Sicario

Sicario ('Hitman' in Mexican) is well worth your viewing time. The ever- reliable Emily Blunt excels here as FBI agent and hostage specialist Kate Macer. After a gruesome discovery in Phoenix, Kate becomes an idealistic fish-out-of-water in a complex CIA mission, run by Matt Graver (Josh Brolin) against a notorious Mexican drug cartel. Key to the mission is Columbian-born Alejandro (Benicio del Toro): a man with a tragic past that directly guides his future. To tell more would spoil what is a dense and complex storyline that evolves in a most satisfactory manner.

The acting is superb, with Blunt giving a career-best performance (sadly overlooked by the major awards), Josh Brolin being convincing as the war-weathered CIA man and Benicio del Toro delivering his best stone cold killer in gripping style. His Best Supporting Actor Oscar nomination is well deserved, albeit for the maintenance of a fairly standard and chilling expression. Finally a name to watch for the future is London-born Daniel Kaluuya as Macer's black FBI colleague frustrated at being sidelined as a 'spare' by the task force.

Equally praiseworthy is the epic cinematography of Roger Deakin ("Skyfall", "No Country for Old Men") which is also Oscar nominated. Remarkable landscapes of the Mexican border are supported by breathtaking helicopter/drone shots of the CIA convoy of black vehicles in one of the tenser moments in the film. Outstanding (for both direction, editing and cinematography) is a scene set in and around a tunnel that is the best satellite/night vision scene since the 'electronic battlefield' in "Patriot Games" in 1992.

The Oscar-nominated music by Jóhann Jóhannsson (so good with "The Theory of Everything") is of the atonal electronic variety, undoubtedly effective in conveying the film's mood but difficult to compare against the more obvious Oscar nominations from the likes of Ennio Morricone and John Williams.

Directed by Denis Villeneuve (who specialises in single named features) this is a tense, intelligent and thought-providing film that does nothing for Mexico's tourist industry but a lot for Trump's presidential campaign!

Often brutal, this is not an easy film to watch. But it is a highly intelligent watch, requiring your full attention throughout, and is deserving of a place among the best films of 2015. Recommended.

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Sicario is a good movie. A really good movie with excellent direction, cinematography, and tight-knit action which is never overdone. Every actor plays their part to near perfection, and the story is beautifully told--with barely any fluff and.no useless extravagance.

It could, however, have been a truly great movie if Emily Blunt and Daniel Kaluuya's characters were not in it ... or if they had been given different roles. Both actors did fine jobs ... but both their characters were quite simply pointless.

Kate Mercer (Emily Blunt) adds nothing to the story except a needless--and quite half-hearted--moral compass who cries, whines, and delivers empty threats while contributing nothing to the investigation.

Reggie Wayne (Daniel Kaluuya) does, if possible, even less. He is an arrogant, holier-than-thou, uninvited tag-along voice of reason who insists on being present without ever giving any real reason for it, and seems far too interested in his partner Kate's bra ... and her general appearance.

Left to Del Toro and Brolin, with the time wasted on Blunt and Kaluuya instead being spent on greater plot development, Sicario could have been a much better movie!

Probably the best cinematography of this whole year. Roger Deakins is an absolute maestro. Music and sound combo of the movie added to the tension. Johann Johannsson's score is another exciting driving force upon which the film is carried. It was powerful. Incredible action-thriller. It was extremely dark. Not color wise, but the subject matter. Villeneuve really knows how to take the most vile subjects and turn them into intense n dark cinema. The acting was top notch especially Del Toro. He is comfortable with this sort of material and it really shows. I hav always been a fan of Brolin after no country for old men. His character was so relaxed n mean with those slip ons quiet opposite to del toro's who u slowly get to know as the movie unfolds. Del toro's character was emotionless and relentless. It is his best performance to date. The only scene i couldn't digest was the dinner scene. I turned my eyes n was shocked for few mins.

One of those select few thrillers that will have your eyes stuck to the screen from the opening credits to the very end, and I mean that literally: I changed my sitting position many times during the film, yet I clearly recall never ever turning my head away from the film, this is how intense it is.

With this Denis Villenueve has now consolidated his name as one of most important and gifted directors of our time and has shown us he is here to stay. I truly marvel at how this film is so tightly put together and even despite it faults, which it has, especially in script, it just never gives you a chance to breathe and take it all in, thanks to the atmosphere that is established from shot one until the last one, you are always anticipating something's going to happen and that is the sign you are watching a great thriller. You are always on the edge of your seat and in some occasions you are really biting your knuckles. The movie has a way to throw you into the action that is really rare to find, especially in a highway sequence where I literally felt I was there.

All of this is achieved thanks to probably the best cinematography of this whole year. Deakins does it again, once more playing with a lot of blacks and shadows and once more succeeding one hundred percent. Also remarkable is the use of helicopter shots which don't feel like connective tissue, but actually part of the organic, that's something really hard to pull off. The sound design of this film is flat out amazing, some of the best I have truly ever had the pleasure to experience. It is so in you face, so tight, it really contributes in making you feel a part of this even in the more intimate scenes. Music too is also excellent and while some may say it was a little too ominous and dark I felt it matched the tone perfectly and enhanced some parts magnificently, contributing to a nail-biting building of tension.

Of course one couldn't get past reviewing this film without nominating the three great performances at its center. Del Toro, Brolin and Blunt are each better than the other and continue stealing the screen to themselves scene after scene. There really isn't one stand out, the three of them just excel sky high and give depth to characters that are interesting. The characters are really what holds the film together, they are truly developed three dimensionally and explored in depths that aren't normally reached.

What makes the film stumble is the fact that in never has a good enough plot to make things as interesting as they should be. It really has a hard time in setting up which way it's going and in the end it actually doesn't end up with a satisfying resolution. You are certainly left with something to think about because of the themes, the characters, the atmosphere and the intensity, but all in all the plot doesn't offer interesting turns and not enough moral questioning, unlike "Prisoners", and so remains slightly one-note for the whole duration. It also has a totally useless character in Blunt's partner, which other than never understanding why he was there or what was his arch in the film, I never understood how he was being played.

Still there is nothing short of amazing in what Villenueve achieves in two hours. What could have been a screenplay turned into a very generic police drama, is actually one of the most atmospheric and tense movies of the year.

This is like the stuff you see on hour long serialized Television like Netflix's Narcos, but instead this police like drama is done in a two hour movie instead of thirteenth episodes.

Emily Blunt was amazing in her character, a good FBI agent who feels she's not doing enough on the streets and allows herself to get used by someone with more power, played by Josh Brolin brilliantly as a man who seems uncharismatic about his job in order to hide the covert nature of his mission to find the big man responsible for all the street crime.

Brolin played a necessary evil, that comes off brilliantly in the narrative that plays out. Loved how they go from the bottom and get to the very top. It's very surgical.

But the actor who stole the show in Sicario is Benicio del Toro whose character Alejandro, is a cloud of mystery that unravels slowly through the film, done both subtle and dramatic by Del Toro. Every time he was on the screen even when he did nothing he was doing something and you he demanded your attention.

Plus the music and sound combo of the movie added to the tension. it was powerful.

Incredible action-thriller.