Ajouter une intrigue dans votre langueMaalik is a gangster drama starring Rajkummar Rao that is expected to be a gripping story about a man's rise to power in the underworld. The film is based on social issues and is expected to... Tout lireMaalik is a gangster drama starring Rajkummar Rao that is expected to be a gripping story about a man's rise to power in the underworld. The film is based on social issues and is expected to be full of action and adventure.Maalik is a gangster drama starring Rajkummar Rao that is expected to be a gripping story about a man's rise to power in the underworld. The film is based on social issues and is expected to be full of action and adventure.
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Maalik is a gangster drama which tries to be so much but lacks the core writing to land at that level. Although it's refreshing to see Rajkummar playing something other than his typecast and he does a good job with his looks and acting. Manushi is just decent and does her minimal job. Saurabh Shukla and Saurabh Sachdeva tend to be strong characters of this world but their characters have been written terribly and lack any context or motivation. The Maalik title score is good but hasn't been materialised well in the film and many scenes which could have been better are let down by an underwhelming background score that doesn't give them the elevation needed.
The movie's biggest flaw is its screenplay and writing. 3/3
fails to connect you with its emotions and the motivations of its characters. The first half is mostly dull and gradual, except for the interval act which creates the high the film needs. Few dialogues have been written well. Just when the movie begins to pick up grip and pace, it gets interrupted by the romantic plot between Raj and Manushi and completely forgets about the crucial event that had taken place. The action cinematography and gun fighting look good in the setup, but the audience is unable to connect with those intense emotions. Overall, Maalik comes with Rajkummar's strong act but due to a weak script, it just does not turn out to be that praiseworthy.
OVERALL -4/10.
The movie's biggest flaw is its screenplay and writing. 3/3
fails to connect you with its emotions and the motivations of its characters. The first half is mostly dull and gradual, except for the interval act which creates the high the film needs. Few dialogues have been written well. Just when the movie begins to pick up grip and pace, it gets interrupted by the romantic plot between Raj and Manushi and completely forgets about the crucial event that had taken place. The action cinematography and gun fighting look good in the setup, but the audience is unable to connect with those intense emotions. Overall, Maalik comes with Rajkummar's strong act but due to a weak script, it just does not turn out to be that praiseworthy.
OVERALL -4/10.
Poor character writing.
Rajkumar isn't as scary or menacing as he should have been.
Twists are unpredictable.
The whole story is about being Malik and Naukar in a cringe way.
The build up of the story could have been better. Can't comprehend the rest of the users comparing this to Satya and Vaastav .
It is far from it.
Rise and fall isn't justified.
Saurabh Sachdeva and Shukla kind of wasted is sad to see.
Such fine actors hired and given very average quality roles.
Shouldn't have a sequel .
As a Rajkumar fan this was surely disappointing.
Fight scenes could have been choreographed better too.
Rajkumar isn't as scary or menacing as he should have been.
Twists are unpredictable.
The whole story is about being Malik and Naukar in a cringe way.
The build up of the story could have been better. Can't comprehend the rest of the users comparing this to Satya and Vaastav .
It is far from it.
Rise and fall isn't justified.
Saurabh Sachdeva and Shukla kind of wasted is sad to see.
Such fine actors hired and given very average quality roles.
Shouldn't have a sequel .
As a Rajkumar fan this was surely disappointing.
Fight scenes could have been choreographed better too.
The only good thing about this film is the powerful performance by RKR. He brings intensity and depth to every scene he appears in, making his character the only memorable part. But sadly, the rest of the movie doesn't live up to the expectations. It's a typical Bollywood gangster flick with the same old plotlines, forced drama, and over-the-top sequences. The story feels unnecessarily dragged, especially in the second half, where scenes just go in circles. Despite RKR's best efforts, the film fails to leave a lasting impression. Watch it only for his acting - skip the rest.
Thanks for reading.
Thanks for reading.
Why 1 star?
Script: completely predictable and uninspired.
Direction: lacks nuance or innovation.
Pacing: drags, especially post-intermission.
Characters: beyond Rao, most are one-dimensional or wasted roles.
Only the energy and charisma of Rao holds your gaze, but he's fighting a losing battle. The film does not respect your time or expectations. Maalik suffers from cliched storytelling that repeats gangster tropes without any fresh take
Rajkummar Rao's Acting ⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐ (10/10) Story & Screenplay ⭐ (flat, clichéd) Editing & Pacing ⭐ (much too long) Action & Violence ⭐ (indulgent, hollow) Overall Film Quality ⭐ (unoriginal, forgettable)
Script: completely predictable and uninspired.
Direction: lacks nuance or innovation.
Pacing: drags, especially post-intermission.
Characters: beyond Rao, most are one-dimensional or wasted roles.
Only the energy and charisma of Rao holds your gaze, but he's fighting a losing battle. The film does not respect your time or expectations. Maalik suffers from cliched storytelling that repeats gangster tropes without any fresh take
Rajkummar Rao's Acting ⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐ (10/10) Story & Screenplay ⭐ (flat, clichéd) Editing & Pacing ⭐ (much too long) Action & Violence ⭐ (indulgent, hollow) Overall Film Quality ⭐ (unoriginal, forgettable)
Maalik tries to swagger into the world of gangster epics but ends up as a formulaic slog that offers nothing new beyond a strong central performance by Rajkummar Rao. With its familiar tropes, a dragged-out second half, and a total lack of narrative surprises, the film is yet another forgettable entry in the overpopulated gangster-politics crossover space. The treatment lacks freshness, and the tonality feels uneven.
There is absolutely nothing in the storyline that hasn't been done and done better in countless gangster films before it. The screenplay has a few serviceable moments, but for the most part, it trudges along predictably. There's little to no narrative tension, and the film leans heavily on archetypes instead of creating compelling characters. If you're a die-hard fan of gangster dramas and can overlook predictability in favor of gritty performances, you might find some value here.
Rajkummar Rao, as always, gives it his all. He slips into the role of a hardened gangster with convincing intensity, and even when the film falters, his performance remains grounded and compelling. Manushi Chhillar, Saurabh Shukla, and Swanand Kirkire delivers decent performance. Anshumaan Pushkar is a pleasant surprise. Coming off his powerful performance in 12th Fail, he delivers another nuanced act. Saurabh Sachdeva and Prosenjit Chatterjee start strong, with menacing screen presence, but their arcs fade quickly into predictable caricatures. Huma Qureshi's item number is as forgettable as it is unnecessary.
Direction 2/5 Acting 2.5/5 Dialogues 2/5 Story 2/5 Screenplay 1.5/5.
There is absolutely nothing in the storyline that hasn't been done and done better in countless gangster films before it. The screenplay has a few serviceable moments, but for the most part, it trudges along predictably. There's little to no narrative tension, and the film leans heavily on archetypes instead of creating compelling characters. If you're a die-hard fan of gangster dramas and can overlook predictability in favor of gritty performances, you might find some value here.
Rajkummar Rao, as always, gives it his all. He slips into the role of a hardened gangster with convincing intensity, and even when the film falters, his performance remains grounded and compelling. Manushi Chhillar, Saurabh Shukla, and Swanand Kirkire delivers decent performance. Anshumaan Pushkar is a pleasant surprise. Coming off his powerful performance in 12th Fail, he delivers another nuanced act. Saurabh Sachdeva and Prosenjit Chatterjee start strong, with menacing screen presence, but their arcs fade quickly into predictable caricatures. Huma Qureshi's item number is as forgettable as it is unnecessary.
Direction 2/5 Acting 2.5/5 Dialogues 2/5 Story 2/5 Screenplay 1.5/5.
Le saviez-vous
- AnecdotesI Love You (Angrezi Mein Kehte Hain) from Khud -Daar. The tune of the Punjabi lines starting "Tere bin mar jaana" in this song was taken from the traditional Punjabi wedding song "Jind Mahi Baaj Tere Kumalaaiyaan" by Asa Singh Mastana. This tune was also used in the Hindi film songs "Tere Phoolon Jaisa Rang" ("Kabhi Kabhie", 1976), Pakistani song "Ni Sohniye Kee Kariye" by Naseebo Lal from Na Javein Pardes. Then again in the song "Tenu Menu I Love You" from Kaun Kare Kurbanie, The intro verses of "Lodi" from Veer Zara, "Hamari Shaadi Mein" ("Vivah", 2006), "Tauba Main Pyaar Karke Pachhtaaya" ("Pyaar Ke Side Effects", 2006) and "Arjan Vailly" ("Animal", 2023)."Ik Vaari" from Mere Husband Ki Biwi. Many other Punjabi artiste did their own cover version of "Jind Mahi". The singer's are Malkit Singh, Gitaz Bindrakhia, "Jindua" by Balwinderù Safri from the album Bomb The Tumbi, Sunidhi Chauhan song in Angrej, Panjabi MC,Vidya Vox and Ricky Jatt song "Leon On", Jagir Singh and Deputy, Alaap (Channi Singh),Barjinder Bari,Navneet Kaur, Harshdeep Kaur, Balbir Chand, Jagjit Singh, "Jindua" by Maninder Singh, "Jindua" by Sarbjeet Cheema,"Jindua (Jind Mahi)" by Mahendra Kapoor and Neelam, " Jind Mahi Boliyan" by Amar Tooray from the movie Where's The Party Yaar,Jind Mahi (feat. Mehi, General Levy & Kat Neocleous),Minu Bakshi, "Jindua" by Ravinder Ranguwal,"Jindua" by Sukhi Brar, Amar Group from the album Bhangra Beats, "Raaj Karega Maalik" from Maalik.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 191 561 $ US
- Durée
- 2h 29m(149 min)
- Couleur
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