ÉVALUATION IMDb
5,4/10
12 k
MA NOTE
Ajouter une intrigue dans votre langueA guy's regrets over moving in with his girlfriend are compounded when she dies and comes back as a zombie.A guy's regrets over moving in with his girlfriend are compounded when she dies and comes back as a zombie.A guy's regrets over moving in with his girlfriend are compounded when she dies and comes back as a zombie.
- Prix
- 2 victoires et 1 nomination au total
Wyni Landry
- Goth Girl #1
- (as Wyndoline Landry)
- …
Katie Roberts
- FHM Centerfold
- (as Katie Ross)
London May
- Black Metal Bar Goth
- (uncredited)
Mindy Robinson
- Mindy
- (uncredited)
Avis en vedette
Cute movie. I don't know why it has such a low rating.
This is not your typical zombie-type movie. It's more of a zomedy (zombie comedy :p) So, don't watch this expecting something like The Walking Dead.
The acting was good, and the writing clever. The zombie makeup was interesting. The flies flying around Greene was funny, and it was one of the things The Walking Dead never implements, but you have to figure that zombies would have a lotta flies buzzing around them.
Anton Yelchin did a good job in the lead, and Ashley Greene was the sexiest zombie you'll ever see.
In thought this would be awful, but I was very entertained. I recommend this.
Some will not like this, because they don't like zomedies, but it will be their loss.
I gave this a 6-star rating.
This is not your typical zombie-type movie. It's more of a zomedy (zombie comedy :p) So, don't watch this expecting something like The Walking Dead.
The acting was good, and the writing clever. The zombie makeup was interesting. The flies flying around Greene was funny, and it was one of the things The Walking Dead never implements, but you have to figure that zombies would have a lotta flies buzzing around them.
Anton Yelchin did a good job in the lead, and Ashley Greene was the sexiest zombie you'll ever see.
In thought this would be awful, but I was very entertained. I recommend this.
Some will not like this, because they don't like zomedies, but it will be their loss.
I gave this a 6-star rating.
Not exactly of course, although this does feel like its aimed at a specific audience. Some might feel it's a bit too soft for them and that it feeds too many clichés throughout, but that would take all the fun out of it, if you'd reduce it to that. I understand that that's how some will feel (or felt) after watching this.
You missed out on a fun ride though. Yes you know where this is going, from start to finish, but it's fun to watch. Anton Yelcin seems to have a soft spot for the fantastic/light horror entertainment, which is a nice thing. Dante is an experienced director to say the least and he knows how to mix humor with some violence. It might not always work, but when it does (combined with the acting) it's funny
You missed out on a fun ride though. Yes you know where this is going, from start to finish, but it's fun to watch. Anton Yelcin seems to have a soft spot for the fantastic/light horror entertainment, which is a nice thing. Dante is an experienced director to say the least and he knows how to mix humor with some violence. It might not always work, but when it does (combined with the acting) it's funny
The Plot.
When Max (Yelchin) learns that his new live-in girlfriend, Evelyn (Greene) is controlling and manipulative, he is afraid to end the relationship.
However, fate occurs and Evelyn is killed in a freak accident.
A couple months have passed and Max meets his dream girl, Olivia (Daddario).
The new romance gets tricky when Evelyn comes back from the grave and insists on continuing their once relationship by all means.
This is NOT a train wreck in the slightest. It's easy to watch and entertaining. Not really sure why Dante never caught fire after the Gremlins. Maybe it's because his style is more suited for TV. Who knows?
This film was a good surprise. If you are a fan of really bad B horror/sci fi films like I am and like Dante is, you'll get a bonus by watching this movie.
Too be sure, it's a small film with a limited budget, but you can do a lot worse.
When Max (Yelchin) learns that his new live-in girlfriend, Evelyn (Greene) is controlling and manipulative, he is afraid to end the relationship.
However, fate occurs and Evelyn is killed in a freak accident.
A couple months have passed and Max meets his dream girl, Olivia (Daddario).
The new romance gets tricky when Evelyn comes back from the grave and insists on continuing their once relationship by all means.
This is NOT a train wreck in the slightest. It's easy to watch and entertaining. Not really sure why Dante never caught fire after the Gremlins. Maybe it's because his style is more suited for TV. Who knows?
This film was a good surprise. If you are a fan of really bad B horror/sci fi films like I am and like Dante is, you'll get a bonus by watching this movie.
Too be sure, it's a small film with a limited budget, but you can do a lot worse.
More often than not, when I rate a film two or two and a half stars, I'm coming from a place of "Well it's not really for me, but I guess I could see why it might have appeal". Burying the Ex on the other hand comes from a place exactly opposite to that. It's like every five minutes there was something dropped precisely to cater to my interests, but there's no appeal at all. And no amount of goth bars I'd kill to have in my town, horror-themed ice cream parlours, Joe Dante directorial credits or Alexandra Daddario getting her kit off in a graveyard can make up for that.
It's not outright boring, which is certainly welcome, but it's horror that's not scary, comedy that's not funny, and bears not one but two life lessons that seem well learned until they're *both* dropped in the final scene.
I'm not going to make any "Should have stayed buried" digs, because it's really not *that* bad, but I'm not going to recommend it either.
It's not outright boring, which is certainly welcome, but it's horror that's not scary, comedy that's not funny, and bears not one but two life lessons that seem well learned until they're *both* dropped in the final scene.
I'm not going to make any "Should have stayed buried" digs, because it's really not *that* bad, but I'm not going to recommend it either.
"Burying the Ex" is the soon to be released flick from director Joe Dante, who brought us the '80s classics "Gremlins" and "The Howling." This time around, we follow horror-movie-loving Max (Anton Yelchin, ie. Checkov from the "Star Trek" reboot series, but without the Russian accent), struggling to rise above the manipulative people in his life. He's working in a dead-end job in a kitschy Halloween curio shop with a demanding boss; living with his controlling girlfriend Evelyn (Ashley Greene from "Twilight"); and dealing with his brother (I mean half-brother, a running gag) Travis (Oliver Cooper from "The Hangover III") who really just needs Max's apartment as a destination to take his booty-calls to.
An odd little statue arrives at the shop that promises to grant a wish but because it's a "Satan-Genie" (and according to a tag attached)– it has to be granted the "evil way." Cut to the "Satan-Genie" being within earshot of a post-coital promise made between Max and Evelyn: "We will always be together always and forever" and the "evil-way" is set in motion.
Max's relationship with Evelyn continues to deteriorate. Evelyn freaks out at a friendly ice cream shop owner named Olivia (played by the comely Alexandra Daddario from True Detective); turns their apartment into a "green, eco-friendly zone" and relegates (read: jams) his expensive horror movie posters into a drawer At his wits end, Max takes the advise of brother (half-brother) Travis, and invites her to a public place to break up with her. Max chooses a dog park, which leads Evelyn to believe he has gotten her a dog, and in her enthusiasm, rushes out to meet him and is killed by a bus.
You can guess what follows. Evelyn returns from the grave, hell-bent on rekindling their relationship, and determined to keep Max away from the very-alive ice cream owner, Olivia. And she has a plan to make good on their promise to "always be together always and forever" that Max is not too keen on.
There are some genuinely funny moments, and director Joe Dante is in great form, but comparisons to the Jeff Baena film "Life After Beth", released last year, are inevitable. Both movies involve girlfriends coming back from the grave to despondent boyfriends who have all kinds of regrets after their deaths; both girlfriends are adamant in reviving their "dead" relationships (and deflecting any interest from any potential "living" girlfriends), all the while slowly deteriorating physically and mentally into zombie-ness (and rage). And according to both films, returning from the grave makes girls super-strong and really horny.
Those are the plot similarities. Burying the Ex is a really fun movie with great directing, photography, physical special effects and outstanding acting that illustrates Dante's pedigree, delivering a far more polished film than Life After Beth. Don't let seeing Beth dissuade you from checking out Burying the Ex. It's a fun watch for those wanting to expand their zombie movie horizons.
An odd little statue arrives at the shop that promises to grant a wish but because it's a "Satan-Genie" (and according to a tag attached)– it has to be granted the "evil way." Cut to the "Satan-Genie" being within earshot of a post-coital promise made between Max and Evelyn: "We will always be together always and forever" and the "evil-way" is set in motion.
Max's relationship with Evelyn continues to deteriorate. Evelyn freaks out at a friendly ice cream shop owner named Olivia (played by the comely Alexandra Daddario from True Detective); turns their apartment into a "green, eco-friendly zone" and relegates (read: jams) his expensive horror movie posters into a drawer At his wits end, Max takes the advise of brother (half-brother) Travis, and invites her to a public place to break up with her. Max chooses a dog park, which leads Evelyn to believe he has gotten her a dog, and in her enthusiasm, rushes out to meet him and is killed by a bus.
You can guess what follows. Evelyn returns from the grave, hell-bent on rekindling their relationship, and determined to keep Max away from the very-alive ice cream owner, Olivia. And she has a plan to make good on their promise to "always be together always and forever" that Max is not too keen on.
There are some genuinely funny moments, and director Joe Dante is in great form, but comparisons to the Jeff Baena film "Life After Beth", released last year, are inevitable. Both movies involve girlfriends coming back from the grave to despondent boyfriends who have all kinds of regrets after their deaths; both girlfriends are adamant in reviving their "dead" relationships (and deflecting any interest from any potential "living" girlfriends), all the while slowly deteriorating physically and mentally into zombie-ness (and rage). And according to both films, returning from the grave makes girls super-strong and really horny.
Those are the plot similarities. Burying the Ex is a really fun movie with great directing, photography, physical special effects and outstanding acting that illustrates Dante's pedigree, delivering a far more polished film than Life After Beth. Don't let seeing Beth dissuade you from checking out Burying the Ex. It's a fun watch for those wanting to expand their zombie movie horizons.
Le saviez-vous
- AnecdotesNear the beginning of the film a moving truck can be seen with the name Romero & Sons. A reference to George A. Romero who is the father of zombie movies.
- GaffesAt one point early in the movie, Evelyn tells Max he should "replace those incandescent tubes, and get some compact fluorescents". The bulbs shown are in fact fluorescent tubes (not incandescent), and compact fluorescent bulbs would not work in that type of fixture.
- Générique farfeluA behind the scenes clip of the special effects vomit gag is shown after the end credits.
- ConnexionsFeatures Plan 9 from Outer Space (1957)
- Bandes originalesMain Title
From Le météore de la nuit (1953)
Composed by Herman Stein (ASCAP)
Gilead Music Co. (ASCAP)
Courtesy Monstrous Movie Music
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Détails
Box-office
- Brut – à l'échelle mondiale
- 668 777 $ US
- Durée
- 1h 29m(89 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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