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IMDbPro

Baby Invasion

  • 2024
  • 1h 20m
ÉVALUATION IMDb
4,6/10
597
MA NOTE
Baby Invasion (2024)
An ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars. Tasked with entering mansions of the rich and powerful, players must explore every rabbit hole before time runs out.
Liretrailer1 min 11 s
1 vidéo
12 photos
Found Footage HorrorActionHorrorSci-Fi

Ajouter une intrigue dans votre langueAn ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars. Tasked with entering mansions of the rich and powerful, players must explore every rabbit... Tout lireAn ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars. Tasked with entering mansions of the rich and powerful, players must explore every rabbit hole before time runs out.An ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars. Tasked with entering mansions of the rich and powerful, players must explore every rabbit hole before time runs out.

  • Director
    • Harmony Korine
  • Writer
    • Harmony Korine
  • Stars
    • Anonymous
    • Juan Bofill
    • Shawn Thomas
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    4,6/10
    597
    MA NOTE
    • Director
      • Harmony Korine
    • Writer
      • Harmony Korine
    • Stars
      • Anonymous
      • Juan Bofill
      • Shawn Thomas
    • 9Commentaires d'utilisateurs
    • 8Commentaires de critiques
    • 36Métascore
  • Voir l’information sur la production à IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 1:11
    Official Trailer

    Photos12

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 8
    Voir l’affiche

    Rôles principaux28

    Modifier
    Anonymous
    • Yellow
    Juan Bofill
    Juan Bofill
    • Blue
    Shawn Thomas
    • Red
    Steven Rodriguez
    Steven Rodriguez
    • Green
    Antonio Jackson
    Antonio Jackson
    • Orange
    Tej Limlas Ly
    Tej Limlas Ly
    • Purple
    Troy Roker
    Troy Roker
    • Father
    Andrea Douglas
    Andrea Douglas
    • Mother
    Mariella Gregoria
    • Daughter
    Ethan Rodriguez
    • Son
    Judith Topper
    Judith Topper
    • Grandma
    Scott Ference
    • Wheelchair Man
    Chick Bernhard
    • Butler
    Yessenia Cossio
    Yessenia Cossio
    • Nanny
    Jacquie Schmidt
    Jacquie Schmidt
    • Housekeeper
    • (as Jaqueline Schmidt)
    Robert Weir
    Robert Weir
    • Gardener
    • (as Rob Weir)
    Alberto Montes
    Alberto Montes
    • Hotel Room Victim
    Antoni Corone
    Antoni Corone
    • Boat Victim
    • Director
      • Harmony Korine
    • Writer
      • Harmony Korine
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs9

    4,6597
    1
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    Avis en vedette

    1imdbfan-8266630507

    To cringe and beyond

    Some people would like you to believe that this is "Pushing Boundaries" or "breaking the mold". I don't know who they're trying to convince but any normal person will watch this and within 30 seconds realize this is garbage. There's a reason this isn't a "cinematic style" is simply because there is nothing cinematic about it. Nothing. I'm not sure what Korine wanted to achieve with this. Perhaps make it so bad that people will walk about it, making more and more people wanting to see what the "big deal"? Hoping to make a cult classic - one of those "it's so bad it's good" movies. At least those movies are entertaining. This is painful to watch, and simply cringe. If anyone really wants to see what the "big deal" is, simply watch the trailer. Garbage is garbage, no matter how much you want to put an artistic spin on it.
    9imdbfan-1430293729

    Unique experience

    It's a piece of art if you're seeking a high dose of emotions. Harmony Korine - you're a genius! This is something most of us have probably never seen before. It's a completely new approach to cinema, not meant for posers.

    I hope you release more films like this. After Aggro Dr1ft, I was worried you'd try to force yourself in that direction and keep creating within that genre - but this is nothing like that. This is something totally unique. The power of emotions unleashed with every scene, the tension, the musical layer - it's simply a masterpiece. This is what I look for in art - and how I understand art.
    2FastFashionVictim

    Blinx? More like Stinx

    It is a technology demonstration, except the artist has zero proficiency in the technology they are attempting to showcase.

    Baby Invasion is full frame of overlays and filters. Visual effects using artificial intelligence, video game engines, infrared depth and motion sensing, and datamoshing to name a few. Though the filmmaker seems satisfied with merely achieving the effect with little care for the end result.

    It does have a very small amount of interesting naïve art. Though not always, you'll know when it's being displayed because they were smart enough to remove the simulated livestream chatroom overlay that otherwise takes up half of the frame throughout the 79 minute runtime.

    I did enjoy the soundtrack which I felt accompanied the imagery well. The original score by Burial really carries the film, allowing it a chance that anyone would ever view it to the end.
    7Papaya_Horror

    A Fever Dream of Violence, Technology, and Madness

    Harmony Korine's "Baby Invasion" isn't a movie. It's an 80-minute psychological torture, a fever-dream fusion of screen life, video games, red rooms, and home invasion.

    If "Spring Breakers" was a neon-lit crime fantasy and "Trash Humpers" a found-footage provocation, this latest effort is something else entirely - a disorienting, aggressively experimental trip that dares to ask: what happens when we stop distinguishing between reality and the digital abyss?

    Korine has shed his raw '90s aesthetic, embracing a hyper-stylized, tech-driven approach (something he previously explored in "Aggro Dr1ft") that will likely alienate longtime fans. But art is experiment, and experiment he does.

    Shot using real-time rendering technology and ultra-fast graphics cards, "Baby Invasion" distorts and manipulates its own images as they're captured, making it feel more like a glitched-out video game stream than traditional cinema.

    First-person footage of mansion break-ins, AI-generated face-swaps that turn criminals into devilish Gerber babies, and a mid-movie dance party set to Burial's pulsating score - this is not storytelling in any conventional sense. It's a chaotic, fractured reflection of a world where attention spans are shredded, and moral boundaries blur with every refresh.

    At its core, "Baby Invasion" functions as a warped commentary on gaming culture's descent into nihilism. The "film" plays like a livestream of a dark web game - Baby Invaders - where players commit simulated home invasions for digital clout, their identities masked by AI-rendered baby faces.

    A fake chat overlay runs throughout, echoing the desensitized reactions of internet spectators. There's an eerie implication that the technology at play is more than just a game - that either the players have lost themselves in their violent avatars, or worse, that something (or someone) is using the game to manipulate them into real-world crimes.

    It's "Straw Dogs" on steroids, only now the siege is broadcast for an audience that barely registers its horror.

    While "Baby Invasion" thrives on tension and unpredictability, its relentless chaos and refusal to offer a clear message make it a tough watch. Some scenes drag on too long, others cut away too fast. But the film's true horror isn't in the acts of simulated violence - it's in how much fun the players seem to have.

    No one questions the morality of what they're doing. No one fights back. The only concern is racking up points. Or so, we think!

    Watching "Baby Invasion" isn't just disorienting - it's nauseating, hypnotic, and terrifying all at once. This isn't cinema as we know it, but an immersive descent into the darker corners of the web, where reality and simulation merge into something unrecognizable.

    Harmony Korine doesn't ask if this future is coming - he suggests it's already here, and we've been playing along without even realizing it.
    9john_mart_

    get used to baby invasion

    This experiment of what constitutes film in a world of low attention spans and using multiple screens at the same time barrages the viewer with information and brainrot. A commentary on kids' access to violent media and how that affects their behavior, Baby Invasion is one of a kind, but not for long, as Korine predicts.

    Harmony Korine, the filmmaker behind the scenes, has recently turned to experimental film and questions what will come of the film industry after cinema. He wonders if soon people won't be willing to sit for 90 minutes in a theater to watch a film. AGGRO DR1FT, his first dissection of this new 'post-cinema' movement likened this film in its equally unconventional format, being filmed entirely in thermal vision.

    It is completely understandable why most people disliked the film, but innovation like this is crucial in an era of sequels, spinoffs, and the overall hypermonetization of film. The art form is becoming less of an art form and more just a vessel to harvest money. However, as opposed to fighting back against that system, Korine feeds into it and molds it into his own expression. Not everyone will like this film, but it's not made for everyone.

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      Referenced in Close-Up: Why do We Need the Venice Film Festival? (2024)

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    Détails

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    • Date de sortie
      • 21 mars 2025 (United States)
    • Pays d’origine
      • United Kingdom
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Вторжение младенцев
    • sociétés de production
      • EDGLRD
      • Picture Perfect
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    • Durée
      1 heure 20 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.20 : 1

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