Rurouni Kenshin Part II: Kyoto Inferno

One of those rare sequels that only improves upon the promises of it's predecessor, a dynamic and sprawling adaptation of the franchises infamous Kyoto arc. THIS, and the previous film should be held in high regard, and be looked to as the gold standard of how to adapt a long running arc to film format. This film seriously trims all of the needless filler character fat from the source. What they changed turned out to be good for it. Incredible action direction once again coordinated by Kenji Tanigaki. The devotion from the actors here, as they all performed their own stunts and mastered their own choreography, is really a feat to behold. All in all, Kyoto Inferno is just as good as the first film, if not better. Despite being the first of a two part sequel, it manages to be a self-sufficient, coherent story. Virtuosic.

When I watch Japanese movies about samurais, ronins and ninjas, swordplay and kungfu are never the reason. Japanese sword fighting just CMI - it starts with a physical pose, one powerful swipe and the man is down and forever out. How interesting can that be? But the Japanese puts more effort into the foreplay and the aftermath of the fights. The motivation for the fight and the consequence are always examined in keen details. Rurouni Kenshin: Kyoto Inferno does that as well and I am glad to add that it ups the ante on the sword fights.

My knowledge of the universe of Rurouni Kenshin is pathetic. I have only watched an episode of the anime and decided it wasn't my thing, but I do know it is a cult series and a pop culture phenomenon. I also missed the earlier 2012 film. So I really went into this like a blind Zatoichi samurai film lover and I just love it, all 139 minutes of it.

First of all, this is the first part of a two parter. It feels like an elaborate setup for the ultimate Battle Royale and I am so hyped for the last part now. Thank goodness it will hit our cinemas on 2nd October. Is this a complete film by itself? No, but it works like a Star Wars: The Empire Strikes Back kind of way.

I know a lot of the critics' complaints are centered on which aspects - too long, too many characters, too much info to digest, and the pacing is not furious enough. To some extent I do see where the complaints come from but I really didn't mind the duration. For a layman like me, I feel the director, Keishi Ohtomo told his story with great clarity, perhaps even too much clarity. It does feel over-written especially if you already know the world of Kenshin. All the characters' motivations are clearly depicted. There are indeed a myriad of characters on screen but I never have a feeling they are under-developed to the point of detriment. Perhaps the only relationship I feel suffered is the love between Kaoru and Kenshin. Wished I had seen more of that because she looks great.

There is quite a bit of exposition of past events but IMO these scenes didn't feel tagged on for people who wandered into the cinema knowing nothing of the back stories. I think Ohtomo was trying to cater to two camps of movie patrons - the fans and the curious ones like me and the wifey. With regards to the pacing, I thought Ohtomo handled it well. When things start to sag, a fight scene comes in. I absolutely love the exhilarating fight choreography and I am sure I have not seen anything like this in Japanese samurai films.

For a movie that is about a cult manga, the titular characters all look and behave exactly like their manga counterparts. The clothes, intricate set designs and modern soundtrack, all tied in together for a sumptuous feast. I know I did miss out on some manga/anime references because the boisterous crowd last night was full on hyped up and laughing away. For a movie that is one week old the 90% crowd last night was superb. Finally, talking about boisterous audience, there were two PRC girls sitting in front of us. At the final scene where yet a new character is introduced, the two girls screamed their heads off and arms gesticulated everywhere. I looked at my wife feeling amused by their antics. Later on she told me who is the actor and I 'screamed' and 'flailed' my arms. It is Masaharu Fukuyama, but I know him better as Professor Yukawa of Galileo and Suspect X fame.

Asian studios have been trying to adapt manga/anime to live-action for decades. They all failed.

Finally, we can call all this pre-Rurouni Kenshin. The first movie had some flaws, some unbalance, but it ultimately delivered. Now, Kyoto Inferno is a great 2nd part leading the way to The Legend Ends.

The Shishio Makoto story-arc is super long in the manga. All the Juppongatana mini-story arcs were left behind because of that. This makes it possible to condense it to 2 movies.

So, do not expect deeper character development. The movie decided to focus on the very specific attempt to bring down the government and undo the Meiji Ishin (by the way, do read about it at Wikipedia, go look for the terms "Bakumatsu", "Meiji Restoration" and you will understand better the background about Sekigahara, Toba-Fushimi, and you will feel less lost in case you don't know Japanese History).

If you watched the anime or read the mangas (which I highly recommend), you will easily feel in the gaps with what you already know. The movie stitches together several memorable scenes from the source material.

Some parts had to be adapted, of course, and I think they did a good job, specially on how they fit the Oniwabanshu. Not sure how the Aoshi story-arc will fit in the next movie.

This movie had to remove several stuff from the source material in order not to look silly in a live-action, such as the special moves, screaming attacks ("Ryuutsuisen!"). But I'm most interested in how they will fit Kenshin's mentor of the Hiten Mitsurugi Ryu on the next movie (in the manga he will teach him the ultimate moves, Kuzuryuusen and Amakakeru Ryuu no Hirameki). He does show up very quickly so it's going to interesting how this unfolds.

The relationship of Kenshin and Kaoru, of course, had to be diluted to the bare minimum to give Kenshin the motivation to go forward (it was already diluted in the source material).

All in all, the filmography is superb, the casting is spot on, the story adaptation was very competent to compress a very complex source material.

If you're already a fan of the series, you will not be disappointed. If you're new to the series, this could motivate you to go read the original.

The Chief of Police Hajime Saito (Yôsuke Eguchi) and a team of policemen hunt down the outlaw Makoto Shishio (Tatsuya Fujiwara), who was betrayed by the government after defeating the Tokugawa shogunate; however Shishio and his men slaughter the police officers and only Hajime survives. Kenshin Himura (Takeru Satô) is summoned by the government to help them to find Shishio in Kyoto. He refuses first, but when a minister is murdered, he accepts to go and leaves the dojo of Kaoru Kamiya (Emi Takei) and the boy Yahiko Myojin (Kaito Ohyagi), his friend Sanosuke Sagara (Munetaka Aoki) and Dr. Megumi Takani (Yû Aoi). Kenshin meets the thief Makimachi Misao (Tao Tsuchiya) that tries to steal his sakabato on the way to Kyoto and they stumble upon a boy that tells that his brother and his parents are in danger. They find the trio murdered by Shishio's men and Kenshin defeats them in the nearby village. A man called Sojiro Seta (Ryûnosuke Kamiki) contacts Kenshin and brings him to meet Shishio that asks Sojiro to duel Kenshin. Their sword fight stops when Kenshin's sakabato is broken and Shishio and his men go away. Meanwhile, Kaoru decides to find Kenshin in Kyoto and Yahiko and Sanosuke follow her. When Kenshin arrives at Kyoto, Misao asks whether he would like to go to a cheap inn. Kashiwazaki Nenji (Min Tanaka), who was the ninja Okina that worked for the Tokugawa shogunate, runs the place and teams up with Kenshin. He seeks out the talented blacksmith Shakku Arai to repair his sakabato and finds that he is dead. Arai's son Keiku does not help Kenshin, but when the evil Sawagejo Cho (Ryosuke Miura) kidnaps his baby, he calls Kenshin to save his son and gives him a new sakabato. Kenshin defeats the Shishio's warrior and he is arrested by the police. Soon Hajime and Kenshin learn that Shishio intends to burn Kyoto down and they prepare the defense of the town. Is Sawagejo Cho telling the truth?

"Rurôni Kenshin: Kyôto taika-hen", a.k.a. "Rurouni Kenshin: Kyoto Inferno", is a spectacular sequel of "Rurôni Kenshin: Meiji kenkaku roman tan". The story follows Kenshin and his friends from the first film and introduces a villain more evil than in the first film. The sad moment is the unknown fate of the gorgeous and sweet Kaoru Kamiya. Every viewer and fan is certainly hoping she has survived. My vote is ten.

Title (Brazil): "Samurai X 2: O Inferno de Kyoto" (Samurai X 2: The Kyoto Inferno")

I'm not a huge fan of the Samurai genre. The blood, brutality and cruelty that inhabits many of the films in this genre is, at times, very disturbing. It was a pleasant surprise therefore to encounter the Rurouni Kenshin series. These films follow the Samurai formula but depart from the norm in so much as they actively downplay the brutality in favour of a more peaceful, hopeful message.

The key character Rurouni Kenshin could best be described as a reformed Samurai. Rurouni has come to see the wastefulness of taking human life, choosing, instead, to take a less lethal approach to subduing the bad guys with the blunt edge of a double edged sword. Of course, there are always a few genuinely vile villains and these are dispatched with the swords sharpened edge.

Its my understanding this is the second in the live, as opposed to animated, Rurouni Kehshin series of films. I watched the first and enjoyed it immensely so I decided to give the second a go. This film is darker and more serious than its predecessor, possessing somewhat less humour. The violence is a little more intense too and occasionally sadistic but not overly graphic. The conspicuous fight scenes, as was the case in the first outing, remain remarkably polished and exceptionally well choreographed. Especially when you consider the large scale and numbers of people involved in many of the battles scenes scattered throughout the film.

The key fight scenes between central hero's and villains are of the highest caliber and its these moments of stirring swordplay and martial skill that make this film really shine. Combine this with solid, original storytelling, good pace and some novel plot twists and turns and you have a very engaging action flick.

I watched both this film and its predecessor from end to end without getting up once or feeling in any way bored.There are subtitles, unless, of course, you speak Japanese but I found this film, like the first, so engrossing they hardly felt like any effort at all.

Nine of of ten from me.