Convergence
- L'épisode a été diffusé 26 mai 2025
- 18+
- 50m
Ajouter une intrigue dans votre langueAmid the battle between Seattle's warring factions, Ellie's search draws her toward a devastating confrontation.Amid the battle between Seattle's warring factions, Ellie's search draws her toward a devastating confrontation.Amid the battle between Seattle's warring factions, Ellie's search draws her toward a devastating confrontation.
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I won't waste any time talking about the various controversies in casting choices, agendas and messages that many are busy arguing over in every corner of the internet. So with all that aside, this whole season felt like one big checklist of major plot points which simply weren't significant enough for me to remember or care about 2 years from now when we get the next 10ish episodes that have been teased a bit by the show runners. This season had its share of low points and cringe worthy moments which will be what stick around in my mind and I suspect the same will be for many others.
The really frustrating part is that the show still did have its moments of greatness pop up here and there. 2/7 episodes this season were up there with the prime quality of the first season but all in all, the squeeze isn't worth the juice we get from this kind of setup.
6/10 watchable and skip-able.
My problem with the Season despite having up and downs is that that the creators are so lost. They are rushing, yet again, trying to adapt as many stuff as they can, being two episode short with S2 was a bad decision, atleast one more could've been good, but after watching the finale, I realised that they barely have a story for this finale.
Sometimes they want to adapt the game word for word, sometimes they want to adapt it so they are uncomperable, and these two mindsets just doesn't work, they understood how big is Part 2, that's why they sliced it up to 2 seasons more, but the way I see it, is that it felt short. It felt like an anthology, rather than a consecutive plot that tries to reach a conclusion.
The two parts that the game was divided into would absolutely fit into a single season. You can clearly see where the series uses parts from the game. Thinks like, smart clickers, WLF and "the war about something" feels like they just get introduced. 6 hours is a looong time, but I cant even remember the plot in any of these episodes, it is far away from the chapter like storytelling in season 1.
How season 3 will decent is something that probably will be the downfall from a lower height.
The parallel with The Walking Dead is very apt. Both began with a more realistic and character-centered focus, but gradually gave in to the temptation to prolong the drama with exaggerated sentimental insertions, forced speeches and loss of narrative focus. In the case of TLOU, the strength of the original story was precisely in the tension between love and violence, affection and despair, humanity and survival. When you replace this with jokes, stretched-out romantic scenes, and character developments that no longer reflect the weight of the apocalyptic world in which they live, something essential is lost.
The Ellie of the games - especially in Part II - is a character marked by pain, anger, and an emotional complexity that makes her actions uncomfortable but understandable. Suppressing this fury and diluting it in moments of excessive tenderness may even please some of the general public, but it betrays the heart of the original work.
In addition, this excess of stylized emotion and idealized relationships seems to try to soften a reality that should be brutal, morally ambiguous, and emotionally heavy. In a world where any distraction can be fatal, where violence shapes who you are, there is not much room for Love is in the Air.
If the series continues along this line, the risk of repeating the decline of The Walking Dead is real: a powerful beginning, followed by emotional exhaustion and loss of identity. If The Last of Us wants to remain relevant, it will need to regain its narrative courage - and that means showing that in the apocalypse, beauty lies in the scars, not the frills.
Le saviez-vous
- AnecdotesThe use of Soundgarden in the closing credits completes a trifecta of Seattle grunge bands used in this season: Nirvana, Pearl Jam, and Soundgarden.
- GaffesThe football stadium was flipped north/south; when you look north (and see the Seattle skyscrapers behind the stadium) you should see the "Hawk's Nest" seating section, not the "Fan Deck". The video game showed the stadium oriented correctly.
- Citations
Ellie Williams: She's in the fucking aquarium.
Jesse: Who?
Ellie Williams: Abby, the one who killed Joel. She's in the aquarium. It's too far to swim, we need a boat...
Jesse: What are you talking about?
Ellie Williams: What?
Jesse: [Points the other direction] No, Tommy's over there! That's where we're going!
Ellie Williams: [pause] You don't know that's him.
Jesse: Yes, we do.
Ellie Williams: We don't! And even if it is, he's got them pinned down.
Jesse: For now; they called for backup.
Ellie Williams: Then, he'll pin more of them down! I know him; he'd want me to do this. And, Jesus Christ, if three more people had voted with you, you'd be coming with me!
Jesse: [pause] I voted no.
Ellie Williams: Why?
Jesse: Because everything you do, you do for you.
Ellie Williams: Oh, my God.
Jesse: Ellie.
Ellie Williams: Oh, my God!
Jesse: Ellie! It wasn't in the best interest of the community.
Ellie Williams: Fuck the community! All you do is talk about the fucking community, you hypocrite! You think you're good and I'm bad? You let a kid *die* today, Jesse. Because why? He wasn't in your community? Let me tell you about *my* community: my community was beaten to death in front me while I was forced to fucking watch. So, don't look at me like you're better than me or like you'd do anything differently if you were in my shoes, because you're not, and you wouldn't.
Jesse: [pause] I really hope you make it.
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