Sister Midnight
- 2024
- 1h 47m
Ajouter une intrigue dans votre langueA genre-bending comedy about a frustrated and misanthropic newlywed who discovers certain feral impulses that land her in unlikely situations.A genre-bending comedy about a frustrated and misanthropic newlywed who discovers certain feral impulses that land her in unlikely situations.A genre-bending comedy about a frustrated and misanthropic newlywed who discovers certain feral impulses that land her in unlikely situations.
- Nominé pour le prix 1 BAFTA Award
- 1 victoire et 10 nominations au total
Suhaas Ahuja
- Doctor
- (uncredited)
Masashi Fujimoto
- Constable
- (uncredited)
Daemian Greaves
- Henchman
- (uncredited)
Ashok Kumar Majee
- Truck Driver
- (uncredited)
Dinesh Sharma
- Priest
- (uncredited)
Chaitanya Solankar
- Sanjay
- (uncredited)
Avis en vedette
This movie is pure chaos, and I loved every second of it. It tells the story of Uma, a young bride trapped in an awkward arranged marriage in Mumbai. As loneliness and frustration build, Uma's descent into animalistic urges becomes both horrifying and strangely liberating. Visually, it's stunning-vibrant, chaotic, and beautifully unsettling. There's a surreal, punk-rock energy that reminded me of Wes Anderson on a horror binge. It's messy in a way that feels deliberate, and I admired the boldness of its style. Not every moment works, but the ones that do are unforgettable. This is one of those films that makes you feel like you've stepped into a dream-or maybe a nightmare.
Yeah I do like watching dark comedies, but not without storyline. It was good with background music, aesthetic scenes but what about the main thing, the driver of the movie, the main story.
Just don't make anything in name of dark comedy.
Totally disappointed.
Atleast Agra by Titli maker's was much better than this.
In trailer I was much excited after seeing the castings and was just dying out of my excitement but when I watched I just feel like giving up my favourite genre of dark comedy movies. But then I thought of some best dark comedies...Dev D, Andhadhun, Delhi belly and Titli.
Please yaarr in dark comedy se mera Vishwas na uthaaao.
Just don't make anything in name of dark comedy.
Totally disappointed.
Atleast Agra by Titli maker's was much better than this.
In trailer I was much excited after seeing the castings and was just dying out of my excitement but when I watched I just feel like giving up my favourite genre of dark comedy movies. But then I thought of some best dark comedies...Dev D, Andhadhun, Delhi belly and Titli.
Please yaarr in dark comedy se mera Vishwas na uthaaao.
The movie is exactly what its title suggests - Nothing. If the purpose of the movie is to portray the mundane, uneventful life of the protagonist, there are many ways to showcase that than to make the movie itself dreary and mundane. The first exchange of dialogue is after 8 minutes which should put things into perspective.
The newly weds struggle to settle as the wife quickly become disillusioned with the challenges of marital throes. She takes up a janitors job that requires her to work nights, sleeping during the day. She starts growing increasingly sensitive toward sound and unable to keep food down. Thus beginning her transformation which most viewers will miss noticing till they reach the end, those brave souls that do that is. At no point in the movie does the storytelling get any better. The first ten minutes is all that's required to know the pace of the movie which is excruciatingly slow. Even documentaries have more thrill in them than this.
The newly weds struggle to settle as the wife quickly become disillusioned with the challenges of marital throes. She takes up a janitors job that requires her to work nights, sleeping during the day. She starts growing increasingly sensitive toward sound and unable to keep food down. Thus beginning her transformation which most viewers will miss noticing till they reach the end, those brave souls that do that is. At no point in the movie does the storytelling get any better. The first ten minutes is all that's required to know the pace of the movie which is excruciatingly slow. Even documentaries have more thrill in them than this.
Sister Midnight is one of those rare films that starts off feeling raw and real, and then slowly descends into something completely unexpected. What begins as a story about a woman trapped in a dull, affectionless marriage turns into a surreal, psychological journey filled with dark humor and horror. Radhika Apte is absolutely brilliant-her performance is both haunting and deeply emotional. The film's second half is wild, unsettling, and hard to look away from. It won't be for everyone, but if you're into bold, strange cinema that pushes boundaries and makes you think, this one is worth watching. It stays with you.
"Uma" (Radhika Apte) lives in a small tin box of an home with her new husband "Gopal" (Ashok Pathan). She hasn't a clue how to cook their food and neither seem to have much appetite to consummate their nuptials, so the relationship is distant and she has a bit of a temper which the rather subdued gent tends to run away from (and drink). Luckily, she manages to befriend her neighbour "Sheetah" (Chhaya Kadam) and they share stories about how useless men are whilst she struggles with the boredom of life. She eventually decides to get a job as a cleaner which breaks up the inanity a little, but she also starts to find herself drawn more and more to the animal kingdom. A passing encounter with a goat, then a bird, starts to see her question her almost vampiric behaviour. When an even more curiously tragic incident occurs, the story becomes increasingly surreal and the lines between truth and fiction become almost macabrely blurred. Apte is quite entertaining here as her aggressive and slightly stand-offish character becomes more eccentrically engaging and Pathak also delivers quite well as the hapless husband, but I found the story all too weak and repetitive for too long before the last ten minutes or so finally raise some more interesting aspects of superstition, perhaps even witchcraft, and shines a light a little on the vagaries of her tight knit community who are quick to make snap judgements. Though it's not graphic, it's not for the squeamish and it's those few scenes where most of the dark comedy kicks in, but again there weren't really enough of them to sustain this. It has it's moments and is worth a watch for "Uma" wandering lonely as a goatherd through the city beating a mop and pail, but it will look just as good on the telly.
Le saviez-vous
- AnecdotesDespite the fact that this film takes place in Mumbai, India, there is no actual Indian music in the film or on the soundtrack. Director Karan Kandhari wrote a lot of the soundtrack into the script, and wanted to put together things that really shouldn't go together.
- Bandes originalesMoanin'At Midnight
Written by Chester Burnett
Performed by Howlin' Wolf
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Détails
Box-office
- Brut – États-Unis et Canada
- 123 065 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 13 801 $ US
- 18 mai 2025
- Brut – à l'échelle mondiale
- 316 036 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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