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Materialists

  • 2025
  • 14A
  • 1h 56m
ÉVALUATION IMDb
6,7/10
13 k
MA NOTE
POPULARITÉ
38
15
Pedro Pascal in Materialists (2025)
A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.
Liretrailer2 min 26 s
10 vidéos
99+ photos
Feel-Good RomanceRomantic ComedyComedyRomance

Ajouter une intrigue dans votre langueA young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.

  • Director
    • Celine Song
  • Writer
    • Celine Song
  • Stars
    • Dakota Johnson
    • Chris Evans
    • Pedro Pascal
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,7/10
    13 k
    MA NOTE
    POPULARITÉ
    38
    15
    • Director
      • Celine Song
    • Writer
      • Celine Song
    • Stars
      • Dakota Johnson
      • Chris Evans
      • Pedro Pascal
    • 200Commentaires d'utilisateurs
    • 102Commentaires de critiques
    • 69Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 6 nominations au total

    Vidéos10

    Official Trailer
    Trailer 2:26
    Official Trailer
    Featurette - Sneak Peek
    Trailer 1:36
    Featurette - Sneak Peek
    Featurette - Sneak Peek
    Trailer 1:36
    Featurette - Sneak Peek
    Official Trailer
    Trailer 1:42
    Official Trailer
    Official Trailer
    Trailer 2:23
    Official Trailer
    Meet Harry (Pedro Pascal)
    Clip 0:28
    Meet Harry (Pedro Pascal)
    'Materialists' Stars Talk Love Triangle Dynamics, Co-Star Kisses, and More
    Clip 6:56
    'Materialists' Stars Talk Love Triangle Dynamics, Co-Star Kisses, and More

    Photos104

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
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    + 98
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    Rôles principaux29

    Modifier
    Dakota Johnson
    Dakota Johnson
    • Lucy
    Chris Evans
    Chris Evans
    • John
    Pedro Pascal
    Pedro Pascal
    • Harry
    Zoe Winters
    Zoe Winters
    • Sophie
    • (as Zoë Winters)
    Marin Ireland
    Marin Ireland
    • Violet
    Dasha Nekrasova
    Dasha Nekrasova
    • Daisy
    Emmy Wheeler
    Emmy Wheeler
    • Rose
    Louisa Jacobson
    Louisa Jacobson
    • Charlotte
    Eddie Cahill
    Eddie Cahill
    • Robert
    Sawyer Spielberg
    Sawyer Spielberg
    • Mason
    Joseph Lee
    Joseph Lee
    • Trevor
    John Magaro
    John Magaro
    • Mark P.
    Nedra Marie Taylor
    Nedra Marie Taylor
    • Audrey
    Sietzka Rose
    Sietzka Rose
    • Eleanor
    Halley Feiffer
    Halley Feiffer
    • Patricia
    Madeline Wise
    Madeline Wise
    • Beth
    Ian Stuart
    Ian Stuart
    • Logan
    Dan Domenech
    Dan Domenech
    • Ron
    • Director
      • Celine Song
    • Writer
      • Celine Song
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs200

    6,712.5K
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    10

    Avis en vedette

    7YoungCriticMovies

    A sharp, stylish rom-com that dissects modern love-though its heroine falls flat

    It can be hard for a playwright to transition into filmmaking. Plays are famously staid, physical affairs, relying more on dialogue than visual storytelling to convey emotion and plot. Yet Celine Song has made the leap from playwright to filmmaker with a visual fluency and ease that's nothing short of remarkable. Her feature debut Past Lives (2023) became an indie darling, earning an Oscar nomination for Best Screenplay. While its dialogue was crisp and lyrical, it was Song's command of silences and glances that gave the film its emotional resonance. She now follows that impressive debut with Materialists (2025), a quasi-rom-com that strikes while the iron is hot.

    Materialists follows Lucy (Dakota Johnson), a New York City matchmaker who views dating through the lens of a financial market-assigning value to men and women based on traits, assets, and compatibility metrics. She doesn't pretend love is purely romantic; she's practical, even transactional. But her worldview is tested when she begins dating Harry (Pedro Pascal), a charming and wealthy suitor, just as John (Chris Evans), a struggling actor and former flame, reappears and rekindles an effortless chemistry.

    Song appears especially drawn to love triangles-Past Lives also revolved around a woman caught between two worthy men. But she never reduces her characters to reality-TV archetypes or rom-com clichés. If anything, Materialists functions as an elevated romantic comedy: it still follows familiar narrative beats, but with a more grounded and honest exploration of love than the dreamy worlds of Meg Ryan or Richard Curtis films.

    Materialists dives into the realities of modern dating, where apps and algorithms have turned people into commodities in a vast "dating market." Lucy's profession as a matchmaker becomes a narrative device for discussing these themes-her conversations with co-workers mirror the cold calculus behind dating app algorithms, where potential partners are treated like stocks or securities. Boxes are ticked, and wealth is a major factor-no romanticism required. Yet the film avoids becoming a cynical screed about the death of love. Instead, it confronts the tensions head-on: true love can feel "easy," but that doesn't eliminate the realities of trade-offs, or the fact that marriage remains a financial partnership as much as a romantic one.

    This sociological bent makes Materialists fascinating to watch-it often feels more like a relationship essay than traditional entertainment. Still, it delivers the genre's essential pleasures: there are satisfying beats and feel-good moments, but with sharper dialogue and more originality than usual. Some lines recall early Richard Curtis in their memorability. Song's playwriting background serves her well here.

    Returning to the love triangle structure, Song treats each character with empathy, resisting the urge to vilify one in favor of a tidy moral. All three are endearing but imperfect, and their emotional depth makes you want to spend more time with them. This is especially true of the two men. Pascal finally lands the romantic lead that the internet has long wanted for him-his charm and sly smile are irresistible, and he carries a late, vulnerable scene with deft dramatic control. Evans, a rom-com veteran, leans into a quieter, more melancholic role. His longing and quiet devotion to Lucy-despite her questionable treatment of him-are convincingly portrayed.

    The weak link is Lucy herself. As the titular "materialist," she's meant to evolve from pragmatic matchmaker to romantic lead, but she remains frustratingly underwritten. Johnson, whose signature style often leans toward aloof detachment, doesn't help. There's little insight into Lucy's inner world or motivations. She's burdened with being both the audience's point of entry and the character undergoing the biggest arc-yet the script and performance don't give her enough complexity to support that dual role. As a result, the film's emotional center feels muted.

    Ultimately, Materialists is a worthy, if slightly uneven, follow-up to Past Lives. It doesn't linger in the soul the way Song's debut did, but it plays with the rom-com form in thoughtful, compelling ways. With sharp dialogue, a probing thesis, and two richly drawn male leads, it elevates the genre's average. Still, when your central character-the fulcrum of both the romance and the film's thematic weight-feels undercooked, one of the film's key pillars noticeably wobbles.
    6ekhilton

    Overhyped

    I think that the movie was overhyped. It felt like there was just something missing and maybe because I watch a lot of series and get to enjoy the progression of characters overtime. That's why I felt like there was something missing. I think that the actors were great and maybe during the storyline there was way too much focus on her job aspect and there could've been just a little bit more of her personal life being expressed on screen. I honestly think the trailer was probably better than the movie and I found myself getting a little bit bored at times. I think that this was a great trio, but I don't know if that this was the perfect movie for them.
    5KaylaF-93

    Did ChatGPT Write This?

    I am so disappointed... My expectations were pretty low to begin with because I know how romance movies are, but the dialogue was slow and overly simplistic. I had a hard time believing that anyone had a connection in this love triangle.

    These are 3 actors who have been doing this FOREVER and you can tell they were fighting for their lives to work with the combination of bad writing and bad directing.

    I was hoping for a feel-good, light hearted movie, but I ended up bored and kind of frustrated by the sweeping generalizations of how dating works.

    Don't spend the money to see it in theaters :(
    7asha_cole

    Good with some holes

    Great cinematography, soundtrack and monologues. However, definitely felt that there were holes in the plot. My friend and I wondered how with so many producers, that these holes were not patched. If they were, the movie could have been great. It wasn't a snoozefest, it did keep you on your toes as to what would happen next. But seemed too dramatic in some areas, and weird bits of humour in others. Nothing flowed as it could have. I didn't mind the actors chosen for the parts - I think they all played well together. I just would have liked more details in some parts, less in others. Will watch again in the future to see how it actually sits with me.
    6emmajacobs-56352

    Boring

    Dakota Johnson acts as if she's reading off of a script in front of her. She has no change in tone, no depth to her voice or emotions. Even Pedro was underwhelming in this role. It felt as though Celine Song was attempting to make this film have an incredibly deep and moving message, but it didn't come across as she intended. They marketed this movie as a rom-com, disappointing me when I realized it wasn't. It could have been redeemed by a compelling story but the poor acting and awkward conveyance of a boring intended message proved the film irredeemable. Anyone other than Dakota Johnson would've worked better. Next time cast Daisy Edgar Jones.

    Are We Talking About Love Triangles With Pedro Pascal?

    Are We Talking About Love Triangles With Pedro Pascal?

    Dakota Johnson and Chris Evans get candid about what went down while filming Materialists with Pedro Pascal.
    Watch the 'Materialists' interview
    'Materialists' Stars Talk Love Triangle Dynamics, Co-Star Kisses, and More
    6:56

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Writer/director Celine Song's name is listed as the playwright for John's play on a poster outside the theater, because the play is actually a real one she wrote back in 2016.
    • Citations

      Lucy: Patricia, I know that every year you go without having a husband raises your expectations for him exponentially. But that doesn't mean that you're due to get one. And it doesn't mean that you can customize, because this is not a simulation. If the service I was providing you was building you a man, then of course I can build you a man with everything on this list. But I can't, because this is not a car or a house. We're talking about people. People are people are people are people. They come as they are. And all I can hope to find for you is a man that you can tolerate for the next fifty years, who likes you at all. And you are not a 'catch', because you are not a fish.

    • Générique farfelu
      At the end of credits scene of people getting married, the cave people are seen happily walking out of the room together.
    • Connexions
      Referenced in The DA'S Office: HTTYD Box Office | Superman | JW: Rebirth | Fantastic 4| Ironheart (2025)

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    Détails

    Modifier
    • Date de sortie
      • 13 juin 2025 (Canada)
    • Pays d’origine
      • United States
      • Finland
    • Site officiel
      • Official Site
    • Langue
      • English
    • Aussi connu sous le nom de
      • Một Nửa Hoàn Hảo
    • Lieux de tournage
      • Crested Hen Farms, High Falls New York, ÉTATS-UNIS(The outdoor wedding scene at the barn outside of New York City.)
    • sociétés de production
      • A24
      • 2AM
      • Killer Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 33 524 258 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 11 338 642 $ US
      • 15 juin 2025
    • Brut – à l'échelle mondiale
      • 45 791 406 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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