Une femme, prise accidentellement dans un marché noir, renverse les rôles de ses ravisseurs et se transforme en une guerrière sans pitié, évoluée au-delà de la logique humaine.Une femme, prise accidentellement dans un marché noir, renverse les rôles de ses ravisseurs et se transforme en une guerrière sans pitié, évoluée au-delà de la logique humaine.Une femme, prise accidentellement dans un marché noir, renverse les rôles de ses ravisseurs et se transforme en une guerrière sans pitié, évoluée au-delà de la logique humaine.
- Prix
- 1 victoire et 12 nominations au total
Lio Tipton
- Caroline
- (as Analeigh Tipton)
Jan Oliver Schroeder
- German Mule
- (as Jan-Oliver Schroeder)
Avis en vedette
This impressive comic-book style tale brought to big screen contains thought-provoking science-fiction , fantasy , noisy action , battles , thrills , violent fights and results to be pretty entertaining . Lucy (Scarlett Johansson) is a smart , feisty college student who suddenly finds herself involved into a horrific drug and human trafficking situation . Later on , her brain is permanently altered when the fantastic drug CPH4 is released in her body . Lucy being re-animated due to the incredible synthetic drug , getting superpowers , breathtaking force , fast healing and undergoing unimaginable changes. When she gets a kick to her abdomen, the drug starts to leak into her body , and she begins using more than 10% of her brain and finds that she has less than 24-48 hours to live . With her new abilities , as soon as Lucy comes to learn that not everything he learns can be trusted , subsequently executing a merciless revenge . She's a slain woman and when his memories flood back and recalls the man that killed him , she gets away of the facility hellbent on vengeance , only to discover that there's more to the conspiracy than she originally thought . Along the way , Lucy finds the one neuro-scientist and professor Norman (Morgan Freeman) who can help capture her super brain phenomenon for the world , before the nasty villain , Mr. Jang (Choi Min-sik) , kill her in the process. She has the Power ! . The average person uses 10% of their brain capacity. Imagine what she could do with 100%. Open your mind, expand your potential, evolve !.
Nail-biting superheroine flick with thrills , chills , plot twists , struggles , high body-count , moving scenes , dazzling production design and latest generation special effects . Based on the character created by Luc Besson himself and heavily influenced by Superheroes Comic Books . This is a dynamic , fast- paced , entertaining and fun movie . It packs a brief message about the extreme dangers of the drugs and science, as our starring gets a tremendous strength thanks to a peculiar drug , she becomes a superhuman , a killing machine , resulting in fateful consequences . But it was really made to appeal to wide range of audiences , so the plot wasn't so complex , but Scarlett Johansson as the prominently featured super-power heroine was absolutely believable , and there was no other actress at the time who could have played the role asides from her . Nohing more fun to watch than to see her running here and there while seeks vengeance going after the man who previously killed her , or at least, who he believes killed . It also helps that it usually has a relatively good storyline to go along with it . This show has one really good thing going for it and that was a perfectly cast . Scarlett Johansson is nice , playing in her usual style as the two-fisted , serious girl brought back to life by an advanced technology that gives him the ability of super human strength , it would spin to transform into a relentless superheroine , armed with a invincible force that can stop any bullet , while regenerating his vital organs. Being well accompanied by other fine actors , such as : Morgan Freeman as Professor Norman , Choi Min-sik of Old Boy , Choi Min-sik , Amr Waked , Julian Rhind-Tutt , Pilou Asbæk , among others.
It displays a stinging and rousing musical score by composer Eric Serra . As well as colorful and brilliant cinematography by cameraman Thierry Arbogast . The motion picture was professionally directed by Luc Besson , though it has some flaws , gaps and shortfalls . Lavishly produced by Eurocorps (Besson Production Company) and nicely made by Luc Besson with his ordinary visual pyrotechnics . Luc often casts Jean Reno (though here doesn't appear) and music always by Eric Serra . Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Arthur and the Minimois¨ , ¨Nikita¨ and many others . Rating : Acceptable and passable, 6 . This is a highly amusing and frequently fun action-adventure romp with a witty script, sensational special effects and accceptable performances from main and support cast .
Nail-biting superheroine flick with thrills , chills , plot twists , struggles , high body-count , moving scenes , dazzling production design and latest generation special effects . Based on the character created by Luc Besson himself and heavily influenced by Superheroes Comic Books . This is a dynamic , fast- paced , entertaining and fun movie . It packs a brief message about the extreme dangers of the drugs and science, as our starring gets a tremendous strength thanks to a peculiar drug , she becomes a superhuman , a killing machine , resulting in fateful consequences . But it was really made to appeal to wide range of audiences , so the plot wasn't so complex , but Scarlett Johansson as the prominently featured super-power heroine was absolutely believable , and there was no other actress at the time who could have played the role asides from her . Nohing more fun to watch than to see her running here and there while seeks vengeance going after the man who previously killed her , or at least, who he believes killed . It also helps that it usually has a relatively good storyline to go along with it . This show has one really good thing going for it and that was a perfectly cast . Scarlett Johansson is nice , playing in her usual style as the two-fisted , serious girl brought back to life by an advanced technology that gives him the ability of super human strength , it would spin to transform into a relentless superheroine , armed with a invincible force that can stop any bullet , while regenerating his vital organs. Being well accompanied by other fine actors , such as : Morgan Freeman as Professor Norman , Choi Min-sik of Old Boy , Choi Min-sik , Amr Waked , Julian Rhind-Tutt , Pilou Asbæk , among others.
It displays a stinging and rousing musical score by composer Eric Serra . As well as colorful and brilliant cinematography by cameraman Thierry Arbogast . The motion picture was professionally directed by Luc Besson , though it has some flaws , gaps and shortfalls . Lavishly produced by Eurocorps (Besson Production Company) and nicely made by Luc Besson with his ordinary visual pyrotechnics . Luc often casts Jean Reno (though here doesn't appear) and music always by Eric Serra . Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Arthur and the Minimois¨ , ¨Nikita¨ and many others . Rating : Acceptable and passable, 6 . This is a highly amusing and frequently fun action-adventure romp with a witty script, sensational special effects and accceptable performances from main and support cast .
In my view this is the best film Besson has directed since 1997's The Fifth Element, or perhaps even since his best film, 1994's Léon: The Professional. The film in certain ways is a lot like Limitless, but at the same time it takes a very different overall approach and look on the subject of human evolution. I'm sure that many people will not care much for this film since it is filled with a lot of mystical/spiritual references and ideas and even some false science, however those with an open mind and an active imagination will likely be very glad they saw the film. This is clearly a work of fiction people, but there is no one saying you can't relate fiction to reality either, and actually learn something from it once in a while too. Our limitless imaginations are part of what makes human beings so extraordinary, we are best off using this gift and appreciating it. Fictional films can still be very thought provoking, and this one definitely fits that category. 2001: A Space Odyssey isn't scientifically accurate in many ways to our current knowledge, but it's still a monster landmark of a film nonetheless. Lucy is certainly not 2001, however they both ride that same imagination rules line that can spark the internal fires of unique creative thinking. In my view Lucy is a sci-fi trip worth taking.
8/10.
8/10.
Check the genre of this movie, it says SCI-FI, which stands for science FICTION!! If I watched every sci-fi movie expecting it to correlate with real life physics then there would be no point of the genre. All these bad reviewers seem to be on the more intelligent end of the pole but isn't cognitive enough to realize they're NOT watching a documentary!!!! This is a good sci-fi movie, which kind of lets you imagine what you could do if you knew everything and could do anything. Obviously It's not possible because you would have to break the laws of physics to even get near that point but it's still good to wonder. Worth a watch if you like the genre.
"Lucy," a high-concept sci-fi thriller from visionary French director Luc Besson, is a stimulating exploration of the human mind's potential. With its combination of slick action sequences, existential philosophizing, and dazzling visuals, it challenges and entertains in equal measure, pushing the boundaries of conventional cinema.
The plot follows Lucy (Scarlett Johansson), a woman accidentally caught in a dark deal who turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Besson has crafted a fascinating narrative that juxtaposes the gritty realism of crime syndicates with the abstract realm of cerebral possibilities.
Scarlett Johansson delivers a powerhouse performance, expertly navigating her character's transformation from a terrified victim to a superhuman entity. Her nuanced portrayal ensures Lucy remains empathetic even as she becomes increasingly detached from humanity.
Morgan Freeman lends gravitas as Professor Norman, a neuroscientist who serves as the narrative's anchor, grounding the escalating spectacle in a semblance of reality. His measured performance provides a necessary counterpoint to Johansson's increasingly otherworldly character.
Besson's direction is fluid and kinetic, imbuing the film with a frenetic energy that propels the narrative forward even as it dips into complex concepts. His choice to intercut documentary-style nature footage adds a unique flavor, creating intriguing parallels with the story unfolding on screen.
The cinematography and visual effects are dazzling, creating a vivid sensory experience that takes viewers on a roller coaster ride through time, space, and the human body. The mind-bending visual journey, coupled with Eric Serra's pulsating score, creates an intoxicating atmosphere that leaves viewers both thrilled and thoughtful.
However, "Lucy" isn't without its flaws. Its ambitious premise often teeters on the edge of becoming too esoteric, possibly alienating viewers expecting a more straightforward action thriller. Furthermore, its fast pace and lean runtime can leave certain aspects feeling underdeveloped, notably the film's antagonists.
Yet, despite these shortcomings, "Lucy" stands out as an audacious cinematic experience that dares to merge high-octane action with cerebral science fiction. It inspires a sense of awe and curiosity about human potential, prompting introspection about our place in the universe. It is a visual feast that stirs the mind and quickens the pulse, a cinematic cocktail of action and philosophy that leaves a lingering impression.
The plot follows Lucy (Scarlett Johansson), a woman accidentally caught in a dark deal who turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Besson has crafted a fascinating narrative that juxtaposes the gritty realism of crime syndicates with the abstract realm of cerebral possibilities.
Scarlett Johansson delivers a powerhouse performance, expertly navigating her character's transformation from a terrified victim to a superhuman entity. Her nuanced portrayal ensures Lucy remains empathetic even as she becomes increasingly detached from humanity.
Morgan Freeman lends gravitas as Professor Norman, a neuroscientist who serves as the narrative's anchor, grounding the escalating spectacle in a semblance of reality. His measured performance provides a necessary counterpoint to Johansson's increasingly otherworldly character.
Besson's direction is fluid and kinetic, imbuing the film with a frenetic energy that propels the narrative forward even as it dips into complex concepts. His choice to intercut documentary-style nature footage adds a unique flavor, creating intriguing parallels with the story unfolding on screen.
The cinematography and visual effects are dazzling, creating a vivid sensory experience that takes viewers on a roller coaster ride through time, space, and the human body. The mind-bending visual journey, coupled with Eric Serra's pulsating score, creates an intoxicating atmosphere that leaves viewers both thrilled and thoughtful.
However, "Lucy" isn't without its flaws. Its ambitious premise often teeters on the edge of becoming too esoteric, possibly alienating viewers expecting a more straightforward action thriller. Furthermore, its fast pace and lean runtime can leave certain aspects feeling underdeveloped, notably the film's antagonists.
Yet, despite these shortcomings, "Lucy" stands out as an audacious cinematic experience that dares to merge high-octane action with cerebral science fiction. It inspires a sense of awe and curiosity about human potential, prompting introspection about our place in the universe. It is a visual feast that stirs the mind and quickens the pulse, a cinematic cocktail of action and philosophy that leaves a lingering impression.
Le saviez-vous
- AnecdotesDespite widely published reports that Angelina Jolie was originally cast as the lead, but dropped out, Luc Besson has since denied them and admitted that he only met with a couple of actresses to discuss playing the lead role. He says when he saw how strongly Scarlett Johansson reacted to the story, she immediately landed the part.
- GaffesWhen Lucy uses the visual analogy of a car traveling faster and faster until it disappears from sight to explain that "Time" is the most important thing, this is incorrect and misleading. If an object were to travel so fast that it appears invisible, as depicted in the video, it wouldn't actually disappear. In fact, it would essentially create a wall along its path. This effect is analogous to the nature of atoms in which subatomic particles revolve around the nucleus of the atom at such great speed that it keeps the atom together which results in the formation of matter according to particle physics. Therefore, the car would not disappear as suggested in the video segment, but rather transform into an impenetrable wall of energy encircling the Earth along its path, as it approached infinite velocity.
- Bandes originalesDancing in Nowhere
Written by Julie Hugo, Gregory Cauzot and Pierre Mathieu
Performed by Make the Girl Dance feat. Solange La Frange
Courtesy of Roy Music
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Détails
Box-office
- Budget
- 40 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 126 663 600 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 43 899 340 $ US
- 27 juill. 2014
- Brut – à l'échelle mondiale
- 469 058 574 $ US
- Durée
- 1h 29m(89 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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