ÉVALUATION IMDb
7,5/10
22 k
MA NOTE
Ajouter une intrigue dans votre languePrem and his oversized wife Sandhya are supposed to spend a lifetime together. Will a regular arranged marriage turn out to be a perfect mismatch?Prem and his oversized wife Sandhya are supposed to spend a lifetime together. Will a regular arranged marriage turn out to be a perfect mismatch?Prem and his oversized wife Sandhya are supposed to spend a lifetime together. Will a regular arranged marriage turn out to be a perfect mismatch?
- Prix
- 28 victoires et 28 nominations au total
Devika Vatsa
- NIRMAL'S WIFE DEEPTI
- (as Devika Vats)
V.K. Sharma
- Raghuveer Nautiyaal
- (as Vk Sharma)
Avis en vedette
Had heard the song "Moh Moh ke Dhaage.." many times but not seen the movie. Finally saw it on Prime and movie as good as the song. Its a very simple story of two mismatched people married and finding the differences don't matter when they love each other.
Ayushman Khurana excels in such roles and the actress Bhumi Pednekar is also very charming and good.
A very refreshing movie from Bollywood where there is normal Hindi spoken unlike the Westernised one in most movies. Simple people leaving in simple houses and dressed like an average Indian. Overall an authentic Indian setup unlike the Western aspirational garbage aimed at NRIs.
The comedy works in all scenes and also the serious scenes played by the older actors is very good.
A reluctant Prem is forced to marry an obese Sandhya because she is qualified to be a teacher and the family needs monetary help. Prem himself is a 10th fail due to his poor English skills. Prem cannot get over the looks of his wife and is further frustrated when he sees his friend marrying a pretty girl.
His wife who is an independent woman and no pushover can no longer take his indifference and files for divorce.
Like a normal Hindi movie, the rest of the movie is how they reconcile and find love for each other.
Ayushman Khurana excels in such roles and the actress Bhumi Pednekar is also very charming and good.
A very refreshing movie from Bollywood where there is normal Hindi spoken unlike the Westernised one in most movies. Simple people leaving in simple houses and dressed like an average Indian. Overall an authentic Indian setup unlike the Western aspirational garbage aimed at NRIs.
The comedy works in all scenes and also the serious scenes played by the older actors is very good.
A reluctant Prem is forced to marry an obese Sandhya because she is qualified to be a teacher and the family needs monetary help. Prem himself is a 10th fail due to his poor English skills. Prem cannot get over the looks of his wife and is further frustrated when he sees his friend marrying a pretty girl.
His wife who is an independent woman and no pushover can no longer take his indifference and files for divorce.
Like a normal Hindi movie, the rest of the movie is how they reconcile and find love for each other.
DLKH brings the much needed freshness in Bollywood romance movies. And it comes with a very strong message woven around a very sweet love story. The direction is impeccable with moderated melodrama.
Ayushmann Khurrana might never get the stardom like the Khans and the Kapoors but he is definitely one of those actors never afraid of doing path breaking movies and top them up with amazing natural acting - be it comedy or drama. But he gets a good competition from the new girl Bhumi Padnekar who delivers a very good performance, depicting a struggle of a fat girl in a white skin - size zero obsessed society of India. Sanjay Mishra, playing the role of Ayushmann's father, gives a memorable performance with really good dialog delivery topped up with brilliant comic timing.
The length of the movie is unusually short for a Bollywood movie but then quality is always more important than quantity. Overall, for someone in a mood to watch a light romantic movie, your search ends at DLKH.
This movie comes easily into the list of "movies I can watch anytime".
Ayushmann Khurrana might never get the stardom like the Khans and the Kapoors but he is definitely one of those actors never afraid of doing path breaking movies and top them up with amazing natural acting - be it comedy or drama. But he gets a good competition from the new girl Bhumi Padnekar who delivers a very good performance, depicting a struggle of a fat girl in a white skin - size zero obsessed society of India. Sanjay Mishra, playing the role of Ayushmann's father, gives a memorable performance with really good dialog delivery topped up with brilliant comic timing.
The length of the movie is unusually short for a Bollywood movie but then quality is always more important than quantity. Overall, for someone in a mood to watch a light romantic movie, your search ends at DLKH.
This movie comes easily into the list of "movies I can watch anytime".
If the idea of a perfect girlfriend for you is defined by her size, this film is for you. Unlike the 60s and 70s when voluptuous women ruled the fashion scene, in the 21st century models eat tissue papers to fill their stomach. Coupled with a few movies and the business propaganda of health products and gyms, you have the perfect formula for disaster.
In DLKH, the story surrounds a family which has reached an agreement with another for the marriage of their children. The groom is particularly unhappy with the shapelessness of his bride, but having to abide by custom chooses to get married anyway lest it should make his family upset. Soon after the wedding, the bride realises the extent of her husband's mental block, when he refuses to get anywhere close to her.
The narrative is slow, covering the intricacies of the character's behavior coupled with the happenings of a small town in India. The acting is top-notch, allowing the viewer to diagnose every aspect. The film throws out its moral at you and even if you don't accept it, you are left with no choice but to appreciate it nonetheless.
Worth a watch.
In DLKH, the story surrounds a family which has reached an agreement with another for the marriage of their children. The groom is particularly unhappy with the shapelessness of his bride, but having to abide by custom chooses to get married anyway lest it should make his family upset. Soon after the wedding, the bride realises the extent of her husband's mental block, when he refuses to get anywhere close to her.
The narrative is slow, covering the intricacies of the character's behavior coupled with the happenings of a small town in India. The acting is top-notch, allowing the viewer to diagnose every aspect. The film throws out its moral at you and even if you don't accept it, you are left with no choice but to appreciate it nonetheless.
Worth a watch.
A film released.... a stereotype breaks.... an actress doesn't need to be size zero to become a heroine.... A strong story line, screenplay, dialogues, performances by Ayushman khurana and the newcomer bhumi phednekar.... is ready to surprise the audiences.... Music by Anu Malik gives a down to memory lane ride of the 90's.... its a Kumar Sanu Musical all the way...this is the first time i saw audiences sitting right till the end until the song is finished.... Finally with Dumb LAGA KE HAISHA.... Yash raj Films comes up with another love story with a standard of DDLJ and Rab ne bana di jodi..... Its a thumbs up for this movie.....
10auti43
This movie does touch the realistic side of commoners with a hint of comedy within it. In a span of two hours the movie covers all the problems and changes a newly wed couple go through. Groom not ready to accept that bird watching is no more an option for him and bride trying to settle in a house where her education is an envy point for others. The comic melodrama keeps the viewer glued to their seats till the end of the movie. Music is nice and simple which pushes viewer to cherish the old and simple times. It was hard to believe that Bhumi Pednekar debuted with Dumb laga ke Haisha. Her eyes and facial expressions never made me feel that I was missing anything in the movie. Part I loved was, when Ayushmaan and Bhumi fight over the songs to be played in the tape recorder. Must say a brilliant idea!!
Ayushmann Khurrana on His Most Pivotal Roles
Ayushmann Khurrana on His Most Pivotal Roles
Ayushmann Khurrana revisits his 10-year-long journey in the Indian film industry and breaks down his most iconic characters in movies like Vicky Donor, Andhadhun, and Chandigarh Kare Aashiqui.
Le saviez-vous
- AnecdotesThe script was written in 2007, almost eight years before the release.
- GaffesThe dialect of Hindi spoken by actors in the film is not from the region where the plot takes place. The characters speak a dialect which is prevalent in southern and central parts of Uttar Pradesh and in the region of Bundelkhand. The story is located in Haridwar which is situated in foothills of Uttarakhand. A chaste hindi (khadi boli) is spoken in these parts. Also at times the dialect switches to Haryanavi dialect which is spoken in Yamuna-Satluj doab, not in upper Ganga plains.
- ConnexionsFeatured in 61st Britannia Filmfare Awards (2016)
- Bandes originalesMoh Moh Ke Dhaage (Male)
Performed by Papon
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- My Big Fat Bride
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 4 219 952 $ US
- Durée1 heure 49 minutes
- Couleur
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