Un analyste de la CIA en déplacement se porte volontaire pour infiltrer le monde d'un marchand d'armes et prévenir un désastre mondial et diabolique.Un analyste de la CIA en déplacement se porte volontaire pour infiltrer le monde d'un marchand d'armes et prévenir un désastre mondial et diabolique.Un analyste de la CIA en déplacement se porte volontaire pour infiltrer le monde d'un marchand d'armes et prévenir un désastre mondial et diabolique.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 6 victoires et 31 nominations au total
Avis en vedette
The often brilliant Melissa McCarthy is on top of her game as the mousy Susan Cooper, a behind-the-scenes CIA agent who finds herself struggling to prove herself in the field.
The movie is rather similar to Bob Hope movies like My Favorite Brunette in which he found himself taking on a more exciting life he isn't completely prepared for. Like Hope, McCarthy will be incredibly incompetent when that can get the laughs but other times prove herself as able as more stereotypical heroes. (Although unlike most Hope movies, McCarthy plays someone who stars with some level of competence).
The cast is excellent, with Jude Law doing a fine James Bond impression and very funny performances from Miranda Hart as a goofy fellow agent and Peter Serafinowicz as a sleazebag.
There is also a bit of a feminist theme here, with the movie mocking masculine jerks (particularly Jason Statham's insane egotist). There is also some surprisingly solid action, most notably a Jackie-Chan- influenced kitchen fight.
While the movie is funny and well-acted, the plot leaves something to be desired. It holds together most of the way, but towards the end the writers toss logic out the window and don't even really try to justify what's going on.
Some people are complaining that this movie is foul-mouthed. I'm assuming these people live in small towns where Jimmy Stewart runs the local savings and loan and the Beaver is always getting into trouble. I found it all very funny.
The movie is rather similar to Bob Hope movies like My Favorite Brunette in which he found himself taking on a more exciting life he isn't completely prepared for. Like Hope, McCarthy will be incredibly incompetent when that can get the laughs but other times prove herself as able as more stereotypical heroes. (Although unlike most Hope movies, McCarthy plays someone who stars with some level of competence).
The cast is excellent, with Jude Law doing a fine James Bond impression and very funny performances from Miranda Hart as a goofy fellow agent and Peter Serafinowicz as a sleazebag.
There is also a bit of a feminist theme here, with the movie mocking masculine jerks (particularly Jason Statham's insane egotist). There is also some surprisingly solid action, most notably a Jackie-Chan- influenced kitchen fight.
While the movie is funny and well-acted, the plot leaves something to be desired. It holds together most of the way, but towards the end the writers toss logic out the window and don't even really try to justify what's going on.
Some people are complaining that this movie is foul-mouthed. I'm assuming these people live in small towns where Jimmy Stewart runs the local savings and loan and the Beaver is always getting into trouble. I found it all very funny.
I enjoyed this for some stress-relief. Yes, it is very vulgar quite often. But I adore Miranda Hart, Jude Law is some suave damn eye-candy, Melissa is funny as always and it was nice seeing her take on an action role. Stratham must have needed something as light relief from his usual British crime seriousness; he does idiot well, it turns out. And Rose Byrne was an adorable, lethal, spoilt brat.
Just some fun. Maybe I could have done without male porn bits. That 'thing', I don't know if it was real but it was repulsive. Eww.
Just some fun. Maybe I could have done without male porn bits. That 'thing', I don't know if it was real but it was repulsive. Eww.
Susan Cooper works as a deskbound CIA agent, she's the mouth piece for her field agent Bradley Fine, but when he is killed by a beautiful femme fatale Rayna Boyanov, she agrees to go undercover as Carol Jenkins and take her down, her initial Mission leads her to Paris, where she needs to take a bomb away from a Crime group including Boyanov. Ably assisted by colleague and friend Nancy, she has to show her metal.
This and Kingsman were movies that I was desperate to watch, I must say I loved them both, hopefully this will start a new wave of James Bond inspired comedies. Funny from start to finish, I absolutely loved it, it felt similar to Kingsman if I'm being honest,
The most random moment of all was seeing that Ukranian Eurovision song contest entry from a few years back, never thought I'd ever be seeing that again!
Melissa McCarthy has ridiculously good comic timing, she is naturally funny, and her genius is put to great use in this film, a truly hilarious woman, she manages to be funny and totally lovable too. Miranda Hart was an unexpected treat, very funny, adding a different slant to the humour as Nancy. Jason Statham was utterly brilliant, he always plays the same type of character, wonderful to see him sending himself up.
Just a fun movie you can watch and re-watch. 8/10
This and Kingsman were movies that I was desperate to watch, I must say I loved them both, hopefully this will start a new wave of James Bond inspired comedies. Funny from start to finish, I absolutely loved it, it felt similar to Kingsman if I'm being honest,
The most random moment of all was seeing that Ukranian Eurovision song contest entry from a few years back, never thought I'd ever be seeing that again!
Melissa McCarthy has ridiculously good comic timing, she is naturally funny, and her genius is put to great use in this film, a truly hilarious woman, she manages to be funny and totally lovable too. Miranda Hart was an unexpected treat, very funny, adding a different slant to the humour as Nancy. Jason Statham was utterly brilliant, he always plays the same type of character, wonderful to see him sending himself up.
Just a fun movie you can watch and re-watch. 8/10
While Melissa McCarthy's investigator in "The Heat" was both a fine cop and a sexual dynamo, inspiring many heartbroken men, she has made a thriving career by playing boisterous and irresponsible characters with high-level security clearance.
The actress' abilities are enhanced by Paul Feig's "Spy," which gives her the opportunity to travel the globe as CIA operative Susan Cooper while surprising both those around her and herself. Bradley Fine, a stylish super-spy, is guided through perilous situations by Susan, a ten-year veteran of the organization.
The only CIA agent who can find Rayna DeLuca, who wants to buy a renegade nuclear weapon from the DeLuca family, is Susan. She is given drab undercover identities and gadgets that are disguised as stool softener, toe-fungus spray, and hemorrhoid wipes by her boss despite her proficiency with a headset and computer screen.
Rayna is the subject of Susan's tracking and reporting, but she ends up getting close and personal with her. The scenes between McCarthy and Byrne are brutally funny and full of insult comedy. Feig gives McCarthy a comic foil in the form of Peter Serafinowicz, Jason Statham, and Miranda Hart while also treating the spy narrative seriously enough to keep us interested.
While "Spy" contains more blood and violence than typical espionage films, the humour is never compromised. It serves as a reminder of the peril Susan faces while also demonstrating how cartoonish many modern espionage dramas have turned out to be. The movie "Spy" by McCarthy and Feig stands out because it managed to keep me smiling while simultaneously making me wonder who was actually pulling the strings.
The actress' abilities are enhanced by Paul Feig's "Spy," which gives her the opportunity to travel the globe as CIA operative Susan Cooper while surprising both those around her and herself. Bradley Fine, a stylish super-spy, is guided through perilous situations by Susan, a ten-year veteran of the organization.
The only CIA agent who can find Rayna DeLuca, who wants to buy a renegade nuclear weapon from the DeLuca family, is Susan. She is given drab undercover identities and gadgets that are disguised as stool softener, toe-fungus spray, and hemorrhoid wipes by her boss despite her proficiency with a headset and computer screen.
Rayna is the subject of Susan's tracking and reporting, but she ends up getting close and personal with her. The scenes between McCarthy and Byrne are brutally funny and full of insult comedy. Feig gives McCarthy a comic foil in the form of Peter Serafinowicz, Jason Statham, and Miranda Hart while also treating the spy narrative seriously enough to keep us interested.
While "Spy" contains more blood and violence than typical espionage films, the humour is never compromised. It serves as a reminder of the peril Susan faces while also demonstrating how cartoonish many modern espionage dramas have turned out to be. The movie "Spy" by McCarthy and Feig stands out because it managed to keep me smiling while simultaneously making me wonder who was actually pulling the strings.
Spy knows how to put a fun and modern spin on the spy genre in ways the major franchises would struggle to do. The plot is suitably twisty (some predictable & some unexpected) and even though there are occasional gaps between the laughs, it has more than enough to ensure that isn't a major issue.
Melissa McCarthy has been in some subpar comedies but roles like this offer a reminder that she's one of the best at comedy. This role is so different to her previous collaborations with Paul Feig (for the better) and requires a lot since the undercover work means her character is constantly changing.
Jason Statham is the best thing about this and the only downside is that he could be in it a lot more. It's possible he's only this good because he's in small doses to avoid too much of a good thing however, the major takeaway is that Statham is ridiculously gifted at comedy and it's a real crime that he's not utilised it more often.
Paul Feig's direction runs into his usual misstep of letting some scenes overstay their welcome and yet it doesn't derail it, mainly due to the jokes that do land being proper belly laughs. In the action, it's just a little over reliant on slow motion. Also, the music by Theodore Shapiro really nails the generic spy movie score.
Melissa McCarthy has been in some subpar comedies but roles like this offer a reminder that she's one of the best at comedy. This role is so different to her previous collaborations with Paul Feig (for the better) and requires a lot since the undercover work means her character is constantly changing.
Jason Statham is the best thing about this and the only downside is that he could be in it a lot more. It's possible he's only this good because he's in small doses to avoid too much of a good thing however, the major takeaway is that Statham is ridiculously gifted at comedy and it's a real crime that he's not utilised it more often.
Paul Feig's direction runs into his usual misstep of letting some scenes overstay their welcome and yet it doesn't derail it, mainly due to the jokes that do land being proper belly laughs. In the action, it's just a little over reliant on slow motion. Also, the music by Theodore Shapiro really nails the generic spy movie score.
Le saviez-vous
- AnecdotesScreenwriter Paul Feig, who once was an aspiring stuntman himself, is a fan of Jason Statham's action movies. Feig tailored Statham's Rick Ford character in the film especially for the actor to play.
- GaffesWhen Susan Cooper steals a moped she is wearing black stilettos. However when she tries to jump from the ramp and the moped lands in the bed of wet concrete the camera angle from the waist down shows she is wearing a pair of flat black shoes obviously indicating where the stunt performer has been substituted for Melissa McCarthy. As the camera cuts back to a medium shot of McCarthy driving through the concrete the stiletto's then reappear.
- Générique farfeluActor Mitch Silpa's character is credited as "Colin (name stricken) Fredrick!"
- Autres versionsThe Blu-ray contains an extended cut with 10 minutes of extra footage.
- Bandes originalesWho Can You Trust
Written by Theodore Shapiro and Craig Wedren
Performed by Ivy Levan
Produced by Theodore Shapiro and Craig Wedren
Vocal production by Patrick Nissley
Ivy Levan performs courtesy of Cherrytree/Interscope Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Spy
- Lieux de tournage
- Lake Balaton, Hongrie(as itself & at the beginning as Varna, Bulgaria)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 110 825 712 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 29 085 719 $ US
- 7 juin 2015
- Brut – à l'échelle mondiale
- 235 666 219 $ US
- Durée
- 2h(120 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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