Night Will Fall

The footage shown in this documentary is really excruciating... And it goes on and on and on. The film never really shies away from showing you the horrors of hundreds and hundreds of dead bodies in concentration camps being dragged across and piled up one of top of the others as if they were just mannequins. It's a nightmare-inducing vision that I don't think I will ever be able to erase from my memory. Mountain of personal objects, spectacles even human hair carefully sorted according to type and colours.

And yet after a while I felt it was all beginning to be a little too much and I thought the film was probably going around in a circle and did not really have a lot more to say other than just showing detail over detail of the horror. Not that there is anything to say about the carnage that took place in those places, but somehow I felt this was probably a 40/50 minutes or so film stretched to 1 hour and 15 minutes. Yes the footage found is an incredible discovery and a terrifying testimony of a past that shouldn't be forgotten, but other than that, the film has very very little else to say. I also felt some of the use of the interviewees was a bit heavy-handed: cut to people staring into the void, or the use of pointless bit of dialogue just for the sake of seeing this people breaking down into tears half way through the phrase... There wasn't really any need for that. The original footage was heartbreaking enough without having to resort to people crying to make us the audience feel sad about it... or to dark ominous music. But that's just a question of taste. It's hard to review a documentary like this. Give it a small rating and you can be accused of being insensitive. But that's when you should really make a distinction between the subject matter and the material being shown and the actual craft of the documentary. The later is rather plodding, uneven, and as I said before a bit heavy-handed, but since the subject matter is so powerful, on balance 7 out 10 is perfectly justifiable.

Night Will Fall is a potent documentary produced by the British Imperial War Museum covering the consequences of Nazi brutality towards Jews, Slavs and man, women or child considered inferior. As the Allied forces of Great Britain, United States and Canada advanced on the Western and Southern area of Germany, evidence of actual rumored, reported, alleged, speculated and widely believed accounts of state sponsored systematic murdered became distressingly real to the liberating soldiers.

The documentary (originally titled: German Concentration Camps factual Survey) contains recently restored actual footage of Nazi atrocities filmed in 1945 by Army camera crews on instructions by the British Psychological War Division. A plentiful amount of footage was gathered throughout the duration of the liberation of Bergen-Belsen, Buchenwald, Dachau and Auschwitz Concentration Camps. Originally, the footage was intended for a 1945 release to highlight the horrors hidden from public view, ignored by others, advocated by some the shocking truth discovered, which later became termed; The Holocaust.

Likewise the film makers intended not only to reveal the truth; yet, to edit, clarify and comment on what the world can learn from the reality of in-humanity still unimpaired and unforgettable to many. This restored footage is then inter-cut between interviews and melancholy testaments from British, American and Soviet soldiers, or camp survivor who witnessed the act of atrocities or its aftermath. Evoking as these testaments and interviews are, the uneasy commentary by The BBC War Correspondent Richard Dimbley who witnessed the Liberation of Bergen-Belsen is made even-more dismaying by the revelation that British Intelligence, skeptical of his statement, refrained the BBC from transmitting his broadcast to the public for a week after the April 1945 liberation in order to factually confirm the unbelievable horrors uncovered. Dismaying are also the incitable testaments from a Soviet perceptive of what was similarly, yet more eerie witnessed during the Red Armies liberation of the camps in Poland. Decorously, the documentary-makers have rightfully included a few captivating scenes of the Soviet liberation of Auschwitz. Granted, the images captured by Soviet film-crews are truly worthy of admiration. Unfortunately, because these scenes, combined with the commentary of Soviet War Correspondents, are so captivating, more should have been contained. Engaging, is also the explanation of film-makers and Producers Alfred Hitchcock and Sidney Bernstein and their involvement in the documentary.

Night Will Fall is a well presented, somber in commentary, extremely graphic in detail and at times may-be distressing to the viewer. Not only is the visual evidence of The Holocaust painfully revealing; yet, what is also represented is the advanced practices of reporting and commentary of War Correspondences combined with use of newly formed Army Camera Crews. Both methods intended for public exhibition; the original footage captured and the correspondence were innovating in 1945 for allowing the general public, authorised by the Government, with relatively minimal censoring, to bear witness in full overwhelming scenes of war crimes. Therefore, Night Will fall is clear in its focus, effective in its message and one of the best produced documentaries on The Holocaust.

As above, a factual and irrefutable documentary about the appalling conditions experienced in concentration camps, and the simply dreadful outcome suffered by so many of those who were interned.

The scenes were graphic and disturbing, and if they seem repetitive, then that is because the atrocities were so commonplace. It was not a performance, the film is a factual record, thus the purpose in making it was to educate those who want to know the truth, not to entertain anyone.

As the 70th anniversary of the liberation of Auschwitz fell this week, I felt that this film serves to help educate all of us who who were not even born at the time of such events. To help us understand the depths of depravity that mankind is capable of, to help us to understand the dreadful consequences of any kind of racism and to remind us that it shouldn't be necessary to have a war to draw allies together (how many people are aware that a staggering 26M Russians were killed in the process of defeating the Nazis?)

A monumental and depressing work, brought together as a lesson to us all that this must never happen again

This has made me think of something that never occurred to me watching other documentaries of the holocaust. These tragic victims were disposed of without ceremony or dignity; each was an individual and when we think of the unthinkable events of this time the numbers of victims are too enormous to encompass, I mourn them all and yet as one person I cannot do enough to honour to six million. Could there be some way that we could have a worldwide movement to have individuals adopt one victim - if possible to know their birthday and date of death, to undertake to honour that one person in whatever way they might honour a friend or relative who had died. As one reviewer said this is about Jewish people but also intellectuals, homosexuals, gypsies - if six million people across the world were all honouring and remembering one of the victims, as time passes might we not do more to prevent night from falling again.

The imagery is searing. Yes, the finished documentary is loosely assembled, as others point out. But then it's the graphic horrors that count. At 75, I've seen the hellish horrors in other documentaries. Nonetheless, the tale must be told every generation, and what could be more persuasive than such footage. I'm glad the filming comes from a number of death camps, showing the systematic nature of the extermination, and what, I think, most any of us are capable of given certain conditions.

I am sorry that footage showing the gas chambers was apparently not yet available. That would further demonstrate the murderous Nazi intent. I've heard apologists claim that the mounds of emaciated dead resulted from a wartime lack of food, not the result of intentional starvation. Still, those German civilians parading through the camps do look well fed. Too bad that more isn't detailed about how the documentary got caught up in the politics of the day. As a result the film ended up filed away for decades. That appears an interesting story deserving of more explanation. Also, the interviews with survivors bring a bygone time to life, and are often as wrenching as the past is. For them, the reality of the camps is still a vivid presence.

No, the 75-minutes are not entertaining, as others point out. Nonetheless, the visible record of "human junk piles" presents an opportunity for our deepest reflection.