Heldin

As a nurse, I can confirm that there are many shifts on many wards just like this. A lot of the work happening between scenes was left out, and a few corners were definitely cut. I work in a different setting, and I have deep respect for every colleague who can handle that kind of work for more than just a few days. It could be such a beautiful profession - if it weren't being destroyed by greed, ignorance, and systemic violence. Sadly, many people still have no idea what it really takes to keep going.

Fewer and fewer people are even interested in learning this kind of work anymore.

Good luck trying to fix that with AI....

This film hit me deeply - not just as a viewer, but as someone who has seen parts of this world up close, though never from the inside. It's a quietly devastating portrait of a healthcare system where staff are constantly overwhelmed, and patients often reduced to numbers. The film is restrained in its tone but unflinching in its realism.

For medical professionals, especially those who have worked in underfunded hospitals, this might feel less like cinema and more like déjà vu. A person close to me worked in multiple hospitals over the years and immediately recognized the emotional detachment that can become necessary when death is a regular occurrence - not because you stop caring, but because the system gives you no room to act otherwise. For them, the film was not emotional but eerily accurate - a reflection of shifts they'd rather forget.

But for viewers like me - those who've only seen the burnout and emotional toll secondhand - the film was powerful, even overwhelming at times. I found myself on the verge of tears multiple times, not only out of empathy for the patients but also out of frustration and deep respect for the caregivers who navigate this impossible environment.

The acting is superbly naturalistic, with a rawness that serves the film's themes perfectly. The sound design and score are minimal but poignant, never pushing emotion but allowing it to surface organically. This is not a feel-good film - far from it - but it's an essential one. It asks not only how we treat the sick and dying, but how we treat those who care for them.

If you're looking for comfort, look elsewhere. But if you're ready to see what "broken system" truly means, this film will stay with you.

"Late Shift" delivers a gripping and heartfelt portrayal of the exhausting reality faced by hospital staff, carried brilliantly by Leonie Benesch's very strong performance. While marketed as crime/thriller, the film is firmly a drama - there's no real mystery or crime, just raw, authentic human struggle.

This film review is dedicated to nurse Miri and male nurse Jörg, who selflessly supported me during those difficult days in March a few years ago. Unforgotten and with great gratitude!

The Swiss film by Petra VOLPE follows nurse Floria Lind (Leonie BENESCH) during her late shift at a hospital near Basel. The ward where Floria works is chronically understaffed. On top of that, someone is absent due to illness. Selflessly, the young nurse tries to do justice to her diverse patients, some of whom are terminally ill. Like a thriller, events escalate during this particular late shift and culminate in a special action.

Making the late shift the subject of a film was a wise decision by the director. The patients are still awake and venting their despair. The doctors and nurses of the day are exhausted and are clamoring for their long-awaited end of the day. This special atmosphere is captured brilliantly by the quasi-documentary film, which is in fact a stylized monument to all the self-sacrificing people in hospitals around the world.

Hamburg-born actress Leonie BENESCH (2023 EUROPEAN FILM AWARD: nomination for THE TEACHER'S LOUNGE) plays this role - as usual - phenomenally well. This actress has the potential to appeal to a global audience. She brings an extraordinary radiance and inner truth to her characters - whether in television series such as BABYLON BERLIN and THE SWARM or in cinematic masterpieces such as THE WHITE RIBBON, THE TEACHER'S LOUNGE, and SEPTEMBER 5. It's regrettable that former festival director Carlo CHATRIAN had neither a competition slot available for THE TEACHER'S LOUNGE in 2023 nor one for SEPTEMBER 5 in 2024. The fact that the then BERLINALE director failed to recognize the potential of these performances by Leonie BENESCH remains a tragic oversight. However, it's a bad sign that the new BERLINALE director, Tricia TUTTLE, was also unable to find a place for the third consecutive Leonie BENESCH classic in the Berlin Film Festival's competition. Not a good prospect for the future of the BERLINALE!

This film from German-speaking Switzerland is something truly special that shouldn't be missed! Be sure to see it on the big screen, if possible!

What a ride. More importantly, what a REAL, HARD-HITTING ride. At just 90 minutes, the film not only manages to strike an emotional chord but also tells the stories of so many people suffering various illness, through the POV of Floria (Leonie Benesch). That too, while carefully placing a spotlight on the real-world crisis of nurse shortage. Floria's really committed to her job, and it's shown to us through her interactions with several patients in the ward, including sweet ones, stubborn ones, depressing / terminally ill ones, and even the "entitled" ones. Director Petra Volpe closely follows Floria as she navigates a rather hectic evening, filled with spontaneous requests, immense pressure of follow-ups, and even having to deal with personal dilemmas.

The beauty of the storytelling lies in giving us tidbits of information on Floria and her patients, making the each incidental revelation all the more impactful. Leonie Benesch puts in a fantastic performance -- one that's sure to linger in my head for a very long time for the subtleties alone. And as much as I hate being physically at a hospital, the film aggravated that feeling with its solid sound design and cinematography (characterized by long shots). This unprecedented health crisis is alarming, and I hope the world is taking notes. Late Shift, for me, is cinema mirroring life.