Panggonan Wingit 2: Miss K, directed by Guntur Soeharjanto, attempts to blend traditional Indonesian horror with action and local cultural elements, resulting in a film that is at once intriguing and uneven. The movie follows Alma and her sister Mia, who move to Surabaya after their mother's death, only to discover that the sixth floor of their apartment building is ominously sealed off. When forced to enter unit 610, they awaken a deadly curse that promises death within four days at sunset. This premise offers a solid foundation for suspense, yet the film struggles to maintain consistent tension.
Cinta Laura Kiehl's performance stands out, especially in the action sequences where her fighting skills inject energy and a fresh dynamic into the narrative. The integration of traditional cultural elements, such as the Malangan Mask Dance, enriches the atmosphere and grounds the supernatural aspects in local folklore, which is a welcome touch that adds depth beyond typical horror tropes. However, the pacing is uneven; the story unfolds slowly, which may frustrate viewers eager for more immediate scares. The horror itself occasionally veers into unintentionally humorous territory, particularly with the repeated invocation of "Miss K," which undercuts the menace the film tries to build.
Visually, the film boasts impressive cinematography, capturing the eerie ambiance of the haunted apartment and the surrounding locales like Surabaya and Mount Bromo. Yet, some technical aspects, like makeup effects during violent scenes, fall short of realism, with characters appearing too pristine after accidents, which diminishes the impact of the gore. The narrative focus is narrow, centering mainly on Alma and Mia, while other characters like Rayyan, Alma's boyfriend and a police officer, receive less attention and are oddly exempt from the haunting, leaving some plot threads underdeveloped.
Ultimately, Panggonan Wingit 2: Miss K is a mixed bag. It offers moments of genuine fright and cultural intrigue but is hindered by predictability, inconsistent scares, and occasional lapses in production quality. Fans of Indonesian horror and those intrigued by folklore-infused thrillers may find it worth a watch, but it falls short of being a standout in the genre.
