ÉVALUATION IMDb
6,7/10
27 k
MA NOTE
La grossesse non prévue d'une comédienne d'une vingtaine d'années l'oblige à affronter pour la première fois les réalités des femmes indépendantes.La grossesse non prévue d'une comédienne d'une vingtaine d'années l'oblige à affronter pour la première fois les réalités des femmes indépendantes.La grossesse non prévue d'une comédienne d'une vingtaine d'années l'oblige à affronter pour la première fois les réalités des femmes indépendantes.
- Prix
- 10 victoires et 29 nominations au total
Avis en vedette
'OC,' was a great heartwarming film. The realism in the bits and dialogue felt very fluid. There was not a single time I felt the cringe bug. Makes you think. In a good, happy-emoting way.
The romcom Obvious Child has been hanging around Netflix for a few years, and rightfully so, for it tackles with comedic insight another enduring cultural staple, "the one-night rebound stand after the breakup." It will take only 84 min to see how writer-director Gillian Robespierre can make this serious subject and its constant companion, abortion (Will she or won't she?), comedic and socially acceptable to discuss on a casual date.
Of course, the other reason Obvious Child is a success is its lead, Jenny Slate, playing stand-up comedian Donna Stern. Slate is natural, self-effacing and cute, not quite smashing but attractive enough to make our experience pleasant and sympathetic without being awestruck by abnormal beauty and charisma.
Besides giving varying degrees of standup, from bright contemporary topics to her abortion, funny to bomb, Slate has a sweet charm that makes you want to be a part of her life while she also makes you chuckle. Not hilarious, just smile inducing as we get used to her candor with her anecdotes that make us sometimes uncomfortable but always empathetic.
The boyfriend who dumped her, Ryan (Paul Briganti), is scruffy and unfaithful while one-night-stand Max (Jack Lacy) is all-American and much nicer than he has to be, probably one of the best rebounds in romcom history. You could do worse than watch this on a pandemic night; it sure will take your mind off our viral reality.
Of course, the other reason Obvious Child is a success is its lead, Jenny Slate, playing stand-up comedian Donna Stern. Slate is natural, self-effacing and cute, not quite smashing but attractive enough to make our experience pleasant and sympathetic without being awestruck by abnormal beauty and charisma.
Besides giving varying degrees of standup, from bright contemporary topics to her abortion, funny to bomb, Slate has a sweet charm that makes you want to be a part of her life while she also makes you chuckle. Not hilarious, just smile inducing as we get used to her candor with her anecdotes that make us sometimes uncomfortable but always empathetic.
The boyfriend who dumped her, Ryan (Paul Briganti), is scruffy and unfaithful while one-night-stand Max (Jack Lacy) is all-American and much nicer than he has to be, probably one of the best rebounds in romcom history. You could do worse than watch this on a pandemic night; it sure will take your mind off our viral reality.
The performance of Jenny Slate is the key of seduction in the case of this lovely, deep honest film. Like the performance of each actor, like the shocking end , because, inspired by title, you expect than abortion be excluded option in last moment. But the film has its way . And it gives a fascinating portrait of freedom, love, loneliness, friendship, new start, a youn woman in a box , a closed bookshop and relations with parents - the special job of Richard Kind. So, I love it !
I don't think that this is a ground-breaking film by any means, but it's certainly more interesting what what its plot summary makes it sound like. I guess it's very straight-forward, but there's a lot of good comedy in here, some witty banter and some strong characterization from the lead character. The performances are also really good, and they do feel lived-in, both realistic yet unique to the screenplay's voice. In many ways, this film reminds me of a more grounded Frances Ha, if maybe less funny and with a more likable female protagonist. Overall, this isn't anything amazing, but it certainly gets the job done, definitely recommended.
"Creative energy sometimes comes from the lowest point in your life."
Based on her short film Gillian Robespierre writes and directs her first feature length film about a comedienne who has recently been dumped by her boyfriend. It is a rom-com that has received a lot of praise for the way it tackles the issues of womanhood and abortion. The main character in this film is played by Jenny Slate and she is going through some rough patches in her life. Not only has her boyfriend recently dumped her for her best friend, but she is about to lose her job because the bookstore she works at is closing down, and she also gets pregnant after meeting a nice guy at one of her shows. Her comedic routine isn't actually working either because it is based on her everyday experiences and lately it seems to be more depressing than funny. Her brand of humor is mostly self- deprecating, but I had a difficult time finding it funny. I'm in the minority here considering most people have found this film funny, but I didn't find the humor in it. Slate basically plays a woman-child who is struggling to cope with the fact she has to become an adult. The comedy tries to be raw and honest, but I simply didn't find it interesting or funny. The romance also feels conventional at times. The film doesn't make a big deal out of abortion and that is why it has received much praise for the way it underplays the controversial issue. The film relies entirely on Jenny Slate's performance and unfortunately I never found her humor funny so that is the reason why it didn't work for me. There are way too many fart jokes in this film as well.
Obvious Child is a film that relies entirely on the screenplay and its cast because there is nothing special in the visual department. Unfortunately I found the screenplay and the main character a bit annoying. I already mentioned how the comedic aspect of the film didn't work for me, but I will give it a little more credit for the romantic side of it. It might be clichéd in some parts, but there is chemistry between Slate and Jake Lacy, who plays the sweet and patient guy who she meets during one of her shows. The film works best when the two are together, you get that uncomfortable feeling from both when they first meet or when they want to communicate something to each other. Richard Kind and Polly Draper play Slate's parents who are separated (and you can see why when you meet both of them separately in the way they treat their daughter because they feel like oil and water). Then you have Gaby Hoffmann playing the best friend role and sharing several scenes with Slate. None of these performances really stood out for me but they weren't bad either. I just didn't find Slate's character all that interesting or funny, and at times she really annoyed me. I am glad that the film is short because those 80 minutes still felt a bit tedious considering I was never able to connect with the characters.
Based on her short film Gillian Robespierre writes and directs her first feature length film about a comedienne who has recently been dumped by her boyfriend. It is a rom-com that has received a lot of praise for the way it tackles the issues of womanhood and abortion. The main character in this film is played by Jenny Slate and she is going through some rough patches in her life. Not only has her boyfriend recently dumped her for her best friend, but she is about to lose her job because the bookstore she works at is closing down, and she also gets pregnant after meeting a nice guy at one of her shows. Her comedic routine isn't actually working either because it is based on her everyday experiences and lately it seems to be more depressing than funny. Her brand of humor is mostly self- deprecating, but I had a difficult time finding it funny. I'm in the minority here considering most people have found this film funny, but I didn't find the humor in it. Slate basically plays a woman-child who is struggling to cope with the fact she has to become an adult. The comedy tries to be raw and honest, but I simply didn't find it interesting or funny. The romance also feels conventional at times. The film doesn't make a big deal out of abortion and that is why it has received much praise for the way it underplays the controversial issue. The film relies entirely on Jenny Slate's performance and unfortunately I never found her humor funny so that is the reason why it didn't work for me. There are way too many fart jokes in this film as well.
Obvious Child is a film that relies entirely on the screenplay and its cast because there is nothing special in the visual department. Unfortunately I found the screenplay and the main character a bit annoying. I already mentioned how the comedic aspect of the film didn't work for me, but I will give it a little more credit for the romantic side of it. It might be clichéd in some parts, but there is chemistry between Slate and Jake Lacy, who plays the sweet and patient guy who she meets during one of her shows. The film works best when the two are together, you get that uncomfortable feeling from both when they first meet or when they want to communicate something to each other. Richard Kind and Polly Draper play Slate's parents who are separated (and you can see why when you meet both of them separately in the way they treat their daughter because they feel like oil and water). Then you have Gaby Hoffmann playing the best friend role and sharing several scenes with Slate. None of these performances really stood out for me but they weren't bad either. I just didn't find Slate's character all that interesting or funny, and at times she really annoyed me. I am glad that the film is short because those 80 minutes still felt a bit tedious considering I was never able to connect with the characters.
Le saviez-vous
- AnecdotesShot in 18 days.
- GaffesRight after the lunch scene at the Italian restaurant, when Max accidentally steps on the dog poop, a man crosses the street wearing a red short sleeve shirt followed by a woman wearing a short sleeve shirt and shorts, when it's supposed to be winter in February, and Donna and Max are in their full winter gear.
- ConnexionsFeatured in Chelsea Lately: Episode #8.92 (2014)
- Bandes originalesHoney
Performed by The London Souls
Written by Tash Neal & Chris St. Hilaire (BMI)
Under license from The London Souls LLC
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Box-office
- Brut – États-Unis et Canada
- 3 123 963 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 77 315 $ US
- 8 juin 2014
- Brut – à l'échelle mondiale
- 3 325 417 $ US
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