L'astronaute Roy McBride se rend aux quatre coins du système solaire pour retrouver son père disparu et résoudre un mystère qui menace la survie de notre planète.L'astronaute Roy McBride se rend aux quatre coins du système solaire pour retrouver son père disparu et résoudre un mystère qui menace la survie de notre planète.L'astronaute Roy McBride se rend aux quatre coins du système solaire pour retrouver son père disparu et résoudre un mystère qui menace la survie de notre planète.
- Nommé pour 1 oscar
- 10 victoires et 75 nominations au total
- Sal
- (as Daniel S. Sauli)
Avis en vedette
The whole movie is about how Brad Pitt is calm on the outside, but inside he is a storm of feelings. This can be a metaphor for space itself- always quiet, but is very complex inside.
The end of the movie (without spoiling it) also works with that logic- there is no loud Inception horn, in fact, seemingly it's pretty relaxed, but you can still sense the tension and emotions going on.
Now that's what I call "show don't tell"
However, I think the movie was ruined by its screenplay which lacks of coherence. The story is really weak and undeveloped. There are many fractures in the reality of space travelling,
You almost have the feeling that the screenplay was written to have a support for the images, nothing more.
So yeah, I give this movie a 6 and I'm sad to see how a possible epic movie is ruined by a weak screenplay.
The focal point of the film is the father/son relationship altered by space and time and that allows the story to rise above routine sci-fi elements. Brad Pitt is excellent, if a bit monochromatic, and the technical, visual, and graphic elements of the production are exceptional as is the cinematography. This is a fine example of intelligent science fiction that retains nods of insight into the mind states of those who explore space as well as the quite possible future of space exploration with the accompanying benefits and potential problems. A bit too long and in need of editing, AD ASTRA is still a worthwhile evening's entertainment.
Le saviez-vous
- AnecdotesUnlike several contemporary films where CGI is used to depict the spacecraft and the vast space, director James Gray decided to use practical effects like models and props for the spacecraft exterior shots. Also, instead of using CGI for planets, he decided to use still images to portray the surface of the planets. This same technique was used in 2001: L'odyssée de l'espace (1968).
- GaffesThe distance from Tycho crater (where Roy lands on the Moon) to the center of Farside (where the "Cepheus" is located) is roughly 1,700 miles. Traveling at the speed shown and assuming no stops, Roy's lunar rover would take a couple of days to get there.
- Citations
Roy McBride: [Last lines] I'm steady, calm. I slept well, no bad dreams. I am active and engaged. I'm aware of my surroundings and those in my immediate sphere. I'm attentive. I am focused on the essentials, to the exclusion of all else. I'm unsure of the future but I'm not concerned. I will rely on those closest to me, and I will share their burdens, as they share mine. I will live and love.
- Générique farfeluThere is no fanfare during the 20th Century Fox logo.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: Ad Astra (2019)
Meilleurs choix
Détails
Box-office
- Budget
- 90 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 50 188 370 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 001 398 $ US
- 22 sept. 2019
- Brut – à l'échelle mondiale
- 127 461 872 $ US
- Durée
- 2h 3m(123 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1