Intraçable

"What if all these children, missing on Halloween, in New York City are connected. What if there's something behind it?" What starts off as a fun trip with his kid to a Halloween carnival becomes a nightmare when the child goes missing. Now Mike (Cage) will stop at nothing to find him. When the one year anniversary comes and still no sign of his son he starts to experience strange things. He hopes these clues will help him, but the more he looks the more eerie things become. There seems to be some actors that seem to be in everything you see. Nicolas Cage is one of those actors. There is a new movie with him coming out constantly, and for people like me who don't like him it seems that it happens more than it should. His last movie, The Runner, wasn't bad and I did like it. Much like that movie this is actually a pretty interesting movie that was fun to watch and did have a little Poltergeist feel to it. As far as Cage goes, much like in The Runner he didn't do anything to distract from the movie and it was good in spite of him. Overall, one of the better horror as well as Cage movies in a while. I surprisingly liked this. I give it a B.

I'm completely aware of all the hate Nicholas Cage gets (which I disagree with), however I actually consider him a good actor that commonly falls into the wrong hands. In this little horror film, Nicholas Cage actually gives an acceptable performance as the main role with good, sentimental angry outbursts of rage. It's nothing special, but I enjoyed this film because of it's imaginative, dark cinematography and quietly creepy atmosphere. It's got good jumpscares, surprisingly eye-capturing visual effects and an alright storyline to keep it going, and as long as you expect little from this film you may find yourself pleasantly surprised. I have to remark, this is actually one of Nicholas Cage's better films after all the crap he's acted in previously, and it's good that he's still acting in some films worthy of your time.

I strongly suspect that, around 2009-2010 or so, Nicolas Cage participated in a secret scientific experiment to have himself cloned, and that since then there are at least three of four Nicks walking around in Hollywood! How else would you explain the large number of Nick Cage vehicles that is getting released each year? I seems that, every time I blink my eyes, two or three titles are added to Cage's filmography here on IMDb. I don't mind, though, and it's even quite clever because I (and surely many others with me) will pretty much watch everything that Nicolas Cage stars in, regardless of the quality. And, granted, a lot of the B-type action/horror movies that he starred in lately are bad. Take "Pay the Ghost", for instance. I probably never would have bothered to continue watching if it weren't for Cage's name prominently decorating the opening credits, as it looks like just another derivative and predictable ghost story with a weak plot and an overload of fake scares. Make no mistake, "Pay the Ghost" IS a forgettable and weak supernatural horror entry, but hey, maybe I was in an exceptionally good mood because I nevertheless enjoyed it. The script is obviously trying to cash in on "Insidious", "Sinister" and every other recently released thrillers featuring ghost children, and Cage strictly acts on automatic pilot, but I was still interested in the plot of his missing son. Charlie mysteriously vanished during last year's Halloween parade and, nearly one year later, his father discovers that several children go missing every year on All Hallows Eve without ever getting found. Mike reunites with his estranged wife and together they stumble upon a harrowing tragedy that occurred nearly three centuries ago. Being a sucker for folklore/urban legend stories involving witchery and burning at the stake, I really dug the tale of Annie Sawquin, and director Uli Edel ("Christiane F.") did his best to insert a creepy atmosphere, decent special effects and eerie scenery. Certain scenes are quite brutal, like the fade of the spiritual medium, and the happy ending doesn't feel too forced. But, like I said, I was in a good mood and Cage himself probably already doesn't remember "Pay the Ghost" anymore.

Having enjoyed 'vintage Cage' in The Rock, Con Air, Face-Off, Captain Correli etc, frankly, I was hoping for a comeback, but, I didn't find it. Scripting at times is woefully simple, used to stitch the scenes, 'we need to discover xyz', 'how will we do that' and into the next scene! It feels predictable, it doesn't go deep, on the plus side, there were a couple of goose-bump scares, so I was submerged well enough at points and certainly the pace picks up during the final third. If there was a blackout power cut during the film, I wouldn't even consider to go back to finish it, it is not a good film, but, its not a bad one. Sunday evening B grade fodder.

After about five minutes into the movie I thought, "Oh no, not another child that sees ghosts." Then, as though the writers heard my plea, the movie changed directions. Now, to be fair, it didn't go into unchartered territory. In fact, the movie revisited a well established premise.

Professor Mike Lawford (Nicholas Cage) loses his child at a Halloween fair right under his nose. This leads to a split between he and his wife, Kristen (Sarah Wayne Callies), as she blames him for their son's abduction. Shortly before Charlie's (Jack Fulton) abduction he had strange visions and even heard something tell him to "Pay the Ghost". All of that plays a major role in Mike's subsequent search for his son as it takes him to stranger and stranger locations.

I would call the movie eerie and ominous even but not quite scary. There is a particular frustration when a terrible thing happens to you in a desolate location because no one is around to help you. There is another, more intensified frustration when a terrible thing happens to you in New York City and there are literally thousands of people around you. That's precisely what Mike was dealing with. "Pay the Ghost" was entertaining and it held my interest but nothing groundbreaking.