Sugarcane

This documentary was genuinely heartbreaking. I had heard of the residential schools and their atrocities but never knew the extent of it. Hearing first hand accounts and seeing the lasting impact the schools had on individuals and the generations that followed provided a new perspective on the issue. The only reason I did not give it a 10 was because it felt a little slow at times. Despite the pace the cinematography was stunning and it allowed the viewer time to soak it in and think. Julian Brave NoiseCat and Emily Kassie wanted to raise awareness and educate others and they succeeded in their goal.

This intimate look at a devastating community history was jarring and beautiful. I was moved beyond words, horrified at the actions of the canadian government and catholic church, and my heart aches for the countless people affected by the abuse and trauma. Many stories from the community are interwoven, giving a glimpse into the complex ways residential schools have poisoned generations of people. The resilience and courage of the subjects of this film cannot be understated. This piece felt deeply personal and widely relatable. The emotional toll it took was great and necessary. We are so lucky to hear this story.

I feel bad for all Indigenous people. In Canada and The United States. They have bad treated as bad if not worse than any other people on the plant. However, this documentary did not help me to understand their experience. It was poorly done in my opinion. It jumped around way to much. And had a lot of wasted scenes. The people in Canada who this documentary was about suffered greatly. No doubt about that. But, their story wasn't told here. They are still investigating things that happened way back into like the thirties. The Catholic Church is really made out to be the devil. And no doubt some were. But, anytime there is a church as large as they are. There will be a percentage of bad. The problem goes way deeper. They were lied to over and over again. They received no justice all around the world. No apology will ever fix all the tragedy they have suffered.

This remarkable film was the most memorable one I saw at Sundance this year. It has stayed with me for weeks. The film is beautifully shot and captures the landscape of Williams Lake. The directors artfully weave several narratives into the film. Each participant has a compelling and moving story of their horrific experiences at St. Joseph's mission. Although this was difficult to watch, the filmmakers handled these moments with much sensitivity and compassion. The film is lightened with colorful coverage of ceremonies and celebrations. All the participants, with the exception of the late Rick Gilbert, were at the q and a. Their testimonies were as moving and heart rendering as the film. The film well deserved the extended applause and standing ovation. A vital story that needed to be told. Most importantly, the making of the film was a healing process for the survivors. I cannot overstate how excellent this film. It should be seen by every Canadian and American...

Greetings again from the darkness. Whether the phrase 'systemic abuse' applies here is hardly worth discussing. The facts are that physical abuse, verbal abuse, cultural abuse, and sexual abuse occurred regularly over many years in the Catholic-run residential schools for indigenous children, both in the United States and Canada. Indigenous filmmaker Julian Brave NoiseCat has teamed with experienced documentarian Emily Kassie to bring this story to light.

This National Geographic documentary mostly narrows its focus to St Joseph Mission near Williams Lake, British Columbia. The school closed in 1981, but it was originally one of many secretive and segregated residential schools opened to deal with "the Indian problem" in Canada. We are informed there were 139 schools in Canada and 408 in the U. S. What we notice from the start is that the film is deliberately paced to emphasize the lives of quiet desperation so many have led.

In 2021, a discovery of approximately 200 unmarked graves at a different school led to a dedicated crew going deeper on research, and finding records of reported abuse and cover-ups, as well as additional unmarked graves at St Joseph. It turns out these schools required the students to speak only English, convert to Catholicism, and basically erase their native culture - all while referring to them by numbers, rather than names.

Two very personal stories are followed here. One involves co-director Julian as he re-connects with his father Ed Archie NoiseCat. Ed is one of many who never knew the truth of their past and have mostly buried the memories of the mission. With Julian's work, not only do the two create a father-son bond, they also discover a stunning detail for Ed - involving a shoebox and an incinerator. The other personal story here involves former Chief Rick Gilbert, who along with his wife, uncovers a truly shocking connection in his family tree. We also follow Rick to Vatican City where the Pope reads a prepared statement filled with words, but no action.

The former students are referred to as "survivors", partly because so many didn't. And while we can see and feel the pain and quiet suffering these folks are carrying, we learn that history and those memories continue to take lives. The history of abuse within the Catholic Church is not limited to white kids, it's just the indigenous history hasn't received the same publicity. The suppressed memories and search for roots is so important, and yet so many unanswered questions remain for survivors and descendants. And no one has been held accountable for the atrocities. Infanticide, abuse, cruelty, and humiliation do not seem to fit the journey of these dignified and quietly suffering folks, but there is an uplifting element with Ed and Julian, father and son.

In limited theaters beginning August 30, 2024.