Hannah Einbinder: Everything Must Go
- Émission spéciale télévisée
- 2024
- 55m
ÉVALUATION IMDb
6,4/10
1,1 k
MA NOTE
Ajouter une intrigue dans votre langueHannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedi... Tout lireHannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedic talents.Hannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedic talents.
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I remember seeing Hannah on the Late Show With Stephen Colbert a few years ago and immediately realized that I was watching an amazing new comedic talent, and this one hour HBO special just proves it. She combines some serious acting chops along with well thought out stagecraft to tell her extraordinarily funny takes on her life and the crazy messed up world that we live in. A while back my daughter told me I should watch "Hacks" -actually, it was more like an edict - so i binged watched the first two seasons and and continued with the third. While the entire cast is wonderful Hannah really stands out. I am sure that she will continue to make us laugh along with having a great career as an actress. Watch this special, you won't regret it!
This isn't comedy.. it's performance art..
The roars from the crowd seemed REALLY odd to me. As if they were some cult following just there to cheer her on completely regardless of what she did or said. As if the audience was filled intentionally with her "tribe" who came to see and support "Hannah" and did not merely buy tickets anticipating a comedy show. There's no real laughter here.
I did not find anything she did, much less said, funny. It's performative art.. which okay.. I can accept, but it wasn't even GOOD performative art.
She's great in Hacks.. where there's a writing staff and a director to tell her what to do... but CLEARLY stand-up isn't her thing. Based upon the crowd reactions in this, she may be in a bubble.. surrounded by those wishing her well and supporting her, but lacking the ability to tell her when things need more work. This "special" REALLY needed much more work if it was supposed to be funny.
This is really just HBO saying "Hey Hannah, Hacks has been a success. Do you want to do a 1 hour comedy special? We think you've gained some notoriety and many would tune in." And she said yes, that was a mistake. Clearly when left to her own devices, absent a writing staff, she has no clue what comedy actually is.
The poor experience is foreshadowed pretty well by the pretentious opening French music... I mean a French song for your US comedy debut? Really?
Blech.
The roars from the crowd seemed REALLY odd to me. As if they were some cult following just there to cheer her on completely regardless of what she did or said. As if the audience was filled intentionally with her "tribe" who came to see and support "Hannah" and did not merely buy tickets anticipating a comedy show. There's no real laughter here.
I did not find anything she did, much less said, funny. It's performative art.. which okay.. I can accept, but it wasn't even GOOD performative art.
She's great in Hacks.. where there's a writing staff and a director to tell her what to do... but CLEARLY stand-up isn't her thing. Based upon the crowd reactions in this, she may be in a bubble.. surrounded by those wishing her well and supporting her, but lacking the ability to tell her when things need more work. This "special" REALLY needed much more work if it was supposed to be funny.
This is really just HBO saying "Hey Hannah, Hacks has been a success. Do you want to do a 1 hour comedy special? We think you've gained some notoriety and many would tune in." And she said yes, that was a mistake. Clearly when left to her own devices, absent a writing staff, she has no clue what comedy actually is.
The poor experience is foreshadowed pretty well by the pretentious opening French music... I mean a French song for your US comedy debut? Really?
Blech.
Hannah Einbinder has comedy in her DNA, being the daughter of original SNL cast member Larraine Newman. And she has built a solid body of work in "Hacks" with Jean Smart. But as a stand-up, she needs to do more work.
This special - her first - is not so much a stand-up comedy as it is a carefully rehearsed scripted monologue, complete with audio and lighting cues. It comes off as "too rehearsed" if that makes sense. There is no spontaneity, no apparent improv, and occasionally zero audience response. Einbinder is a good writer, but she doesn't yet know how to perform in front of a live audience. Hopefully, that will come with time. There was too much mugging to the camera, as if to say "yeah, I know I'm cool". No, Hannah, you're not (at least not yet). And if you were cool, this isn't the way to telegraph it.
A day after watching the special, I was hard-pressed to remember a signature bit or line from her performance. I think that was due in part to her scripted delivery, which left little room for connection with the audience.
Einbinder's career is still young, so there's room to grow. She's done well as a writer and actor on "Hacks" and that should continue at least through the show's fifth season (not unusual for a streamer to end a show after 5 years). For her to take the next step, her delivery and material needs to also grow and mature.
This special - her first - is not so much a stand-up comedy as it is a carefully rehearsed scripted monologue, complete with audio and lighting cues. It comes off as "too rehearsed" if that makes sense. There is no spontaneity, no apparent improv, and occasionally zero audience response. Einbinder is a good writer, but she doesn't yet know how to perform in front of a live audience. Hopefully, that will come with time. There was too much mugging to the camera, as if to say "yeah, I know I'm cool". No, Hannah, you're not (at least not yet). And if you were cool, this isn't the way to telegraph it.
A day after watching the special, I was hard-pressed to remember a signature bit or line from her performance. I think that was due in part to her scripted delivery, which left little room for connection with the audience.
Einbinder's career is still young, so there's room to grow. She's done well as a writer and actor on "Hacks" and that should continue at least through the show's fifth season (not unusual for a streamer to end a show after 5 years). For her to take the next step, her delivery and material needs to also grow and mature.
I honestly love her in Hacks, apart from a few overly PC moment, which is brought back down to earth by her amazing co star. This special has a few funny moments in this. I am a female, but I feel there was too much male bashing for me. I love her candor and the straight face she keeps while telling her stories, yet it fell a little too flat for me. I did watch it all way though just to give a fair review. But, I don't want to watch comedy about veganism, climate change and feminism. I want to watch comedy to give me escape from these political issues. Waiting for the next season of Hacks though :)
The negative reviews here are from people who have no concept of comedy and subjectivity.
They think that if they didn't find it funny, then it isn't funny and its the performers fault for writing something terrible.
If you don't understand that comedy is ABSOLUTELY subjective then you shouldn't be posting reviews for them. You're not qualified because you don't even understand the thing your reviewing.
You need to understand a topic before you start sharing your thoughts on that topic.
Otherwise you're basically posting the same reviews of those people who leave reviews for movies they haven't watched or books they haven't read.
They think that if they didn't find it funny, then it isn't funny and its the performers fault for writing something terrible.
If you don't understand that comedy is ABSOLUTELY subjective then you shouldn't be posting reviews for them. You're not qualified because you don't even understand the thing your reviewing.
You need to understand a topic before you start sharing your thoughts on that topic.
Otherwise you're basically posting the same reviews of those people who leave reviews for movies they haven't watched or books they haven't read.
Le saviez-vous
- AnecdotesFilmed at the El Ray Theatre in Los Angeles, California on April 20, 2024.
- ConnexionsReferences La mélodie du bonheur (1965)
- Bandes originalesJ'ai dû l'oublier
Written by Bernard Kesslair (as Bernard Kessler) and Manou Roblin
Performed by Manou Roblin
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Détails
- Date de sortie
- Pays d’origine
- Aussi connu sous le nom de
- Hannah Einbinder: A tomar viento
- Lieux de tournage
- Los Angeles, Californie, États-Unis(the El Rey Theatre)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée55 minutes
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By what name was Hannah Einbinder: Everything Must Go (2024) officially released in Canada in English?
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