Une vie fantastique

"I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." Henry David Thoreau

I just happen to be reading Henry David Thoreau's book Walden for a philosophy club. When I saw this trailer I told myself I had to see this before it left my city. The similarity between the book Walden and this film are pretty high. With similar topics of arguments against commercialism and full industrialism. Then throw on top a yearning for spiritual truth and self-reliance. Still, this isn't just a stick your middle finger at the system film. It's way more than that.

Matt Ross has an interesting meditation on what it means to live outside society in America. He shows a couple reasons why someone would do this and show the pros and cons in a very interesting way. The views evolve as the story moves on. Such is life eh?

Viggo Mortensen acting is amazing in this role. With that said, don't overlook Jack (Frank Langella) acting in the film. For a good portion of the film, we only see the point of view from the family and mostly Ben (Viggo Mortensen) at that. But later in the film, you see Jack's motives too. I can see why he acted the way he did and I may have done this same if I was in his spot too.

Bo (George MacKay) gets a couple good scenes too. It's great to see him fumble through interactions throughout the film and to discover what he wants out of adult life. This may or may not conflict with what his dad wants.

I highly recommend this film and can't wait to see what Matt Ross does in the future. If this film comes to your town do yourself a favour and see it. Clever films are rare and need to be supported.

Greetings again from the darkness. There seems to be no end to the theories on how to be an effective parent and raise kids who are productive, well-adjusted and successful. Writer/director Matt Ross offers up a creative, entertaining and thought-provoking story of one family's unconventional approach in a world that seems to expect and accept only the conventional.

We are first introduced to Ben (Viggo Mortensen) and his six kids as they are stalking a deer while deep in the Pacific Northwest forest … only this isn't your buddy's weekend deer hunting trip. Each family member is covered head-to-toe in mud and other means of camouflage, and the oldest son Bodevan (George MacKay) takes the lead with his knife in what is presented as a rite of passage into manhood.

The family carries out a daily ritual that includes extreme physical conditioning, lessons on survival and living off the land, and advanced education that includes reading such diverse material as Dostoevsky and Lolita. Each evening is capped off with an impromptu musical jam. It's evident that self-sufficiency, intelligence and family loyalty are crucial to Ben's approach … an approach that is challenged when circumstances require the family board their Partridge Family bus (named Steve) and take a cross-country road trip into a civilization that doesn't know what to make of them (and vice-versa).

The film is jam-packed with social commentary on education, parenting, societal norms, societal influences, and even grief. Who gets to decide what is best for a family or what's the best method for education? Sometimes the dysfunctional family isn't so easy to identify. Director Ross proves this in a gem of a dinner table scene as Ben and the kids visit Kathryn Hahn, Steve Zahn and their two sons in suburbia.

In addition to the terrific performance by up-and-comer George MacKay, the other actors playing the kids are all very strong and believable: Samantha Isler as Kieyler, Annalise Basso as Vespyr, Nicholas Hamilton as Rellian, Shree Crooks as Zaja, and Charlie Shotwell as Nai. Screen vets Frank Langella and Ann Dowd bring presence to the role of their grandparents and provide the greatest contrast to the off-the-grid existence of the kids.

Viggo Mortensen truly shines here and gives a performance full of grace and depth as he displays many emotions (some of which aren't so pleasant). He even goes full-Viggo for one of the film's many humorous moments … though the comedy is balanced by plenty of full scale drama. His best work comes in the scenes when he begins to question that there may be some flaws in his plan … the moments of self-realization are stunning.

Many will note some similarities between this film and Little Miss Sunshine (2006), though this one carries quite a bit more heft. It's beautifully photographed by cinematographer Stephane Fontaine (A Prophet, Rust and Bone) and captures the danger and solitude of the forest, while also capturing the more personal family dynamics. It's a film that should generate plenty of discussion, and one of the questions is … will Noam Chomsky Day ever match Festivus in popularity?

This movie challenges lots of things that we wrongfully take for granted in today's society. Mortensen is brilliant for yet another time and all the cast is simply breathtaking.

The concept of the movie and the backstory were brilliant. A touching movie, heartwarming and brilliant all along. A father that although strict and sometimes military like, who's also artistic and deeply sentimental. An amazing depiction from Vigo Mortensen. Amazing.

A movie that in a simple but yet elegant way depicts all the things that have altered our society and brings forth lots of the things that really matter. It makes us think about the ways we were raised and rethink the ways in which we want our children to be raised.

This is a movie well worth your time. One of the best movies I have watched in 2016, by far!

I'm a resident and lover of the Pacific Northwest and pretty far left on the political spectrum, so this should have been a film for me. The cinematography is gorgeous. It's well acted and nicely directed. But I had problems with its heavy handedness and Utopian pretentiousness.

Perhaps if I were younger, with a more absolutist worldview, I'd have been able to suspend disbelief enough to enjoy this film without reservation. But it fell flat for me in a number of ways.

First, there are too many things that don't add up, from having a magically fueled bus available at all times despite a lack of that terrible capitalist green stuff to a balanced and varied diet supportive of an extreme training regimen even though living as hunters and gatherers without taking the time or energy to cultivate crops. Everyone manages to stay clean and well dressed despite a lack of electricity or running water. The children are educated to be philosopher-scholars, musicians, theoretical physicists, linguists, endurance athletes and survivalists (all at the same time, as if any one of these challenges would not be a full time endeavor reserved for ones of special gifts and talents) while handling every aspect of their fully self-sufficient lives in their idyllic nature preserve. It's never explained how the family manages to purchase a huge tract of old growth forest or manages to squat without consequence on public land.

Setting aside all of that, I found the political/philosophical point of view of the film heavy handed to say the least. The father inculcates the children with his westernized quasi-Buddhist spiritual philosophy and Marxist ideals; fine. But the film seems intent on antagonizing everyone who doesn't share such views -- though the themes are softened here and there, I guess in an effort to make it seem more open-minded and, thus, palatable to a broader audience.

Personally, though not a Christian, I see no need to belittle and offend those who are. While projecting a supposedly tolerant and nuanced worldview, with some tips of the cap to broad-mindedness as the father realizes he's been perhaps a tad extreme, the film is actually quite intolerant and demeaning of conventional values. Why, for example, is it a good thing to educate the children on how to steal? I've no issue with a nudist lifestyle and have in fact spent time on nude beaches, so I have an understanding of the ways in which removing clothing can strip away pretensions and leave people open and vulnerable in good ways. At the same time, is inflicting one's nudist philosophy on others a good thing? It's also worth pointing out that among the most extreme of contemporary fundamentalists, Wahabi Muslims have this habit of bulldozing the shrines of Sufi Muslims and erecting public toilets in their place as a means to belittle and humiliate. This film, which tries to embody themes that are open and tolerant, in a very real way commits the same offense as the Muslim extremists of Saudi Arabia with a gratuitous scene set in a public toilet.

At the end of the day, for all the messages the film seems to want to carry, it's really a rather thin and hypocritical gruel, blind to the irony of its own intolerance, offering little of lasting value (except a nicely nuanced nutshell review of the Nabikov novel "Lolita").

I've still given the film six stars because it's well crafted and for its efforts to be thought provoking. Those are laudable goals even if the effort ultimately falls far short.

"Captain Fantastic" (2016 release; 119 min.) brings the story of Ben and his 6 kids. As the movie opens, we are looking onto the breath-taking landscapes of western Washington. The camera then zooms in on a deer, and before we know it, the deer is killed by a brutal knifing (with audible gasps in the theater audience). It turns out to be Ben's oldest son. Ben exclaims proudly "today a boy is dead, in his place is a man!". We get to know Ben and the 6 kids, ranging from 17 to about 7 or 8 in age, as they live completely off the grid. As we wonder "where is Ben's wife/the mom?", we learn that Leslie is in the hospital due to bipolar disorder. One day Ben drives into town to call the hospital to see how Leslie is doing... At this point we're not event 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the second feature length from actor/writer/director Matt Ross, who previously directed the under the radar "28 Hotel Rooms". Here he brings something completely different, and a social experiment at that: what if you raise a family completely off the grid, in a utopian but clear anti-capitalistic setting, without any interaction with the "real" world, and what would happen if at one point those children are forced to confront the "real" world. Fascinating idea, and one that Ross examines quite nicely. The movie excels even more due to the performance of Viggo Mortensen, which is out of this world, but truth be told: the six kids are quite outstanding as well. The movie is pretty much perfect for the first 90 min., but then struggles to come to a reasonable conclusion, regretfully. There is also an outstanding score for this movie, courtesy of Alex Somers and performed by Somers and Jonsi (of Sigur Ros). Apart from the score, there are a number of other good song placements throughout the movie (but not Elton John's "Captain Fantastic and the Brown Dirt Cowboy", if you were wondering). Can't wait to check out the soundtrack.

"Captain Fantastic" won Matt Ross the best director award in the "Un Certain Regard" showing at the Cannes Film Festival in May. The movie finally opened at my local art-house theater here in Cincinnati and I couldn't wait to see it. The Saturday early evening screening where I saw this at was attended very nicely, I am happy to say. It seems that, other than the gasps in the opening scene of the movie, the audience really enjoyed the movie. I know I did. If you are interested in a very solid family drama with a unique social experiment, you cannot go wrong with this, be it in the theater, on VOD or eventually on DVD/Blu-ray. "Captain Fantastic" is HIGHLY RECOMMENDED!