ÉVALUATION IMDb
5,8/10
12 k
MA NOTE
Tenu dans un poste de police isolé, un mystérieux inconnu prend le contrôle de l'esprit et de l'âme de tout le monde à l'intérieur.Tenu dans un poste de police isolé, un mystérieux inconnu prend le contrôle de l'esprit et de l'âme de tout le monde à l'intérieur.Tenu dans un poste de police isolé, un mystérieux inconnu prend le contrôle de l'esprit et de l'âme de tout le monde à l'intérieur.
- Director
- Writers
- Stars
- Prix
- 3 victoires et 4 nominations au total
Avis en vedette
...from director Brian O'Malley. It's Rachel's (Pollyanna McIntosh) first night as a policewoman in a new town, and when a mysterious stranger (Liam Cunnigham) is brought into the police station, all Hell breaks loose, and the sins of the prisoners and the police officers come back to haunt them.
There's a lot of style on display, from the music to the moody widescreen cinematography. The performances from the leads Liam Cunningham and Pollyanna McIntosh are very good, and raise the material up a few points. The violence depicted is very graphic, almost to a comical degree at times, and the script could have used a little more polishing, as the mid-section, with frequent time-jumps and location changes, is disorienting. Still, this was better than many of the horror films of recent years, and I enjoyed the ending. Filmed in Scotland and Ireland.
There's a lot of style on display, from the music to the moody widescreen cinematography. The performances from the leads Liam Cunningham and Pollyanna McIntosh are very good, and raise the material up a few points. The violence depicted is very graphic, almost to a comical degree at times, and the script could have used a little more polishing, as the mid-section, with frequent time-jumps and location changes, is disorienting. Still, this was better than many of the horror films of recent years, and I enjoyed the ending. Filmed in Scotland and Ireland.
Wow, I REALLY liked this film! I could tell Immediately that I liked the feel of it. The first several shots alone are to die for. Seriously, they were stunning and beautiful. I instantly liked the soundtrack, the cinematography, and the tone that the director set for the film. I could tell right away that this was my kind of movie. Even the lighting of the main street was exquisite and reminded me a LOT of the way Bava would light his sets with otherworldly blues and reds, setting the perfect tone for this Good vs. Evil 'Morality' tale. Nicely done...
I have always liked religiously themed Horror films. I really dig the Prophetic or Biblically based stuff (movies like 'THE PROPHECY' or 'THE SEVENTH SIGN', for example) Although this film isn't as overtly religious as those, it is based upon similar themes. What I felt made this movie particularly intriguing was that it didn't treat the Good vs. Evil theme in the usual way that a lot of these types of films do, but it added more dimension and complexity in portraying 'Evil' more from the angle of Retribution or Punishment, which is a little different.
This movie had PRECISELY just the right tone that I really like with Horror films. It was stylized, but with just the right balance to give it an entertaining 'Punch' and yet, not so much (or so stupidly self-conscious) as to overdo it and ruin it, as happens often in many of today's Horror films. I am not familiar with this director, but I REALLY loved his approach to the material. He kept a good, tense edge on the proceedings, but allowed himself nice touches of style here and there. There were a few really effective jump scares too.
Just one thing... And this is just MY personal preference. But, what the HELL is the point of showing extended scenes of people brutally beating on others. Why...? It's mindless with absolutely NO entertainment value. It's not creative or clever in any way. Are we supposed to 'Get Off' on it...? In my lowly and wretched opinion, it's just pure, stupid brutality. BUT... other than FFing through just a few of these pointless and repetitive scenes, I truly found the film overall to be done very well and the acting was quite good. Just for my taste, I felt the violence was a little too much. To me, the story and atmosphere were strong enough not to needlessly rub our faces in the extreme violence so much. I think that so much of it begins to detract from the true strength of the film, which is NOT 'Torture Porn', but a strong, atmospheric Morality tale.
If you like your Horror films with a slight fanciful touch or based on religious themes, or more basically in this case a kind of Good vs. Evil morality tale, and you like a director who adds a REALLY nice artistic tonal style to the story, then I think you might find this clever and well written Horror film quite entertaining...
I have always liked religiously themed Horror films. I really dig the Prophetic or Biblically based stuff (movies like 'THE PROPHECY' or 'THE SEVENTH SIGN', for example) Although this film isn't as overtly religious as those, it is based upon similar themes. What I felt made this movie particularly intriguing was that it didn't treat the Good vs. Evil theme in the usual way that a lot of these types of films do, but it added more dimension and complexity in portraying 'Evil' more from the angle of Retribution or Punishment, which is a little different.
This movie had PRECISELY just the right tone that I really like with Horror films. It was stylized, but with just the right balance to give it an entertaining 'Punch' and yet, not so much (or so stupidly self-conscious) as to overdo it and ruin it, as happens often in many of today's Horror films. I am not familiar with this director, but I REALLY loved his approach to the material. He kept a good, tense edge on the proceedings, but allowed himself nice touches of style here and there. There were a few really effective jump scares too.
Just one thing... And this is just MY personal preference. But, what the HELL is the point of showing extended scenes of people brutally beating on others. Why...? It's mindless with absolutely NO entertainment value. It's not creative or clever in any way. Are we supposed to 'Get Off' on it...? In my lowly and wretched opinion, it's just pure, stupid brutality. BUT... other than FFing through just a few of these pointless and repetitive scenes, I truly found the film overall to be done very well and the acting was quite good. Just for my taste, I felt the violence was a little too much. To me, the story and atmosphere were strong enough not to needlessly rub our faces in the extreme violence so much. I think that so much of it begins to detract from the true strength of the film, which is NOT 'Torture Porn', but a strong, atmospheric Morality tale.
If you like your Horror films with a slight fanciful touch or based on religious themes, or more basically in this case a kind of Good vs. Evil morality tale, and you like a director who adds a REALLY nice artistic tonal style to the story, then I think you might find this clever and well written Horror film quite entertaining...
... I've decided this was quite good. I'm hovering between a 7 and 8.
At first my main thought was "Meh. So Judaeo-Christian-specific that this atheist cannot find a thing scary about it." However, even if it is within that tradition, it does some surprisingly daring and fresh things inside of it. This is a movie with ambitions, and it is stylish enough and solidly-acted enough to pull most of them off.
I particularly liked the performances by the two leads. Both roles could have easily led to lots and lots of scenery-chewing, but neither Cunningham nor McIntosh go this easy and tired route: they are both subtle, varied and positively aces, as is Douglas Russell as the feral Sgt. MacReady (his role does call for some scenery chewing, and he does it well).
I absolutely adored the ending. Kudos.
At first my main thought was "Meh. So Judaeo-Christian-specific that this atheist cannot find a thing scary about it." However, even if it is within that tradition, it does some surprisingly daring and fresh things inside of it. This is a movie with ambitions, and it is stylish enough and solidly-acted enough to pull most of them off.
I particularly liked the performances by the two leads. Both roles could have easily led to lots and lots of scenery-chewing, but neither Cunningham nor McIntosh go this easy and tired route: they are both subtle, varied and positively aces, as is Douglas Russell as the feral Sgt. MacReady (his role does call for some scenery chewing, and he does it well).
I absolutely adored the ending. Kudos.
One of my great pleasures is to see a movie I know nothing about, and have it totally surprise me. The first 1/3 of this movie is odd, I had no idea what was happening, but it sorts it self out and turns into quite a good bloody little quasi-horror. Decent performances, script, direction etc. Check it out, like me you might be pleasantly surprised.🤔👍
An apparent victim of a hit and run, a mysterious stranger is held at a remote police station and starts to take over the emotional state of staff and inmates alike.
It's not a new premise, something which is being held against Brian O'Malley's film like it's a crime, but the execution, the technical guile, and atmospheric touches brought to the piece, mark this out as a horror film of some merit. Boosted by having the great Liam Cunningham in the lead role, it's a film that shocks and awes with each passing chapter. It revels in the bloody aspects that unfold, positioning the vile nature that some human's are prone to right at the forefront, and with bloody impact.
Piers McGrail's cinematography is superb, the bold and beautiful shine of the blues and golden browns mingle disconcertingly with the down and dirty feel of the police cells, the latter of which appropriately marry up with the characters on show. Steve Lynch's score is a treat, a real nerve bothering piece of work, gnawing away at the senses in the same way that Cunningham's character tugs away at the emotional conditions of his prey. It's a film of many pleasures for the so inclined, it does get away from itself a little at the end, asking a little too much of the viewer, but it doesn't kill the pic and this is very much a horror necklace worth wearing on a night out. 7/10
It's not a new premise, something which is being held against Brian O'Malley's film like it's a crime, but the execution, the technical guile, and atmospheric touches brought to the piece, mark this out as a horror film of some merit. Boosted by having the great Liam Cunningham in the lead role, it's a film that shocks and awes with each passing chapter. It revels in the bloody aspects that unfold, positioning the vile nature that some human's are prone to right at the forefront, and with bloody impact.
Piers McGrail's cinematography is superb, the bold and beautiful shine of the blues and golden browns mingle disconcertingly with the down and dirty feel of the police cells, the latter of which appropriately marry up with the characters on show. Steve Lynch's score is a treat, a real nerve bothering piece of work, gnawing away at the senses in the same way that Cunningham's character tugs away at the emotional conditions of his prey. It's a film of many pleasures for the so inclined, it does get away from itself a little at the end, asking a little too much of the viewer, but it doesn't kill the pic and this is very much a horror necklace worth wearing on a night out. 7/10
Le saviez-vous
- AnecdotesWhen Caesar said he's redecorating his cage (by carving his name into the floor with his fingernail), Beswick mocks him by saying he should try to learn how to spell it first. The camera shot shows Caesar had completed 3 letters so far: CEA.
- Gaffes(at around 1h 13 mins) Cameraman is visible in the glass in the background, shortly after Sgt. MacReady shoots the shotgun into ceiling, as the camera pans around.
- Citations
Dr. Duncan Hume: This is such a one-horse town.
Six: And now it's a pale fucking horse.
- ConnexionsReferences Hawaii Five-O (1968)
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Détails
- Durée
- 1h 32m(92 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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