Lorsqu'une équipe d'explorateurs s'aventure dans les catacombes sous les rues de Paris, ils découvrent le sombre secret qui se cache dans cette ville des morts.Lorsqu'une équipe d'explorateurs s'aventure dans les catacombes sous les rues de Paris, ils découvrent le sombre secret qui se cache dans cette ville des morts.Lorsqu'une équipe d'explorateurs s'aventure dans les catacombes sous les rues de Paris, ils découvrent le sombre secret qui se cache dans cette ville des morts.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 6 nominations au total
Hamid Djavadan
- Reza
- (as Hamidreza Javdan)
Emy Lévy
- Tour Guide
- (as Emy Levy)
Avis en vedette
I knew very little going into this movie and it did not disappoint. Originally I gave this movie 6/10 but upon hitting up the Trivia section and realising some subtle intricacies I'd missed and just how much detail was in the movie I bumped up to an 8/10.
One of the best finds I've found in a while
One of the best finds I've found in a while
As Above, So Below is a tense and claustrophobic found-footage horror film that effectively utilizes its haunting underground setting. Set in the Paris Catacombs, the film follows a group of explorers searching for the Philosopher's Stone, only to find themselves trapped in a psychological and supernatural nightmare.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
This movie is just what you expect. A Blair Witch Project/ Tomb Raider crossover. And does that sound good on paper? No, but it actually ends up being pretty good. If you like Horror/ Action Films (and enjoy found footage) then this movie delivers.
First of all, there aren't a ton of good Horrors out there that are truly original. I'm not saying this movie is one of them, but that lack of originality shouldn't be the reason to give any movie a lower score. Bringing fresh ideas to the Horror genre is difficult, mostly because it's difficult to find new ways to scare people. There aren't a ton of moments that make you jump, but I think the genre isn't really about making people jump anymore. Audiences have gotten good at predicting when these moments happen.
Where this movie does well, along with the rest of my favorite horror movies, is atmosphere. For me, having a dark, creepy atmosphere is far more important to success in this genre than getting people to leap out of their seats. The shaky-cam, found-footage style isn't that much of an issue for me either. Actually, I think still does a good job portraying realism, despite being a bit disorienting and annoying.
Story-wise, I'd say it's pretty unique. How many other horrors involving descent into the earth to find historical relics can you think of off the top of your head? One, two maybe... How many horrors can you think of off the top of your head involving a haunted house, a possessed child or doll, exorcism, a guy with a mask, or a cabin in the woods? 100? Not to say this is bad, but I'll gladly welcome anything outside traditional horror settings and scenarios. It does dip into the realm of ridiculousness as some points, but nothing too over-the-top and far-fetched for the situation. The acting is good and the characters are believable for the most part. I would have cleaned up the final act a little bit more, but it was good enough to keep me satisfied.
Not sure what the critics are bashing it for. If there is anything to really complain about it's not this movie, but the genre itself. That being said, lower your expectations and you might like it. I'd give it a solid 7 out of 10.
Where this movie does well, along with the rest of my favorite horror movies, is atmosphere. For me, having a dark, creepy atmosphere is far more important to success in this genre than getting people to leap out of their seats. The shaky-cam, found-footage style isn't that much of an issue for me either. Actually, I think still does a good job portraying realism, despite being a bit disorienting and annoying.
Story-wise, I'd say it's pretty unique. How many other horrors involving descent into the earth to find historical relics can you think of off the top of your head? One, two maybe... How many horrors can you think of off the top of your head involving a haunted house, a possessed child or doll, exorcism, a guy with a mask, or a cabin in the woods? 100? Not to say this is bad, but I'll gladly welcome anything outside traditional horror settings and scenarios. It does dip into the realm of ridiculousness as some points, but nothing too over-the-top and far-fetched for the situation. The acting is good and the characters are believable for the most part. I would have cleaned up the final act a little bit more, but it was good enough to keep me satisfied.
Not sure what the critics are bashing it for. If there is anything to really complain about it's not this movie, but the genre itself. That being said, lower your expectations and you might like it. I'd give it a solid 7 out of 10.
I thoroughly enjoyed this movie. A cool and different idea for a found footage movie involving a real place that is creepy as hell. Just a good movie that combines multiple elements to scare the audience. Solid flick.
Le saviez-vous
- AnecdotesThis was the first ever production that secured permission from the French government to film in the Paris catacombs, both in the public and in the off-limits area. They got permission the night before shooting began. The air and water quality in the catacombs were tested before shooting to make sure the cast and crew would not walk through battery acid. The only entrance to one of the catacombs' main locations was through the parking lot of an hospital. There was very little use of props. The film utilizes a set of narrow, winding tunnels of the Paris catacombs, complete with real mint skeletons creepily arranged centuries ago. There was no electricity, no bathrooms or cell phone service in the tunnels. Sometimes the cast and crew had water up to their waists, and some days they had to crawl around on all fours for an hour. Several scenes were lit up by the actors themselves with their head lamps. Director John Erick Dowdle said that the actors were shooting the film 90% of the time.
- GaffesThe poem on Flamel's stone shouldn't rhyme in English.
- Générique farfeluOn the last seconds of the end credits, you can hear a character saying "The only way out is down", followed by some of the noises heard on the catacombs earlier in the film.
- ConnexionsFeatured in FoundFlix: As Above So Below (2014) Ending Explained + Analysis (2017)
- Bandes originalesSur La Planche 2013
Written by Sacha Got and Marlon Magnée
Performed by La Femme
Courtesy of Musique En Societe S.A.R.L.
By arrangement with Hyperion Music Services
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- As Above, So Below
- Lieux de tournage
- Catacombes of Paris, Paris, France(Whole set)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 21 321 100 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 632 820 $ US
- 31 août 2014
- Brut – à l'échelle mondiale
- 41 898 409 $ US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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