Après la chasse

"After the hunt" could have been excellent. Acting was incredible, and the story was interesting. However, the entire film was distracted by a very obnoxious score. And random cinematography. Overall, the film was well done however these shortcomings distracted so much that it took away from the entire movie. Julia Roberts was phenomenal, as was Andrew Garfield.

This film was an arduous experience to endure from the tick, tick, tick at the beginning all the way through to the final "Cut!" at the end. Although its thematic relevance may be arguable, the sound design, the pacing, and the character resonance were all irritating. Even the lighting at places was off. You can take world-renowned directors and world-renowned actors and still end up with a world-renowned flop. (I have a headache from watching After the Hunt!) I wish I'd skipped it-if it weren't for Julia Roberts starring, the last 2 hours and 19 minutes of my life could have been spared.

After the Hunt is Luca Guadagnino's most uneven work and, ironically, his most generic. A director known for breaking the mold ends up stuck with a film that follows manuals and formulas. Nora Garrett tries to write a script full of provocations and moral ambiguities, but what emerges is a pretentious and exhausting text. The trio of protagonists try hard, but cannot escape the limitations imposed by the material itself. It is a drama that strives for depth, but gets lost in its own vanity. A film about guilt that seems to feel no guilt for being so empty.

After the Hunt starts with an intriguing premise and strong performances, but the film quickly loses momentum. The pacing is so slow that it becomes hard to stay engaged, you reach a point where you feel bored and almost ready to give up. While the cast delivers solid work and the film has a polished look, the story drags without offering enough emotional payoff.

By the time it reaches the end, the conclusion feels underwhelming and doesn't justify the long, heavy buildup. Overall, it's a movie with potential, but the slow pacing and lackluster ending make it fall short of what it could have been.

Director Luca Guadagnino seemingly enjoys making uncomfortable movies, such as BONES AND ALL, CALL ME BY YOUR NAME, and CHALLENGERS. His latest movie takes the cake. AFTER THE HUNT is a psychological drama about four individuals who have their perfectly curated worlds shattered when one of them makes an accusation of sexual misconduct on another. Alma (Julia Roberts) is a well-respected philosophy professor at Yale University. Frederick (Michael Stuhlbarg) is her psychiatrist husband. Maggie (Ayo Edebiri) is Alma's favourite student. She accuses Hank (Andrew Garfield), Alma's colleague and very good friend. This movie is a bit frustrating. Beneath the surface, this is an intellectual battle between generations. One where society internalized their feelings, and one where society externalized their feelings. The movie says a lot, but the message is muddled. Guadagnino makes many references to things and people that are no longer acceptable in today's society, seemingly poking the audience to see how they react. The score is unique, but I found it intentionally abrasive, annoying and a distraction. Garfield shows a different side of himself as an actor, and I commend him for that. Michael Stuhlbarg comes in yet again as the unsung MVP of the movie. Unfortunately, he's pretty much the only character I liked. I think my mind got whiplashed just trying to think about everything this movie is trying to say. This is a very messy movie, but I think that's the point. There is a great movie somewhere in here, but it's buried under a lot of philosophy and meaningful themes trying to fight for attention. Eventually, me and my metaphorical shovel got tired. The ending just left me confused and unsatisfied. Overall, AFTER THE HUNT is a good think-piece with great performances, with the rest just overwhelming, feeling like artistic Tourette's. Remember, not everything in the world is supposed to make you comfortable.