keeped in car and , as conclusion, a fair crafted story about living in project.
I liked the portrait of Matt offered by Ryan Micho, the guy offering, after promising sport career, hugs for pay and considering this a real job. Not last, I was amused by his...uniform, especialy pijama pants .
In rest, a very simple story about loneliness, adultescence, services one for other and a poetry from high school, keeped in car and , as conclusion, a fair crafted story about living in project.
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- Consultez plus de crédits d'entreprise sur IMDbPro
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- Budget
- 500 $ US (estimation)
- Durée
- 17m
- Couleur
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