Eastern Boys

When a dozen young thugs thugs enter your apartment and ransack it, you would expect some resistance, some violence. But no, in this very French film, everything is very civilised, almost as if it were a social gathering, with the robbers dancing as they rob and the guy being robbed having a drink as we watches all his fancy possessions being lugged away. Though the film has a high degree of tension and pent up violence running through, it never actually manifests itself except in short bursts and in the (relatively) mild form of a boy being roughly shoved to the ground, having a foot placed on his face and then tied up. Which is why these small bits of violence are so impactful and lead to such explosive consequences in the story. This is a very unique film and I really enjoyed it.

I was only prepared to give this film just half a chance (which I'm glad I did), and bail out as soon as it got too "Euro" for me.

Aside from one semi-painful and overly long techno-music / dancing scene early on, the film was perfectly palatable to this particular Mid-Western American's tastes.

As others have noted, it starts off a bit slowly, and you're left wondering if there will ever be any dialogue.

Turns out there is, and in multiple languages too. I loved the realism of the two initially only being able to communicate through their own broken English, instead of their native tongues (each being unfamiliar to the other).

Really well acted by all, and beautifully filmed. It had a documentary feel to it, without the obnoxious jittery camera work that some directors think that look requires.

There are some mildly graphic gay sex scenes, so if that's too much for you, consider yourself warned. It's hardly gratuitous though, and nothing you haven't seen between heterosexual characters in other movies over the last thirty years.

The story could have used a bit more background on the primary characters, which is what prevented me from giving it an 8 or a 9. I can see how time constraints might have gotten in the way of the film maker's doing that however.

Anyway, it's a breath of fresh air from the usual formula and is much recommended.

I had no expectations going into this film. And the first few minutes made me doubt my choice. But as the slow narrative starts to develop, it sucked me in and kept me captivated until the very end.

A very realistic, raw image of illegal immigrants and a very sensitive story of deception, love and protection.

I won't spoil the story, but if you are not homophobic and if you like movies such as Stephen Frears's "Dirty Pretty Things", this is a great cinematic experience. Hopefully this movie will get a wide enough audience and recognition.

Go watch it with an open mind.

EASTERN BOYS is the story of a middle-aged man developing a love interest with an Ukrainian rent boy. The boy's still caught up in gang life and his troubled condition as an immigrant in France complicate the relationship. EASTERN BOYS is part drama, part romance, a story told with relatively little words and carried by superb performances.

All of the characters appear to be very real, and even the movie's "villain", the gang leader, is relatable and not one-sided. The relationship between the two main protagonists is similarly multi-faceted and interesting.

Overall, the movie did keep me interested... but at times it just prodded along, bugged down by pacing issues. Especially the middle part of the movie had far too many short scenes with short musical interludes, which made everything seem blur together. Cinematographically, EASTERN BOYS looks decent but it also has a lot of generic shots and cuts... and a pretty bad overlaid images shot in a dance scene.

All in all, a decent gay-themed romance drama that will keep you entertained, but it won't blow your mind.

Most will be familiar with Campillo's work from the TV adaptation of his film The Returned, Eastern Boys shares many of the same qualities of the TV show; a poetic approach to actions that are usually bluntly handled in cinema. Somehow Campillo manages to seamlessly combine several paradoxical elements and genres and still create an elegant and complete film.

The opening scenes are enough to cement the atmosphere of the film, as you are introduced to the eastern boys of the title, hanging around in the Gare du Nord, but it takes an impressive amount of time before their occupation becomes clear, and even then the plot meanders in ways that you may not be expecting.

Olivier Raboudin and newcomer Kirill Emelyanov are exceptional in the central roles, but Daniil Vorobyev is a revelation as the scene stealing psychotic boss, a performance which easily matches Gary Oldman's Stanfield from Leon. These characters and all the supporting roles are skillfully captured with a minimal and subtle script, that highlights Campillo's peculiar and under appreciated talent to bring cold environments to life.