En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.En plein milieu de l'hiver dans le Wyoming, un chasseur de primes et son prisonnier trouvent refuge dans un chalet habité par une bande de personnages néfastes.
- Director
- Writer
- Stars
- A remporté 1 oscar
- 46 victoires et 116 nominations au total
Demián Bichir
- Bob
- (as Demian Bichir)
Quentin Tarantino
- Narrator
- (voice)
- (uncredited)
Sommaire
Reviewers say 'The Hateful Eight' is a complex film with standout performances, especially from Samuel L. Jackson, Kurt Russell, and Jennifer Jason Leigh. Praised for its cinematography, Morricone's score, and Tarantino's dark humor and violence, it explores themes of race, revenge, and post-Civil War America. However, some find it overly long, slow-paced, and heavy-handed with dialogue and violence. Its structure and mystery elements are unique, yet opinions on its impact vary, making it a significant yet divisive addition to Tarantino's work.
Avis en vedette
I was a bit sceptical about watching the movie, judging by reviews online and some friends who watched it,but in the end I really liked it.The acting was great .The story was very intriguing with the whole "Murder Mystery" theme.Another plus was the score by the one and only Ennio Morricone.The cinematography was also brilliant
especialy with all the breathtaking sceneries in the early part.My only promblem was that the violence was a bit too extreme in some parts,but it is a Tarantino movie so this was expected.Overall it was a good movie that I will definately rewatch it.
I saw Quentin Tarantino's 8th film on opening night in 70 mm, intermission and all. It was pretty big and fantastic, if not a little bit exhausting. Thankfully, the intermission allowed for a bathroom break.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
I just watched it again, now 4 years later, as the extended edition on Netflix, broken into four episodes, and in UHD 4K.
The snowy vistas in high def digital are as epic and beautiful as you'll see in any film. The majority of the story happens indoors, though, in Mimi's Haberdashery, which provides a more intimate feel, as if you are alone with these characters with the blizzard outside, and the noisy footsteps on the wooden floors inside (You need two boards!)
The featured racism of Tarantino's films, and liberal use of the "N" word, doesn't age well with time. It jars. It seems less funny, and even a little sad. But it is what it is, and will stand the test of time in its quality, and what it tried to say as an adjunct to entertainment. What cannot be denied are the performances that Tarantino brings out of his eclectic mix of characters. Walter Goggins still is a standout performance, and thankfully, a redemptive one.
I look forward to seeing Once Upon a Time in Hollywood, knowing that QT will once again bring together time, music, set pieces, gore, dark humor, pulpy dialogue, and more - and would also like to see how his take on the more regrettable aspects of our culture has (or hasn't) evolved over the last few years.
You'd have to go back 80 years or so to the film adaptation of Sidney Kingsley's Dead End to find a film where the set qualifies as a living participant of the action. The house in the adaption of the Eugene O'Neill classic Long Day's Journey Into Night also qualifies here.
The action is set up when the stagecoach where bounty hunter Kurt Russell is taking his prisoner Jennifer Jason Leigh to the town of Red Rock to be hung. A couple of prairie hitchhikers also come on board another bounty hunter Samuel L. Jackson and Walton Goggins son of a former Confederate general who says he's the new sheriff in the town of Red Rock. Kurt Russell replete with full flowing beard and mustache is one suspicious man. He has those suspicions justified before the film is ended.
80% of the action takes place on set of the 19th century bed and breakfast during the time of a nasty Wyoming winter and does the dialog crackle. If you think you're going to see a western the kind that John Ford or Howard Hawks or Henry Hathaway did back in the old days, then don't watch The Hateful Eight. Hateful is the operating word with these characters, there's nothing really noble about any of them.
Besides the set of Minnie's Haberdashery to recommend it, Quentin Tarrantino selected a truly fine ensemble cast who play beautifully off each other. As the outlaw queen Jennifer Jason Leigh got a Best Supporting Actress nomination, but in my humble opinion she doesn't stand out any more than any of the rest of them. The Hateful Eight also earned Ennio Morricone an Oscar for the best musical score for 2015.
The Hateful Eight is a great western, but it ain't your grandpa's kind of western.
The action is set up when the stagecoach where bounty hunter Kurt Russell is taking his prisoner Jennifer Jason Leigh to the town of Red Rock to be hung. A couple of prairie hitchhikers also come on board another bounty hunter Samuel L. Jackson and Walton Goggins son of a former Confederate general who says he's the new sheriff in the town of Red Rock. Kurt Russell replete with full flowing beard and mustache is one suspicious man. He has those suspicions justified before the film is ended.
80% of the action takes place on set of the 19th century bed and breakfast during the time of a nasty Wyoming winter and does the dialog crackle. If you think you're going to see a western the kind that John Ford or Howard Hawks or Henry Hathaway did back in the old days, then don't watch The Hateful Eight. Hateful is the operating word with these characters, there's nothing really noble about any of them.
Besides the set of Minnie's Haberdashery to recommend it, Quentin Tarrantino selected a truly fine ensemble cast who play beautifully off each other. As the outlaw queen Jennifer Jason Leigh got a Best Supporting Actress nomination, but in my humble opinion she doesn't stand out any more than any of the rest of them. The Hateful Eight also earned Ennio Morricone an Oscar for the best musical score for 2015.
The Hateful Eight is a great western, but it ain't your grandpa's kind of western.
The film is too well crafted to get the really low scores, the cinematography is too good, the acting too high caliber, the direction too solid, the score too nice, and the flick too engaging for such ratings.
This also applies to the other end. The "twists" are unimportant and add no spice, the pacing just slogs along, the joy too nonexistent, the characters evoke too little emotion either way, the story too light on satisfaction, the story telling too inconsistent, the length too needless,the magic (other than on the technical side) too absent, and the rewatchability too minimal for me to see greatness but maybe a second viewing will change my perspective but it will definitely be on video for me, only the lure of a hot date fixated on going could get me into the theater again other than maybe just for the experience a 70mm screening.
I'm a pretty avid Tarrentino fan but I didn't overly enjoy this effort. I more appreciate it and can't say I wasn't engaged but I also can't say that I'm eager to see it again and worse for the first time I have little inclination to do so with a flick by Q.
A generous 7/10 (rounding up from 6.5) for me but I could see ceiling of 8 and a basement of 4 at the lowest.
This also applies to the other end. The "twists" are unimportant and add no spice, the pacing just slogs along, the joy too nonexistent, the characters evoke too little emotion either way, the story too light on satisfaction, the story telling too inconsistent, the length too needless,the magic (other than on the technical side) too absent, and the rewatchability too minimal for me to see greatness but maybe a second viewing will change my perspective but it will definitely be on video for me, only the lure of a hot date fixated on going could get me into the theater again other than maybe just for the experience a 70mm screening.
I'm a pretty avid Tarrentino fan but I didn't overly enjoy this effort. I more appreciate it and can't say I wasn't engaged but I also can't say that I'm eager to see it again and worse for the first time I have little inclination to do so with a flick by Q.
A generous 7/10 (rounding up from 6.5) for me but I could see ceiling of 8 and a basement of 4 at the lowest.
There's a bounty hunter ploughing through the snow, wherever he moves Daisy Domergue moves too, but they need a place to stay, until the storm has gone away, Minnie's cabin's quite close by, so there they go. Before arriving they encounter men adrift, a Major and a Sheriff cadge a lift, but there is tension in the air, mistrust, suspicion and despair, chains are attached; and shackled round loose wrists. At the cabin there are others taking cover, four lone strangers it transpires don't know each other, but they settle for the night, although you know there'll be a fight, and more than one will be impaired, and truly suffer.
Plenty of hate spews forth as well as a number of other less palatable projectiles, but you'd be disappointed if they didn't from the master of magnificent movies.
Plenty of hate spews forth as well as a number of other less palatable projectiles, but you'd be disappointed if they didn't from the master of magnificent movies.
Samuel L. Jackson Through the Years
Samuel L. Jackson Through the Years
Take a look back at Samuel L. Jackson's movie career in photos.
Le saviez-vous
- AnecdotesAfter the script leaked online, writer and director Quentin Tarantino did not want to make this movie. However, after they did a brief reading of the script in Los Angeles, the cast was stunned and got excited for the film, and with Samuel L. Jackson persuading him to do this movie, Tarantino accepted.
- GaffesWarren says that he and Smithers fought against each other during the Civil War at the Battle of Baton Rouge. The battle took place in 1862, African-American troops first saw combat in 1863.
- Citations
Oswaldo Mobray: The man who pulls the lever that breaks your neck will be a dispassionate man. And that dispassion is the very essence of justice. For justice delivered without dispassion is always in danger of not being justice.
- Générique farfeluThe credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone.
- Autres versionsFrom the week of December 25th to 31st 2015, the film was shown exclusively in a 'Roadshow' version at 100 locations across North America (about half of them were 70mm film projection, the other half digital). This version played without previews and ran 187 minutes, including a 4-minute Overture and a 12-minute Intermission. The 'Multiplex' version (digital only) runs 167 minutes, and was shown from January 1, 2016 onwards. In addition to not having the Overture and Intermission, it removes approximately six minutes of footage that Quentin Tarantino felt played better in the 70mm format.
- ConnexionsFeatured in Celebrated: Kurt Russell (2015)
- Bandes originalesRegan's Theme (Floating Sound)
Written by Ennio Morricone
(from the motion picture "Exorciste II: L'hérétique (1977)")
Courtesy of Warner Bros. Entertainment Inc.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Hateful Eight
- Lieux de tournage
- Schmid Ranch, Telluride, Colorado, États-Unis(exterior scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 54 117 416 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 610 676 $ US
- 27 déc. 2015
- Brut – à l'échelle mondiale
- 161 217 616 $ US
- Durée
- 2h 48m(168 min)
- Couleur
- Mixage
- Rapport de forme
- 2.76 : 1
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