ÉVALUATION IMDb
6,4/10
11 k
MA NOTE
Un Américain hérite d'un appartement à Paris avec un résident inattendu.Un Américain hérite d'un appartement à Paris avec un résident inattendu.Un Américain hérite d'un appartement à Paris avec un résident inattendu.
- Prix
- 1 victoire et 1 nomination au total
Avis en vedette
I used to be a "Parisian" well really only by birth; but I carry a lot of love about France and Paris. I also have a lot of feelings for Maggy Smith that has been rather omnipresent recently in cinemas. As for Kevin kline I always kept a vivid and enjoyable memory from "A fish call wanda". So I was rather comfortable in giving a go to "My old Lady" although I did not particularly like the tittle. I was not disappointed even if I felt a little boredom in the first half. And if one likes film for entertainment, in my view these should entertain as it entertained me. I did not feel like analysing the whole work too much as this is not why I watch films. For me it's important to leave the cinema with a rewarding feeling, whether I find the film intelligent, funny, or well paced as long it brings me something I feel worthwhile I'm happy. So I got a free trip back to Paris, laughters, and also something to think about! Four of us on the occasion had a good time!
The whole film is shot in Paris and many of the scenes are simply drippingly gorgeous. It is a very charming movie, with some heavy undertones and one I will watch again. There's a good message in it. Loved Dominique Pinon as the real estate agent. Kristin Scott Thomas is so good, mixing up mean and nasty with tenderness and self-awareness. Maggie is a stitch and just superb! Kevin excellently portrays a man who is down and out, carrying around emotional baggage. Stéphane Freiss always seems to play a neurotic Frenchman, but he does frenzied well. Many times I laughed out loud in this movie! I've studied French my whole life, but learned a new word in this movie: viager. I am surprised critics have come down so hard on it. But, I am almost as old as Kevin Kline, I adore Paris, I love movies where you can laugh and still be brought to tears and ones that have a good message.
Wow. Though my childhood upbringing does not mirror that of the characters in this movie, I come from a toxic childhood. The pain and dysfunction of these characters resonated with me in a profound way. Narcissistic parents can abuse their children and all those around them without overt verbal abuse and without ever laying a hand on them, and sometimes, that type of abuse can inflict the worst kind of lasting trauma and psychological damage. Living under the burden of your parents' sins can be a crushing lifelong weight. While they live their life exactly as they see fit every single day of their lives with no regard for the consequences or the fallout for those around them, when they have children, it's their children that pay the highest price for their parents' sins of constantly seeking and receiving instant gratification. Instant gratification is something that many parents will steer their children away from after the age of 2 or 3-years-old in favor of more thoughtful, considerate, long-term rewards. However, children of narcissists are denied gratification growing up, as their parents claim it all for themselves, and the pied piper must be paid. Ironically, the trauma is compounded by the fact that narcissists absolutely believe themselves to be the best and most loving parents any child could have, giving themselves God-like status, who can do no wrong in their own minds. When someone gets hurt, they will say that it was meant to be, and they will tell any lie necessary to fit that narrative. Children want and need most of all to be loved, cherished, and valued. Children of narcissists grow up without having those basic needs met. Instead, they become useful tools, and they're "lucky" if they also become attractive possessions to their parents. The flip side of that is that if they are not their parent's tool or an attractive possession, then they are of no value to their parent. I found Kevin Kline's Mathias authentic and believable. His pain was palpable. Maggie Smith did an excellent job, as well. I thought her brave to play Mathilde Girard, as Mrs. Girard is not likable. Kirsten Scott Thomas' performance was very good, too, once you discover the personal damage she's concealed. This is a quiet film. The story unfolds slowly, which was exactly how I needed to see it play out. I felt like I was eavesdropping, like I was lurking and seeing and hearing what was not for me to know just as Mathias and Chloé lived under the burden of their parents' lies, and through no fault and no choice of their own, had become a very part of the front designed to disguise the lies for an entire lifetime. If all of this seems completely foreign to your experience, you may completely despise this movie. This may be a trigger for some. Or maybe, you'll begin to discover that the burden you carry was bestowed upon you by those, who should have loved and sheltered you the most. Without your consent, those sins are not really your burden. The lies are not your truth. Maybe your perspective will be changed however slight. The discovery of a common thread can lead to an epiphany if only a small one. The three lead characters carried this well all the way to its satisfying end. Watch, and if you feel that your soul was damaged long ago by means beyond your control, take this short journey with Mathias, Mathilde, and Chloé, and hopefully, find a bit of solace in the truth.
I thought this was going to be a gentle comedy. Instead it turned out to be a tale of sadness and redemption. I enjoyed that more.
Went to see this today based on the trailer, from which I thought it was a comedy. It is funny, but also serious and engaging. Liked it much more than I thought I would and would definitely recommend it. At the end I realized that I would want to watch it again to see the themes of relationship as I then understood them with hindsight. The three principal actors are all excellent in their roles and in their relationships with each other. It felt honest and not pretentious or 'preachy', but definitely deep and engaging.
No one ends up the hero in this film, but that is often how real life often turns out.
No one ends up the hero in this film, but that is often how real life often turns out.
Le saviez-vous
- AnecdotesThis movie was Playwright and Screenwriter Israel Horovitz's directorial debut, at the age of seventy-four.
- GaffesLefebvre says he bought his boat with a viager and that he was lucky because the owner died six days later. Under French law the seller must live for at least 20 days after the contracts are signed.
- Citations
Mathias Gold: Is that why he shot and stuffed all those animals,so he wouldn't have to shoot and stuff your mother?
Chloé Girard: Or your father.
- Générique farfeluMidway through the credits, Mathias reveals his final decision on what he will do with the apartment and why. Additionally, after the end credits Mathias asks LeFebvre where he learned to speak English.
- ConnexionsFeatured in Film '72: Episode dated 19 November 2014 (2014)
- Bandes originales(It's Not Exactly a Sonata) For Renata
Written by Paul Mehling
Performed by Paul Mehling - solo guitar
Courtesy of HCSF Records
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Mi hermosa herencia en París
- Lieux de tournage
- Notre Dame Cathedral, Paris, France(seen in the background)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 4 013 786 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 124 680 $ US
- 14 sept. 2014
- Brut – à l'échelle mondiale
- 10 606 667 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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