Novocaine

I thought the reviews were a bit hard on the movie. And they kind of are, but kind of aren't, I guess.

If you turn your brain completely off it can be relatively fun. There is a lot of action, there is the chase, there is gore, there is some silliness. The humor could have been closer to Deadpool franchise, IMHO, but it was not even close, and was kind of mediocre for the most part.

If you do turn you brain on, you probably will notice some inconsistencies here and there. Like, people in banks are generally instructed to comply with robbers' requests (source: worked in a bank for 12 years). And people with CIPA probably would still be affected by an electric shock.

I do not think you are meant to turn your brain on. You are supposed to enjoy the shenanigans on the screen and somewhat decent soundtrack. And then forget everything you so within the next couple of hours. Sometimes, that's enough.

Novocaine is a fast-paced action-comedy that delivers a huge dose of fun, as long as you don't take it too seriously. It's built on a genuinely original premise: the main character has congenital insensitivity to pain (CIP), a real and rare genetic disorder that prevents him from feeling any physical pain.

This setup gives the film a fantastic opportunity for some pretty gruesome and innovative action sequences, so it's certainly not for the faint-hearted. It's the kind of role that feels tailor-made for Jack Quaid, who perfectly captures the chaotic energy of the character.

There's nothing too deep to think about here. This is a film that asks you to suspend your disbelief and just enjoy the ride. With good production values and a plot that moves too quickly to get bogged down in any script absurdities (of which there are probably many), it's easy to do just that.

Overall, I really enjoyed it. If you're looking for a wild, funny, and creative action flick and are happy to check your brain at the door, Novocaine is a great choice.

We caught Novocaine on Monday Mystery Movie night, and what a ride it was! Starring Jack Quaid and Amber Midthunder, the film starts off almost like a RomCom in the first act-then the second act hits, and it's zoom zoom zoom from there.

This movie is absolutely bonkers, bringing to mind the chaotic energy of Crank (2006). It fully delivers on its promise of an R-rated action/thriller/comedy, with plenty of strong language and graphic violence.

It was definitely a good time, and I'd recommend it to fans of this kind of wild ride-though maybe not for the squeamish.

Enjoy it peeps!

Cheerio!!!

Greetings again from the darkness. In decades past, we wouldn't have been surprised in the least to see a movie starring Jack Nicholson and Dennis Quaid. In fact, in 1973 Jack co-starred with Dennis' brother Randy in one of my favorite films, THE LAST DETAIL. Well, here we are more than fifty years later, and Dennis' (and Meg Ryan's) son Jack Quaid is co-starring with Jack's son Ray Nicholson in what is sure to be one of this year's most outlandish action-comedies. The screenplay is by Lars Jacobson and the film is co-directed by Dan Berk and Robert Olsen, who also collaborated on BODY (2015).

REM's "Everybody Hurts" plays over the opening credits and sequence which provide hints to the measures Nathan Caine (Jack Quaid, COMPANION, 2025) has taken around his house. With tennis balls shielding sharp corners and a stop to prevent scalding water in the shower, Nathan appears to be quite accident-prone. We learn he's a good-guy Assistant Manager at a local San Diego bank, and profiles as nebbish in his looks and skittish mannerisms ... especially around new bank teller Sherry (Amber Midthunder, THE ICE ROAD, 2021). Sensing his awkwardness and attraction, Sherry takes charge and asks Nathan to lunch. A bite of cherry pie leads Nathan to disclose his rare genetic disorder - he simply cannot feel pain (thus explaining the earlier tennis balls).

One personal disclosure leads to another, which leads to an art gallery, which leads to romantic intimacy and what easily could spin off into a familiar quirky rom-com with these two. Instead, while Nathan is riding an emotional high, three men dressed as Santa Claus violently rob the bank on Christmas Eve and take Nathan's new squeeze Sherry as hostage. This sends our wimpy superhero Nathan (nicknamed Novocaine by junior high bullies) on a rescue mission. His previous fighting experience has been limited to online video game sessions with Roscoe (Jacob Batalon, Ned from Marvel movies), although the two have never actually met.

The fight sequences are quite violent and absurdly comical in how they take advantage of Nathan's blend of physical disorder, nice guy tendencies, and commitment to rescuing his first love. Creativity is at maximum volume as Nathan takes on a red-hot frying pan and boiling oil in a restaurant kitchen skirmish, replete with bodily poundings that would leave anyone else shattered. Things really pick up in a wickedly booby-trapped house that sets up a HOME ALONE joke. Mostly, however, the body horror serves as punchline after punchline ... some surely to tweak even the most squeamish movie goers.

Ray Nicholson (I LOVE YOU FOREVER, 2024) provides a jolt of adrenaline and psychotic violent behavior to ensure no one watching still believes this is a rom-com in the making. His Simon thrives not so much on the money from the robberies as the power and control he displays and the torture he doles out. The finale battles between Simon and Nathan are extreme and creatively unique. While the entertainment value is present, there are still some minor issues with the story and proceedings. The detectives on the case are played by Betty Gabriel (GET OUT, 2017) and Matt Walsh ("Veep"). These two talented actors are given very little to do and it's a shame their roles weren't beefed up a bit. Additionally, there is a key twist that will surprise almost no one. Is it even a twist if they tell you it's coming?

The action scenes are purposefully absurd, and although some bits are over-the-top, others are pure comedy-action brilliance. Jack Quaid is fitting right in to his lead character roles, and Ray Nicholson is mastering the wild-eyed psycho dude. Amber Midthunder shows yet again how immensely talented she is, and it's likely her future roles will take advantage of what she brings on screen. My personal biggest hope is that the filmmakers avoid a sequel ... one which would likely leave us viewers disappointingly numb (had to work in one pun).

Opens in theaters on March 14, 2025.

I saw Novocaine early as this week's selection for Marcus's Mystery Movie. I had already planned on watching it so I was happy with the choice. And while I enjoyed the experience, it feels like most of the other 2025 releases I've seen: good but not great.

The premise is interesting and is used somewhat well. The action scenes are solid. The comedic attempts are hit or miss. I laughed at some but others fell flat. And my investment/engagement was... medium?

I can't fully explain why it didn't work better. Maybe it's because none of the aspects excel. Maybe it's because the entire cast outside of the lead is weak (most of them are TV actors, not movie actors).

I just didn't feel that spark. I definitely didn't mind watching it. But it's not something memorable that I see myself revisiting.

Hopefully 2025 can turn itself around because this is the worst start to the year I can remember.

P. S. Someone brought a noisy baby to my screening so my experience was a bit tainted. Some people are so inconsiderate.

(1 viewing, early screening Marcus Mystery Movie 3/3/2025)