ÉVALUATION IMDb
7,1/10
36 k
MA NOTE
Un couple marié qui s'apprête à fêter son anniversaire de mariage reçoit des informations bouleversantes qui promettent de changer à jamais le cours de leurs vies.Un couple marié qui s'apprête à fêter son anniversaire de mariage reçoit des informations bouleversantes qui promettent de changer à jamais le cours de leurs vies.Un couple marié qui s'apprête à fêter son anniversaire de mariage reçoit des informations bouleversantes qui promettent de changer à jamais le cours de leurs vies.
- Director
- Writers
- Stars
- Nommé pour 1 oscar
- 21 victoires et 62 nominations au total
Martin Atkinson
- Smoking Chef
- (uncredited)
Rachel Banham
- Waitress
- (uncredited)
Alexiane Cazenave
- Katya
- (uncredited)
Michelle Finch
- Niece
- (uncredited)
Paul Andrew Goldsmith
- Brewery Security
- (uncredited)
Peter Dean Jackson
- Jarrolds Shopper
- (uncredited)
Kevin Matadeen
- Waiter
- (uncredited)
James O'Mara
- Street Charity Fundraiser
- (uncredited)
Avis en vedette
A sequence of events in the run up to a big celebration of the couple's 45th anniversary. An unexpected letter with some unsettling news that pulls, just a little, at the seams of the marriage.
Scenic English country side outside a historic market town. Accomplished performances by all of the cast. Charming British accents. Lovely camera work. Tight scripting & dialogs that brings out the affections and tensions of a long, childless marriage. All of this points to an engaging movie, and it is.
Except, there isn't enough in it. It's like someone took the plot of a short story and decided to spin it out into a novel and you wish they hadn't. It's like a samosa where they skimped on the aloo. It is worth a watch, just about, especially on a day where you feel your life has been too dramatic and you want to tamp it down a little.
Scenic English country side outside a historic market town. Accomplished performances by all of the cast. Charming British accents. Lovely camera work. Tight scripting & dialogs that brings out the affections and tensions of a long, childless marriage. All of this points to an engaging movie, and it is.
Except, there isn't enough in it. It's like someone took the plot of a short story and decided to spin it out into a novel and you wish they hadn't. It's like a samosa where they skimped on the aloo. It is worth a watch, just about, especially on a day where you feel your life has been too dramatic and you want to tamp it down a little.
Kate (Charlotte Rampling) is preparing her 45th anniversary party married to Geoff Mercer (Tom Courtenay). They live comfortably childless in rural England. Geoff reveals something about a previous relationship with Katya who died long ago hiking a glacier but the body was only recently discovered. Kate is a little perplexed and struggles to understand the true nature of their relationship.
Charlotte Rampling is one of the greatest actresses around. I get the idea of an old couple with a secret. There isn't enough danger or drama for the tension to be truly raised. The major drama should occur after the big discovery. This is a quiet drama with buried emotions. I'm not complaining that nothing happens. It's just that the drama is interior and doesn't amount to that big. If you like quiet character study, this one is for you.
Charlotte Rampling is one of the greatest actresses around. I get the idea of an old couple with a secret. There isn't enough danger or drama for the tension to be truly raised. The major drama should occur after the big discovery. This is a quiet drama with buried emotions. I'm not complaining that nothing happens. It's just that the drama is interior and doesn't amount to that big. If you like quiet character study, this one is for you.
45 Years is a almost a theatrical film, with not many characters and a slow-burning, subtle but powerful exploration of couple dynamics, the nature of love and trust, the weight of the past on the present, and who truly are those people with whom we share our lives. There is also a pointy finger to the social façade that many couples show to the world, which is not always as rosy or perfect when they are behind closed doors.
We get to know this apparently exemplary couple, Geoff and Kate Mercer, who have been married for 45 years and are approaching the celebration of their 45th wedding anniversary, content with their lives, caring, and loving. Until some news related to Geoff's past arrive and open a Pandora's box filled of smells of another woman, a love story that was more powerful that initially seems, and the ramifications that the story had on Geoff's marrying Kate. After the box in open, we get to see the real nature and strength of their relationship.
One of the main virtues of the film is, paradoxically, one of its most bugging disappointments: the ambiguity of feelings the viewer experiences about the unfolding events.
We get to know the past story, and some of the ramifications on the Swiss love story on Geoff & Kate's love story. However, we don't know why a story that happened so long ago, before the couple met, is hitting Kate so harshly. We get to live, in a way, the same doubts and mixed feelings she feels about the sincerity and integrity of her husband's love, feelings, and openness in their relationship: was she a rebound or was he really in love with her when they married? Why did he hide everything? Why is he's still hiding things and laying about everything? Why is he so distressed about a person he met 40+ years ago? Can she really trust him?
On the other hand, we don't really know what is behind Geoff's secrecy and moodiness either: Did Geoff hide his past to Kate on purpose? Did he just want to put the past behind and move on afresh with her? Is his current behavior the result of his inability to deal with his emotions? Or is it a reminder of what life was and would have been like with the other woman? Does he really love Kate? Did he love Kate when he married her?
These annoying doubts create a subtle emotional tension that bugs you inside, without any dramatic scene needed to be created. After all, things that destroy a relationship the most aren't always the fights or dramas, but the unsettling feelings of distrust, disrespect, lack of communication and lack of openness of those people with whom we share our lives. At the end of the film, I found that it was OK for us not to know anything for sure. The lack of knowledge produces an unsettling feeling in the viewer, and you get to say (or at least I did) you can never get to know anybody fully, no matter s/he is your partner, parent or offspring, there is always more to any person than meets the eye, and you should never ask people for their secrets as you might not be able to deal with their answer.
Charlotte Rampling and Tom Courtenay are great in their respective roles, looking their age and playing being elderly with grace and verisimilitude.
We get to know this apparently exemplary couple, Geoff and Kate Mercer, who have been married for 45 years and are approaching the celebration of their 45th wedding anniversary, content with their lives, caring, and loving. Until some news related to Geoff's past arrive and open a Pandora's box filled of smells of another woman, a love story that was more powerful that initially seems, and the ramifications that the story had on Geoff's marrying Kate. After the box in open, we get to see the real nature and strength of their relationship.
One of the main virtues of the film is, paradoxically, one of its most bugging disappointments: the ambiguity of feelings the viewer experiences about the unfolding events.
We get to know the past story, and some of the ramifications on the Swiss love story on Geoff & Kate's love story. However, we don't know why a story that happened so long ago, before the couple met, is hitting Kate so harshly. We get to live, in a way, the same doubts and mixed feelings she feels about the sincerity and integrity of her husband's love, feelings, and openness in their relationship: was she a rebound or was he really in love with her when they married? Why did he hide everything? Why is he's still hiding things and laying about everything? Why is he so distressed about a person he met 40+ years ago? Can she really trust him?
On the other hand, we don't really know what is behind Geoff's secrecy and moodiness either: Did Geoff hide his past to Kate on purpose? Did he just want to put the past behind and move on afresh with her? Is his current behavior the result of his inability to deal with his emotions? Or is it a reminder of what life was and would have been like with the other woman? Does he really love Kate? Did he love Kate when he married her?
These annoying doubts create a subtle emotional tension that bugs you inside, without any dramatic scene needed to be created. After all, things that destroy a relationship the most aren't always the fights or dramas, but the unsettling feelings of distrust, disrespect, lack of communication and lack of openness of those people with whom we share our lives. At the end of the film, I found that it was OK for us not to know anything for sure. The lack of knowledge produces an unsettling feeling in the viewer, and you get to say (or at least I did) you can never get to know anybody fully, no matter s/he is your partner, parent or offspring, there is always more to any person than meets the eye, and you should never ask people for their secrets as you might not be able to deal with their answer.
Charlotte Rampling and Tom Courtenay are great in their respective roles, looking their age and playing being elderly with grace and verisimilitude.
Kate and Geoff are a mature couple enjoying a peaceful life, their 45 year wedding anniversary is soon approaching, but this sense of calm is broken when Geoff receives a letter, telling him that the body of his first wife Katya has been found in the Swiss mountains. We see the effects on Geoff an Kate during the lead up to their celebration.
It is a wonderful character study, with two acting legends, Charlotte Rampling and Tom Courtenay, both showcasing their vast talents, as a combination the pairing are formidable, too many high caliber scenes to pick out any real specifics, although the living room dancing is expertly done.
A good supporting cast too, I'm biased towards Geraldine James, but as always she is fantastic. She doesn't try to overtake or overshadow, she's great.
It's a film I very much enjoyed, it belongs to a certain genre of films that often gets overlooked, one that could easily be dismissed as boring, but it is expertly done. A true gem with an acting masterclass. 8/10
It is a wonderful character study, with two acting legends, Charlotte Rampling and Tom Courtenay, both showcasing their vast talents, as a combination the pairing are formidable, too many high caliber scenes to pick out any real specifics, although the living room dancing is expertly done.
A good supporting cast too, I'm biased towards Geraldine James, but as always she is fantastic. She doesn't try to overtake or overshadow, she's great.
It's a film I very much enjoyed, it belongs to a certain genre of films that often gets overlooked, one that could easily be dismissed as boring, but it is expertly done. A true gem with an acting masterclass. 8/10
"45 Years" is a great demonstration on how to evoke so many layers of emotion and inner turmoil with a fairly simple filmmaking approach. These types of stories have been told lots of times and probably a bit better (Mike Leigh promptly comes to mind). But what director Andrew Haigh does here which provides the film it's gut wrenching sensation is that he writes these characters with so much depth and naturalism that the events that slowly unravel begin to make the film more and more despondent as it goes on.
Here we have a happily married couple getting ready to celebrate a milestone 45 year anniversary, only for an untimely piece of news regarding Geoff's (Tom Courtenay) past flame whom has passed away, which puts a spanner in the works. Being such a long time ago it would be feasible to think that this won't affect their current relationship, but suddenly all these memories come storming back and he suddenly gets caught in a sort of time warp. He brings her up at every opportunity, he can't stop talking about her. And this is where the film skillfully shifts it's focus onto Kate's (Charlotte Rampling) character. What she once thought was a perfect marriage filled with unbridled endearment immediately turns into a self-doubting thought process. Does he really love me? Am I his one and only?
Rampling is just extraordinary. Subtle in her expressions and exterior but inside the hurt is palpable. No showy antics, no histrionics - simply a masterclass in masking her grief. Haigh uses the bleak Norfolk countryside to great effect, placing her in the center of surroundings that perfectly illustrate what she's feeling -- forlornness and heartache. Courtenay is excellent as well, though not quite as affecting. But what he does brilliantly is convey the actions of an individual that can't quite come to terms with this news and it sets off a chain reaction of resorting to bad old habits and outlandish behavior.
The final scene however couldn't have been crafted any better if they tried. Whilst directed with so much grace and acted wonderfully by Courtenay with his anniversary speech, it was Rampling who elevated it to devastating effect . The words may have been music to the ears for many, but for her it was just so bittersweet because she didn't feel that same affection. She displays a multitude of emotions throughout; smiling, laughing, sorrow, melancholy. Her mind is constantly in a state of befuddlement. What should be one of the greatest nights of her life is far from it. And then the dance, which honestly made me tear up. Not only for Ramplings acting and heartbreaking final shot, but the lyrics to the song pretty much summed up everything that was destroying her;
"When that lovely flame dies Smoke gets in your eyes"
Their marriage may live on, but it will now always be shrouded with her belief that her husband doesn't hold the same love for her that he once had, and this woman from days gone by will always be present for the rest of their lives.
"45 Years" is a slow burning, intricately designed exploration of the underlying grief us humans undergo when in tough times. It's both beautiful and harrowing, aided by incredible performances.
Here we have a happily married couple getting ready to celebrate a milestone 45 year anniversary, only for an untimely piece of news regarding Geoff's (Tom Courtenay) past flame whom has passed away, which puts a spanner in the works. Being such a long time ago it would be feasible to think that this won't affect their current relationship, but suddenly all these memories come storming back and he suddenly gets caught in a sort of time warp. He brings her up at every opportunity, he can't stop talking about her. And this is where the film skillfully shifts it's focus onto Kate's (Charlotte Rampling) character. What she once thought was a perfect marriage filled with unbridled endearment immediately turns into a self-doubting thought process. Does he really love me? Am I his one and only?
Rampling is just extraordinary. Subtle in her expressions and exterior but inside the hurt is palpable. No showy antics, no histrionics - simply a masterclass in masking her grief. Haigh uses the bleak Norfolk countryside to great effect, placing her in the center of surroundings that perfectly illustrate what she's feeling -- forlornness and heartache. Courtenay is excellent as well, though not quite as affecting. But what he does brilliantly is convey the actions of an individual that can't quite come to terms with this news and it sets off a chain reaction of resorting to bad old habits and outlandish behavior.
The final scene however couldn't have been crafted any better if they tried. Whilst directed with so much grace and acted wonderfully by Courtenay with his anniversary speech, it was Rampling who elevated it to devastating effect . The words may have been music to the ears for many, but for her it was just so bittersweet because she didn't feel that same affection. She displays a multitude of emotions throughout; smiling, laughing, sorrow, melancholy. Her mind is constantly in a state of befuddlement. What should be one of the greatest nights of her life is far from it. And then the dance, which honestly made me tear up. Not only for Ramplings acting and heartbreaking final shot, but the lyrics to the song pretty much summed up everything that was destroying her;
"When that lovely flame dies Smoke gets in your eyes"
Their marriage may live on, but it will now always be shrouded with her belief that her husband doesn't hold the same love for her that he once had, and this woman from days gone by will always be present for the rest of their lives.
"45 Years" is a slow burning, intricately designed exploration of the underlying grief us humans undergo when in tough times. It's both beautiful and harrowing, aided by incredible performances.
Le saviez-vous
- AnecdotesThe movie was shot in chronological order.
- GaffesThe morning when Rampling's character enters the kitchen, the clock reads 7:32. Later, being concerned about the passage of time, we see Rampling check her watch as she follows Courtenay into the storage area. Afterwards we see them once again in the kitchen concluding a conversation and going outside to have a smoke. To account for the time that had passed, the clock reads one hour later: 8:32. (Of course the odds are 1 in 60 that it be exactly 1 hour later, but such are the elements of master strokes!) Another morning the clock reads 8:25, and in the afternoon it reads 1:00. There are no goofs with the clock.
- Citations
Geoff Mercer: What? You really believe you haven't been enough for me?
Kate Mercer: No. I think I was enough for you, I'm just not sure you do.
Geoff Mercer: Oh Kate - that's terrible!
- Générique farfeluThe opening credits play like a slide show. Every time before a new name appears on the screen, there is the unmistakable click of a slide projector.
- ConnexionsFeatured in Close Up with the Hollywood Reporter: Actresses (2016)
- Bandes originalesMy Autumn's Done Come
Written by Lee Hazlewood
Performed by Lee Hazlewood
Courtesy of Polydor Records (United States)
Under licence from Universal Music Operations Ltd
Published by Universal Music Publishing Ltd
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- 45 Years
- Lieux de tournage
- Norfolk Broads, Norfolk, Angleterre, Royaume-Uni(Where Kate goes on a boat)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 4 247 285 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 65 775 $ US
- 27 déc. 2015
- Brut – à l'échelle mondiale
- 14 430 249 $ US
- Durée
- 1h 35m(95 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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