Histoires effrayantes à raconter dans le noir

Scary Stories to Tell in the Dark is the type of book that has most certainly made its impact. At the same time, it's also virtually impossible to adapt directly since it's a collection of short stories. While it would possibly work as an anthology horror, the movie takes a different direction and makes its own story that incorporates characters from the book's stories as villains. With horror maestro Guillermo del Toro as producer, it captures the essence of the book, which is good enough. All things considered, this is really more of an ode to horror as a genre, and to the things that scared us as kids. It incorporates several horror subgenres, which was a great addition. It has ghosts, zombies, body horror, and a monster sequence near the end. Popular characters from the book's terrifying illustrations appear, and they look fantastic. It has a great feel to it, and Del Toro's fingerprints are apparent in it. Unfortunately, it has some drawbacks. The main human cast is bland and forgettable. There's nothing here that you've never seen before. Overall, this is the type of movie that would be great if you're a kid and it's your first horror movie. However, if you were in elementary school when SSTTITD was at its peak, you'd be in your 30s at least in 2019 when this movie came out. Today's kids probably haven't heard of it (although who knows, I knew it growing up in the 00's). It ends on a sequel hook, curiously enough, so that may be on the horizon.

To my surprise, this movie was not what I was expecting at all. From the title, I was sure I'd see a portmanteau movie of unconnected short stories, similar to 1983's "Twilight Zone: The Movie". But with a kid-centric plot and set in a small American town, the formula is similar to "It" or "Super 8". However, the episodic nature of serial "incidents" aligns it more with the style of the "Final Destination" films.

Stella Nicholls (Zoe Margaret Colletti) is a horror geek and aspiring writer living in Mill Valley, a small Pennsylvanian town during the Nixon election of 1968. Stella has a couple of friends: the requisite Scoobie Doo Shaggy character Chuck (Austin Zajur) and the 'sensible' "it's all science" character Auggie (Gabriel Rush). But pursued by local hoodlum Tommy (Austin Abrams), Stella, Chuck and Auggie are thrown together with draft-dodging outsider Ramón (Michael Garza).

They escape into the local spooky house - a house where legend has it that terrible things were done to a strange albini girl, Sarah. That legend has it that Sarah used to tell local kids scary stories through the walls. And Stella finds a book... a book that appears to be unfinished....

This is a time when horror films are either "old school" or more psychological in nature (like "Hereditary"). This one has Guillermo del Toro's hand behind that of lead-writers Dan and Kevin Hagerman. And it's firmly old-school. There are some effective (but at times comically created) spooky moments that are scary without being hugely gory. This earns it a UK15, rather than a UK18, certificate. It's disappointing that doesn't stretch to 12A to attract a younger teenage audience, since the source material is actually from a "Goosebumps"-like set of short stories by Alvin Schwartz.

The story's 'episodes' are nicely varied. At the gross-out end of the scale is an episode with Chuck's sister Ruth (Natalie Ganzhorn) that might get arachnophobes running for the exits. My personal favourite? A 'red room' episode with the oncoming fate comically arriving in slow-motion like the steam-roller in "Austin Powers"!

This is another film that relies on the quality of its young cast, with the only moderately well-know cast name being Gil Bellows as the local sheriff. In this regard, the stand-out performance is that of Zoe Margaret Colletti who does a fabulous job as Stella. She's been in a few films in the past ("Annie", "Wildlife" and "Skin") but this is her breakout performance in a starring role. She's done her CV a great favour here.

Directed by "Troll Hunter" director André Øvredal, I really enjoyed this one. I'm not a massive fan of 'slasher' style horror films. I have no burning desire to be constantly reminded of what the inside of my body looks like. So this turned out to be much-more to my liking than the normal horror flick. It had enough spookiness to make me turn on the lights when I got back home, but not enough to pervade my dreams.

The young cast perform well. They are given enough back-story and personality by the script to make you care about their fate.

So overall, this one comes with a "Recommended for wimps" (like me)!

(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)

Film directed by André Øvredal and co-written with Guillermo del Toro, Histoires effrayantes à raconter dans le noir (2019) benefits from an efficient Halloween atmosphere, an excellent photography, the nostalgic 60's dress code, impressive old cars and rather talented young actors. On certain aspects, in particular the ineluctably-fatalistic side, the film makes me think of Les griffes de la nuit (1984) directed by Wes Craven in which a psychopath sadistically haunts teens during their sleep.

After the showing of a cult film (La nuit des morts vivants (1968)) in a drive-in theater, a group of teens arrives, we do not really know how, in a time-worn mansion on the edge of town, abandoned for ages after an unexplained murder. By chance, they find a book. A cursed book! The small town will then suffer a wave of atrocious deaths. Stella and Ramón will have to face their own worst demons in order to stop the carnage and save the inhabitants.

As a synthesis: an efficient teen movie for getting started with cinematographic thrills. 6/7 of 10

As a kind of anthology sort of feature, Scary Stories wasn't actually a bad movie but it didn't fulfill my expectations, specially in terms of scare factors. As a huge fan of André Øvredal (director of Trollhunter & Autopsy of Jane Doe), expected it bit more twisted & eerily creepy particularly around the different monster/entity encounters at different segments. Among the ghostly entities, The Jangly Man & The Pale Lady were the most interesting; and while they could have done more with The Pale Lady (looked like a creepy character from a Japanese manga), the intro to this character was kind of disappointing & somewhat same like Harold the Scarecrow. The Jangly Man was the most satisfactory one...wondering what James Wan would have do with it?! Speaking of Wan, at times it just came to my mind that considering the format & the stories...I think Wan or Mike Flanagan would have been a better choice for this film than Øvredal.

It got potential to be more darker, scarier & entertaining but PG-13 approach turned out to be a let down for me. Overall, found it kinda mediocre, though the effort was fairly decent.

In small town America 1968, there is a dark history that hangs over an old abandoned house regarding the fate of the Bellows family. While escaping the town bullies, a group of teenagers break into the house to hide and it is in this house they find a dusty old book full of terrifying stories but as they take it away with them, new stories begin to appear in the book and the group of friends start to disappear one by one. When I first saw this advertised, I had never heard of the books on which it is based and from the trailer I couldn't figure out who the audience for this story might be. From the trailer I felt it was aimed at young teenagers but then some of the imagery used on screen seemed so terrifying and disturbing i thought it couldn't possibly be. Well it turns out it is aimed at teenagers and if i was a teenager watching this i would probably have loved it. As an adult i did still enjoy it, the horror elements were done brilliantly, scary, disturbing and memorable. It's the bits in between the horror that let it down slightly. I just felt the characters weren't developed enough and didn't really gel together like the young cast of IT did. Visually impressive and a decent story behind it but could have done with some extra time dedicated to character development.