Ajouter une intrigue dans votre langueA stand-up show that touches on topics such as artificial intelligence, political correctness, family weddings, funerals, and the end of humanity.A stand-up show that touches on topics such as artificial intelligence, political correctness, family weddings, funerals, and the end of humanity.A stand-up show that touches on topics such as artificial intelligence, political correctness, family weddings, funerals, and the end of humanity.
- Director
- Writer
- Star
- Prix
- 1 victoire au total
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I honestly don't care whether the material is appropriate or not or whether it crosses a line or not. In humor, I think it's all fair game. They're just jokes and it's all good. So I have zero issues with any of that. My issue is simply that the show was just not very inspired and ultimately not particularly funny. It wasn't bad, but there wasn't much of a coherent narrative for the show, there were many one-liners that fell quite flat, stories that weren't particularly interesting, jokes that didn't elicit anything (at least in me) and quite frankly, Ricky just seemed to be going through the motions in this show. It felt a little phoned in.
There are much better stand up shows out there than this one.
Maybe not as sharp or funny as the last one, but still some very memorable moments and laugh out loud jokes. Ricky daring to say what many people think, but are too afraid to admit to.
I am stunned that he's still featuring on Netflix, his 'Brand' of humour doesn't exactly seem to fit in with the company's image.
He doesn't hold back, ripping into everyone, and he says, it's alright to laugh at things, it doesn't necessarily mean it's your opinion. Many people have lost the ability to laugh, it's sad.
He's about the only stand up comedian left that's actually funny and original.
8/10.
Armageddon is good, well worth a watch, but not "Supernature" or "The Closer" good. I found too many of the jokes a bit predictable, something that Ricky is usually great at avoiding, many eye rolling moments and a lot fewer spitting "laugh out loud" punchlines. I look forward to the next Gervais special, or anything that he produces really, while this is not his best work, a stand up comic of this level still delivers when not running on all cylinders.
BUT ...
.... There is nothing new!
The subject-matter has been exhausted at this point, yet he is still trampling that same old ground and making the same old points.
There are also references to bits by other comedians, as there have been in his last three specials. This is by no means an accusation of stealing material or any such nonsense, however, it should be noted that less popular comedians have received a lot of flack for a lot less.
My last criticism would be that a lot of his material seems be aimed at twitter. Twitter and the real world are very different places, so when he talks about 'people', it comes across as almost hollow because his characters are based in that world.
This might sound like a bad review, but it isn't. Armageddon hits the same high standards we're used to seeing from Ricky Gervais. Unfortunately, 'same' might be the most important word in that sentence.
Le saviez-vous
- Citations
Ricky Gervais: People going, "No, it should be played by a real disabled creature." They're going, "The actor should have the same disability as the person they're portraying." But it was the life story of Stephen Hawking, right? So for the first part of the file, the cunt could walk, right? So I put it to you, what is easier? Getting an actor who can walk, pretend he can't for the last bit of the film, or get an actor who can't walk, pretend he can for the first bit? How would that even fucking work? Puppetry? Think!
- ConnexionsFeatured in Credlin: Episode #7.246 (2023)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Рікі Джервейс: Армагеддон
- Lieux de tournage
- The London Palladium, Royaume-Uni (RU)(End credits)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1