Dragon

I watched the movie with high expectations, and I found the first half to be decent. There are a few scenes where the writing is impressive, particularly a scene in the hospital with the doctor, although it doesn't have a significant impact.

The second half is excellent due to its writing and emotional connection.

In terms of performances, Pradeep Ranganathan, George Maryan, Anupama Parameswaran, and Mysskin all did well.

The cinematography is also commendable.

The biggest strength of the movie is its writing.

PLOT :: Ragavan, infamous for his reckless ways and academic struggles, turns to fraud after a heartbreaking breakup, chasing wealth and power. However, his deceit leads him into perilous territory. Can he find a way out, or will his choices seal his fate?

"Return of the Dragon" (2025) offers a fresh narrative that, while reminiscent of "Don," stands out with its unique storyline. The film explores the journey of Ragavan, a student who, after personal setbacks, embarks on a path of redemption and self-discovery. Director Ashwath Marimuthu skillfully balances humor and emotion, delivering a thought-provoking experience.

Pradeep Ranganathan's portrayal of Ragavan adds depth, making his transformation compelling. While both films address student challenges, "Return of the Dragon" distinguishes itself with its mature themes and distinct message.

It's actually 8.5/10 for me - though some parts in the first half felt slightly extended and routine.

I feel Dragon is a film that's saved by its second half. Maybe I was wrong in anticipating a full-fledged comedy entertainer (like those mid-2000s to mid-2010s Dhanush flicks), but Ashwath Marumuthu's second film is a proper emotional drama. Its first-half college portions were dull for me, but the film takes flight once the redemption arc is front and center. The writing, except for the final act, feels a tad too convenient-it simply breezes through the struggle of finding a job, but makes passing college exams sound like the toughest thing in the world-not true in 2025, bro!

Pradeep Ranganathan has a limited acting range (for now), and thankfully, the screenplay focuses on his strengths. Conversely, the ladies are merely supporting actors in the overall scheme of things, existing to solidify Dragon (..and his inimitable bad-boy aura). Anupama certainly has more to do than Kayadu Lohar, and it's certainly one of her finer roles in recent times. Both look absolutely dashing, however. The real acting standout undoubtedly is Mysskin as principal Mayilvahanan, bringing an almost Raju Hirani-esque character to life with ease. Bjorn Surrao is also fun in an early scene, while seeing Gautham Menon dance is a delight.

The key supporting acts, VJ Siddhu & Harshath, are merely okay. Leon James' music and score seem to suit the material fairly well, especially the Vazhithunaiyae track. I see where the appeal for a film like this comes from; given both Dhanush and Sivakarthikeyan have moved on to more intense acting roles, there's always a space for breezy, coming-of-age drama in Tamil cinema. If not for the all-too-convenient writing in the first half, I think I'd have liked Dragon a lot more.

As a college student, watching Dragon felt like someone had peeked into my life and turned it into a movie only way more entertaining and heartfelt! This Tamil gem, directed by Ashwath Marimuthu and starring Pradeep Ranganathan, hit me right in the feels with its perfect mix of humor, drama, and those emotional punches that make you want to call your parents and say, "Thanks for everything."Dragon isn't just a movieit's a reminder that it's okay to mess up, as long as you find your way back. For a college student like me, caught between exams, breakups, and figuring out life, it was the heartwarming boost I didn't know I needed. Grab your friends, hit the theater, and let this one melt your heart-you won't regret it!

The masses will find this to be one of the most enjoyable Tamil films in recent times. At the very least, people who can't relate, will not have much to complain about, which automatically makes it one of the best Tamil films in recent times.

Nothing new story wise, but, the way in which its told makes all the difference. Youth makkall are about to take this film and PR to heights higher than Love Today did.

Whether you watch it in the theater, or watch it on Netflix once it's out, do so with a group of people (who liked Love Today type films) because the collective experience of this film is bound to make you enjoy it more. The more, the merrier, so theater I suppose. You will not be disappointed.