Matilda: La comédie musicale

THANK YOU Netflix for not letting this go straight to streaming. You just cannot beat the cinema experience and with a score and orchestrations like this you need that Dolby surround sound to appreciate the fullness.

I saw the film as a kid, and as I love musicals, I listened to the soundtrack on Spotify last week and can totally understand why this won so many awards. I would suggest that The Greatest Showman actually copied some of their score as there are so many parities.

The casting is first class, there is not a bad link anywhere in the production and what can I say about Emma Thompson, she is one gifted actress and always commands the screen, never more so than here. She would say that actors don't saves lives and it's just a job, but she does it SO well, in the world of awards she totally deserves one for this and ALL her work. Miss Honey had a beautiful voice and amazing actor too, the child lead was equally as outstanding.

I found the story very moving and tears were rolling down my face when 'Quiet' started. Yes, I'm a bloke, and unashamedly get emotional at things like this.

A part of my job as a community nurse is Safeguarding children and, although I found the film funny when I was young, not so now, however it was done very responsibly and sent out the right number of messages about 'telling someone'. I found parts very dark, that originally, I would have been able to view as humorous.

Kids don't ask to be born do they.

Most people were crying at times, especially at the end so take your tissues!

The filming was done in bright colours which makes a change from the drab brown screen.

The musical numbers were superbly choregraphed and the orchestrations made the hair on the back of my neck stand up.

I will see it again with my family next week, it is THAT good.

Netflix did an amazing job with The Prom too, but sadly they let that go straight to streaming, I really hope they learn from this and stop just streaming all the really good stuff, which is few and far between anyway, obviously.

I have mixed emotions about this. Firstly, I am a BIG fan of the west end musical so I was comparing throughout the whole film. There are many good points of the film. The musical numbers have been greatly throughout , and you can tell it's been greatly considered in how to transfer a stage production into a movie and to present the same emotive experience for the audience. I think the choreography was executed perfectly and the casting was phenomenal. HOWEVER (a big however) The film personally didn't grab me in the way the stage production has. It felt rushed in parts (which is understandable as they are trying to fit a 2. 5 hour production in 2) so the intimate moments between the musical numbers were lost, leaving you feeling slightly detached from the characters. I also couldn't help but reminisce about the 1996 adaption and it's authenticity. This movie was clearly a 'Netflix movie'. A bit uneedingly cgi/green screen happy which irritates me and contributes to the detachment I was feeling throughout. Overall, it was a good try, however the wow factor was lost. I want to think that perhaps I am an adult not understanding the current trends and seeking nostalgia rather than a film that is suited to what the kids want these days. After all this is a kids film and perhaps this was perfect for what they needed.

There is so much to enjoy about Matilda the Musical.

It captures that certain kind of magic that only a musical can. It is rammed full of top class performances (Emma Thompson shines, and Alisha Weir is terrific in the lead role). The plot is very well put together and is full of outrageous fun and effective comedy. It captures the quirkiness and wonder of Roald Dahl's story perfectly.

The only real drawback for me is the songs. I only found myself properly enjoying the final song and dance. The rest just weren't really my cup of tea. Had there been a couple of more powerful or catchy songs I definitely would have given this film another star or two. I also though some of the acting was hammed up just a little too much for my liking.

Undoubtedly though Matilda is a very entertaining and fun film that will be sure to put a smile on your face.

It's been 26 years since the premiere of Matilda, the iconic film of the nineties and cleverly directed by the great Danny DeVito. Today it is the turn of Matthew Warchus to take over and deliver us a perfect successor to the 1996 film with a sublime musical of the popular Roald Dahl novel.

It is charming, dark and portentous.

The script that Dennis Kelly writes simply shines with mastery to deliver us a movie that completely fills our emotions and sensations. It is a film that enchants from the beginning, but that does not hesitate to take us into darkness, authentically capturing that purest essence of the novel and for that the visual spectacle is totally marvelous that makes us be glued to the screen and simply enter in the musical and lyrical harmony of Tim Minchin that puts the most recent Netflix premiere at our feet.

The cunning with which the director takes Kelly's splendid script to images, allows us to have a first-cut cinematographic experience when watching it. With perfect musical segments in choreography and dance and the darkness in moments of feeling that you are in a subtle world of Stephen King. That combination elevates to a point of maximum enjoyment of everything we are seeing on the screen and to a large extent hypnotized by the photography provided by Tat Radcliffe that intensifies all that greatness that this new version of Matilda supposes that at no time forgets that theatrical blood of which is fed.

That good performance of all of the above mentioned makes us forget about the weak points that the film may have. The perfect compensation so that we end up more than satisfied with what we are seeing.

From the greatness of Emma Thompson to the promise of Alisha Weir.

Undoubtedly the greatest charm that we find is seeing Alisha Weir be the skin of Matilda; The acting charisma with which the little actress dazzles on the screen makes us excited about a promising one and that is that she comes face to face with all the poise of an Emma Thompson and both only make the screen shine with magic when we have them sharing the scene.

I cannot leave aside the correct work that the rest of the children's cast does and seeing Lashana Lynch sing is priceless, in the same way I cannot leave aside the entertaining step of Andrea Riseborough and Stephen Graham as Matilda's parents.

A cast that further highlights the good work that the film had already had.

Conclution.

It is a pleasant surprise, what it means to be the new version of Matilda for Netflix from Sony.

A film full of emotions that transports you through all those sensitive fibers with which we count as a spectator. Joy, darkness, sorrow and hope cover the 117-minute journey to the pleasure of enjoying a perfect adaptation of a novel and a play, capturing the best of both scenarios to provide an enriching experience on the screen.

A film that is worth watching and enjoyed by both adults and children, it is the journey through what it is to be a child and also what it means to be parents, it is a tale of the purest feeling called love.

I was watching this thinking how much Alisha Weir's performance in the title role reminded me of Emma Watson's "Hermione" from back in 2001! Feisty and intelligent, she is sent by her parents to the "Cruncher Hall" school where she encounters "Miss Trunchbull" (Dame Emma Thompson). Now this is a teacher who would not have looked out of place working with King Herod at Christmas! The children live in fear of her, as do the staff - but as "Matilda" starts to bond with "Miss Honey" (Lashana Lynch) and realises her true potential, well - a rebellion is soon in the offing! It's a strong story this - Dahl addressed many issues of neglectful parenting, bullying, intimidation and sexual stereotyping and Tim Minchin puts much of that sentiment effectively to music with a clever and entertaining lyric. The almost unrecognisable Dame Emma is on top form exuding an almost ridiculous degree of menace as helped by her array of cctv cameras, she rules the school with a rod of iron. Weir really enters into the spirit of things - she puts her heart and soul into the enthusiastic, mischievous and engaging character and with some enjoyably choreographed ensemble dance numbers this all delivers well. It still has a bit of the theatrical to it, some of the production doesn't quite make the best use of the flexibility the big screen offers, but the toe-tapping "Naughty" and "Revolting Children" help put a smile on your face for a surprisingly quickly-paced two hours.