Ajouter une intrigue dans votre langueValentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.Valentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.Valentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.
- Director
- Writers
- Stars
- Prix
- 1 nomination au total
Gayle Artino
- Villager
- (uncredited)
Alicia Benavides
- Villager
- (uncredited)
Matthew Boyce
- Villager
- (uncredited)
Kevin Michael Brennan
- Shady Mocambo Man
- (uncredited)
Thomas Canestraro
- Desiderio's henchman
- (uncredited)
Debra Cardona
- Singing Villager
- (uncredited)
Valentina Castellano
- Villager
- (uncredited)
Noah Davidson
- Villager
- (uncredited)
Avis en vedette
Watched at the 2025 Sundance Film Festival.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
... such are the eyes through which we see the world nowadays. Nonetheless, a story of two people catching each other in their own webs and becoming more than just cellmates. Superbly acted and directed, if not a little dated.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
I just got out of the premier here in the Sundance Film Festival, the movie was one of the best that I've ever seen. I have seen all JLo´s movies and thsi one is incredible, her talent, her acting and musical skills are other level. Also Luna was incredible even if he is not a singer and dancer, he gave his best in this movie. Tonatiuh was incredible is the first time that I am seeing him in action and WOW!
The film is a mix between Chicago musical and other kind of amazing musicals, the soundtracks and the dances were incredible, the whole theater was screaming for JLo and Luna scene.
But at the end of the day I think that is the first time that Jennifer Lopez will get her oscar nomination and probably she is going to win the Golden Globes. SHE WAS MORE THAN AMAZING!
The film is a mix between Chicago musical and other kind of amazing musicals, the soundtracks and the dances were incredible, the whole theater was screaming for JLo and Luna scene.
But at the end of the day I think that is the first time that Jennifer Lopez will get her oscar nomination and probably she is going to win the Golden Globes. SHE WAS MORE THAN AMAZING!
What a fantastic adaptation, great justice to the novel, the musical and the original film! Stellar costumes, direction and editing! Golden age of Hollywood level! Insane dancing from the cast and surprising vocal performance from Lopez (the best I've heard her sound). Diego Luna shines in a new light and. Tonatiuh Elizarraraz is a revelation! So thrilling to watch yet makes you think deeper for important questions in life. I would love to see this revived on Broadway! Can't wait for Condon's next projects! The room was packed and it received a standing ovation at the Sundance Film Festival! So grateful to be there, I hope it gets a wide proper release cause this can be a box office smash hit!
Musicals seem to be having a moment. And not a good one. WICKED (2024) was a slog. Then we had the mediocre BETTER MAN and the skin-crawling JOKER 2. The new KISS OF THE SPIDER-WOMAN is a adaptation of the Broadway musical, itself an adaptation of the gritty Manuel Puig novel. A film about how to survive mentally during oppression and fascism would be welcome now. But this is another "Give me an Oscar, dammit!" plea from JLo. She'll probably get it, since you can assault people at the Academy Awards and still get lauded.
You might think JLo would make a decent Ingrid Luna/Spider-Woman. Her character here is pastiche, which frankly has been the singer-dancer's entire career. But Lopez is so much more a celebrity than an actress that you never forget it's her.
Valentín (Diego Luna) is good as the political prisoner Valentín, who shares a cell with Molina (Tonatiuh), who is a little one note as a window dresser convicted of public indecency.
This film really needed to lean in to the horrors of what was going on in the world outside the prison. That's what we need now. Not another middling musical.
Any fans of the Broadway show should note that many of the songs from the musical have been cut (wonder why?), and the only songs there are take place in the fantasy sequences.
You might think JLo would make a decent Ingrid Luna/Spider-Woman. Her character here is pastiche, which frankly has been the singer-dancer's entire career. But Lopez is so much more a celebrity than an actress that you never forget it's her.
Valentín (Diego Luna) is good as the political prisoner Valentín, who shares a cell with Molina (Tonatiuh), who is a little one note as a window dresser convicted of public indecency.
This film really needed to lean in to the horrors of what was going on in the world outside the prison. That's what we need now. Not another middling musical.
Any fans of the Broadway show should note that many of the songs from the musical have been cut (wonder why?), and the only songs there are take place in the fantasy sequences.
Le saviez-vous
- AnecdotesJennifer Lopez portrays the lead female role that was originated by Sonia Braga in the 1985 film adaptation. Braga played Lopez's mother in Les yeux d'un ange (2001) and Mariage en otage (2022), as well as appearing alongside her in Bordertown (2007).
- Bandes originalesPrologue
performed by Jennifer Lopez
written by John Kander
written by Fred Ebb
produced by: Matt Sullivan
published by: Kander & Ebb, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Поцілунок жінки-павука
- Lieux de tournage
- Kearny, New Jersey, États-Unis(10 Basin Studios)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 8m(128 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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