Un chat pour la vie

There is much to like about this film. For a start Luke Treadaway does a solid job as James Bowen, the lead character. But let's be honest, Bob (as himself) totally steals every scene he is in. A gorgeous ginger Tom, he is adorable and just oozes charm despite not having any dialogue. You could almost hear the audience warm to him from the first time we see him, helping himself to a box of cereal. Bob needed a home and someone to look after him and James needed Bob to find the strength to save himself and a sense of purpose in life.

The film is based on a true story and yet weirdly it suffers a bit from being too adult (in parts) to be a real family film yet it almost comes over as a severely compromised view of the world of drug addiction and thus will be a bit of a disappointment to those expecting a deep character study. In the UK the film is rated 12 so it is neither a kiddies film about a cute cat nor is it quite the Trainspotting style view of a man trying desperately to kick his drug dependency. In this regard the film falls between two stalls and despite trying hard, can never quite make up it's mind what it purports to try to be.

Roger Spottiswoode is a talented director (just look at his CV) and yet he feels a strange choice to direct this. He made the Tom Hanks comedy Turner & Hooch a long time ago so he has form of working with animals and humans but this film is a million miles (and millions of dollars) away from that Disney crowd-pleaser. Here we have a small story that must have been a very delicate balancing act to get right at the script stage, a mixture of comedy & pathos that has to be able to not offend a family audience and yet deal with a serious subject matter and the huge uphill struggle James has to deal with, his desire to get clean of addiction for once and for all. And some credit must go to the screenwriter for showing the degrading and tragic side of drug addiction without making it too overtly harrowing. If this film inspires one other person to turn their life around like Bob motivated James to do, or even stops one person turning to drugs as an escape then it will have done its job.

I should point out that the film also has a light side too, with touches of comedy alongside the seriousness. The supporting cast are all fine too, although the neighbour 'Betty' seems a little too kooky and convenient for my liking. James's support worker Val is wonderfully played out by Joanne Froggatt from Downton Abbey and fans of Mike Leigh films will also recognise Ruth Sheen popping up too. And let's not forget Anthony Head (who is always immensely likable) as James's dad and has a wonderful scene towards the end of the film when he finally shows his true feelings.

So then, this is a worthwhile film providing you aren't expecting to see a) a Garfield film or B) a Trainspotting expose of life as a drug addict. There is almost no bad language to speak of so it ticks that box too. Like I said earlier, there is a feeling of compromise to this, like the story was edited for a younger audience but that isn't necessarily a bad thing and it certainly helped James Bowen's book reach out to a mass audience and rightfully become a best seller. If this was set in the US it would certainly have a glossier feel and maybe it's touch of grittiness (partly as it was filmed on location in a grey, drab London during November-December 2015) will harm it's box-office, but as a true life human drama of inspiration with a dash of charm and loads of character then do give it a try.

Whilst I'm not usually drawn to writing reviews I'd just like to add that I thoroughly enjoyed this along with my young teenage children and partner, yes we all love cats which possibly helped but really, the acting was very good, the characters were believable and engaging, the story had our attention and whilst sadly the cinema wasn't exactly what you'd call full, those present loved it also. I've since read that the script lacked 'good grammar' and was too simplistic, whilst I may not have been Cambridge educated I thought that it was in keeping with the subject and none of our party felt it lacked anything, quite the opposite in fact. A movie which 'touched' us all and I'll be recommending this to friends and family. The best film since Eddie The eagle!!

This film tells the story of a drug addict who sings in the street to make ends meet. One day, a stray cat enters his life, and his life is never the same again.

It is a heartwarming story of a man who is given a second chance in life. It is an inspirational story that tells people that anyone can achieve a better life. When he says to the doctor that the cat has shown him what life is like in the other side, it is rather profound. The cat provides the little push for him to move out of the mess and into a meaningful path.

Though it is a little sad for me to see that people supported him only because of the cat. His singing is the same before and after the cat, so I can conclude that his second chance really is given by the cat. I hope people can actually give second chances to people even without the presence of a cat, as there really is enough love and care to go around. We can show people who needs second chances that they are loved and cared for as well.

This film connects you with the realities of street life and addiction, but without the excessive angst, despair and high melodrama which is typical of the genre. Because of this the storytelling feels very realistic, very honest. Obviously what distinguishes this story is Bob himself - I'm not a cat fanatic but it is obvious that Bob is a very unique personality. Yet in keeping with the low key feel of the film, they do not overly anthropomorphize Bob himself - he is a cat who has adopted a human, plain and simple.

This film deserves a wider distribution - it is unrated but I would suggest pg13. There is much more to this film that Bob the cat, but you should see the film and reach you own conclusions. If nothing else it may help you think differently, more sympathetically, about street people and street cats.

This film offers almost exactly what you would expect it to and there's nothing wrong with that. We've seen better movies about the trials of homelessness, the tortures involved in getting clean from heroin, especially the latter when it's worth remembering this is a 12A certificate and so the horrors experienced by the main character can't be quite as lurid, nightmarish and unsettling as those depicted in TRAINSPOTTING.

Otherwise, this adaptation of James Bowen's autobiography, his account of how he was saved by the unlikely companionship of Bob, is pretty likable stuff. Luke Treadaway's performance is perfectly fine; his depiction of a drug user who's lost everything and is living rough comes across as credible enough. If there's a sense of fantasy about the effect Bob has on his fortunes - Londoners react to Bob as though they've never seen a cat before - then you just have to go with it to an extent. The film makes it clear that Bob personifies James's salvation, and it was a lovely detail to discover one of the feline actors playing the cat was none other than Bob himself.

Anthony Head doesn't need to do much to play James's estranged father, but he handles the emotional turmoil hidden beneath the character's austere exterior really well. Joanne Froggatt and THE STRAIN's Ruta Gedmintas are memorable as James's doctor and distant love interest respectively. The latter is a bit too obviously 'hippy chick' but she just about gets away with it, and I respected that the romantic undertones of her story line climaxed in a bittersweet, realistic way.

For me, this is up there with EDDIE THE EAGLE as a title that won't win any awards and will never slay the box office, but it made me feel better for having seen it. I'm looking forward to reading Bowen's book now. And I once knew a cat called Bob - a more affectionate and avuncular friend I don't think I've ever had.