Fake
- Série télévisée
- 2024–
Ajouter une intrigue dans votre langueKeddie plays a writer who meets rancher Wenham on a dating app. Thinking he's ideal, she commits to him, only to find he's misrepresented himself. She uncovers his lies.Keddie plays a writer who meets rancher Wenham on a dating app. Thinking he's ideal, she commits to him, only to find he's misrepresented himself. She uncovers his lies.Keddie plays a writer who meets rancher Wenham on a dating app. Thinking he's ideal, she commits to him, only to find he's misrepresented himself. She uncovers his lies.
- Prix
- 2 victoires et 7 nominations au total
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I had seen this advertised over the last few weeks & was really looking forward to it. Asher Keddie is an amazing actress who really makes you believe the characters she plays. The first episode was so slow but I persevered with it, hoping it would get better. All it did was frustrate me more with each episode How could Birdie be so blind to Joe's lies??? They got grander by the scene & the gas lighting, omg.. They're both sad, whiny characters. Wish I hadn't wasted my time watching this drivel.. On the bright side, it was a lovely surprise to see Anne Charleston on screen again. I loved her as Madge on Neighbours all those years ago.
I was only watching this because I grew up on one of the properties filmed ( not in the grand house but another house on the property). Anyway I really liked the show. I can see, and have experienced, how easy it to fall for someone even though the warning bells are ringing loudly. When your love bucket is empty you will date the person that comes along and tries to fill it. You so so much want to believe. The relationship between mother and daughter didn't help Birdees' self esteem. With the therapy she was getting how come she didn't tell her mother to treat her better. Congratulations to the writer bringing up the cheater issue from a perspective that can be understood from probably way too many vulnerable people.
Good show.
Good show.
The production values on this series are good, the story gets you intrigued early on, mainly from the 'what's going on' perspective.
The obvious point that such an educated, successful, attractive woman is so lonely, is something you need to get over, plus the fact that she's so desperate to meet a man, she's prepared to drop all doubts and oddities associated with him, just to get him.
Once the odd behaviours grow the story slowly develops, behind lovely Australian backdrops and city scapes, the heroine's fears and questions pop up and she looks for answers, again why she's so determined to hang onto this man is a bit of a mystery.
Things I found annoying, the need to insert alcohol into many scenes, the fragility of the female character, the sinister male lead, the gay but oh so fun friends, everyone seems wealthy and in luxury, but often unhappy, all very typical of Australian shows, so typical you fight the impulse to fast forward occasionally to get on with the story, so at times it gets 'dull', you want it to develop and it doesn't.
The obvious point that such an educated, successful, attractive woman is so lonely, is something you need to get over, plus the fact that she's so desperate to meet a man, she's prepared to drop all doubts and oddities associated with him, just to get him.
Once the odd behaviours grow the story slowly develops, behind lovely Australian backdrops and city scapes, the heroine's fears and questions pop up and she looks for answers, again why she's so determined to hang onto this man is a bit of a mystery.
Things I found annoying, the need to insert alcohol into many scenes, the fragility of the female character, the sinister male lead, the gay but oh so fun friends, everyone seems wealthy and in luxury, but often unhappy, all very typical of Australian shows, so typical you fight the impulse to fast forward occasionally to get on with the story, so at times it gets 'dull', you want it to develop and it doesn't.
This series about a journalist Birdie (Asher Keddie) who dates a compulsive liar and fantasist Joe (David Wenham) has a great premise but its pace is sluggish. And why all the moody focus on Birdie being devastated, anxious and morose as she reels from yet another betrayal from her deadbeat boyfriend? There needs to be more action. Maybe it would have been better to focus on the search to find fellow victims of Joe, and to find out who he really was. In any case, when Birdie does find out something bad about Joe, she tends to be sad, but then keeps going out with him! After five or six no-shows to family birthdays and weddings, and umpteen cancellations of dates, most people would call it quits, but it defies belief that she would put up with this much rejection and lying. If Birdie had fought back a little more, it would have been a better drama. The series is interesting in that it points out that on dates, we cannot predict who the other person might turn out to be. And that Birdie all too readily believes or forgives her lover's bad behaviour because she fears being alone.
Maybe also it would have helped to see a little of the boyfriend's perspective. How he rationalises being so opaque and stuffing Birdie around.
Maybe also it would have helped to see a little of the boyfriend's perspective. How he rationalises being so opaque and stuffing Birdie around.
The tension in the series is created between the characters' and the audience, rather than among the actors. Birdie's deep-seated denial makes the viewers say over and over "how can she believe him", as do her friends and family.
The more that audience members can sympathize with Bridie's denial, the more profound the tension is. However, for those of us who do not sympathize, the constant repetition of her failing can be a bit tedious. Therefor the director has taken a big chance by using this technique. This is exacerbated by the fact that the story arc builds up slowly over the initial episodes and that the crescendo is 100% predictable.
The more that audience members can sympathize with Bridie's denial, the more profound the tension is. However, for those of us who do not sympathize, the constant repetition of her failing can be a bit tedious. Therefor the director has taken a big chance by using this technique. This is exacerbated by the fact that the story arc builds up slowly over the initial episodes and that the crescendo is 100% predictable.
Le saviez-vous
- AnecdotesBased on journalist's Stephanie Wood's "Fake: A Startling True Story"
- ConnexionsFeatured in The 7PM Project: Episode dated 4 July 2024 (2024)
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- Victoria, Australie(location)
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