ÉVALUATION IMDb
7,5/10
10 k
MA NOTE
Ajouter une intrigue dans votre langueSara, a blind sculptor, seeks justice after suffering trauma. She contends with the legal system and her own resilience to find resolution.Sara, a blind sculptor, seeks justice after suffering trauma. She contends with the legal system and her own resilience to find resolution.Sara, a blind sculptor, seeks justice after suffering trauma. She contends with the legal system and her own resilience to find resolution.
- Prix
- 3 victoires et 7 nominations au total
Santhi Mayadevi
- Ahaana
- (as Shanthi Mayadevi)
Prashant Nair
- New CI
- (as Dr. Prashant Nair)
Resmi Anil
- Seema
- (as Reshmi Anil)
Avis en vedette
This is a decent attempt from Jeethu Joseph. Nothing like Drishyam or even Kooman, but engaging and watchable. The thread is good, but the climax was predictable and also very melodramatic. Also, the casting in the movie was off in multiple places. The primary example is Shanti Mayadevi. She simply cannot act and is awkward in a majority of the scenes. I totally understand, that's not her forte, but why give her such a meaty role? The victims mother also couldn't handle the emotional scenes. Also, Jeethu succumbs to the usual tropes of overdoing some scenes - like the incompetence of the first lawyer. The movie is also unnecessarily long and spends insane amounts of time on a CCTV visual. I'm summary, it's a good attempt and an engaging court drama, but not as stellar as it's touted to be.
No story, no suspense, just plain.
Expected a stronger and more engaging plot from Jeetu Joseph. Disappointed.
The crime was done and culprit was found in the first ten minutes. Then the seen too many times case where the hero first does not show interest and everyone else requests him to take the case. Hero accepts and then a very ordinary court proceedings follow. No real challenges faced by the hero. Overhyped obstacles. Villain is rich and has employed a Supreme Court advocate. No display of high intelligence from hero. No mass dialogues nor anything engaging.
A mediocre movie made on an interesting topic!
Expected a stronger and more engaging plot from Jeetu Joseph. Disappointed.
The crime was done and culprit was found in the first ten minutes. Then the seen too many times case where the hero first does not show interest and everyone else requests him to take the case. Hero accepts and then a very ordinary court proceedings follow. No real challenges faced by the hero. Overhyped obstacles. Villain is rich and has employed a Supreme Court advocate. No display of high intelligence from hero. No mass dialogues nor anything engaging.
A mediocre movie made on an interesting topic!
The same team had done Drishyam 10 years ago, which has become a milestone movie, not just in Malayalam but across Indian movie industry. Any movie they do now will be compared to that movie.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
Neru, an emotional court room drama is an absolute masterpiece directed and written by Jeethu Joseph elevated with Mohanlals And Siddiques amazing acting. The story follows the path of Sara a blind girl who is the victim of rape who's role is magnificently done by Anaswara Rajan. She seeks the help Of Vijayamohan, an underconfident lawyer who hasnt been practiced in a long time, this role is fantastically done by Mohanlal. As a malayali seeing Lalettan back at his subtle acting is just mesmerizing. This is proof that directors play an important role when it comes to shaping an actor. Vijayamohan Is Opposed By Rajashekar, a renowned lawyer who has been the enemy of Vijayamohan. This role is brilliantly played by Siddique. Rest of the movie you have to see othwrwise it would be a spoiler. I wouldn't say this is a theatre experiece movie but the film crew managea to hook our eyes to the screen with taking it off. I never felt bored even for a second thats how captivating the entire movie is. Although taking in Jeethu Josephs other works like Drishyam thos movie didnt quite reaxh to its level, it did deliver some goosebumps but i felt that the story was written in favour of Vijayamohan. So, its an average movie elevated with Mohanlals Comeback to Real cinema.
Anyone would agree that its just a standard legal drama. The casting and the setting doesnt seem very expensive or captivating. But the brilliant direction is evident in every detail. Main characters have been casted very well in every way possible. Jeethu joseph does not need any special introduction in such a genre since he has proved his excellence in many of his previous movies. As an average mohanlal enthusiast and a consistent critique of his work, I feel that this must go down as one of his best modern work. He has input an element of his own as well as adhered to the character presented by the director. Movie portrays characteristics of resilience and persistence. A must watch.
Le saviez-vous
- AnecdotesMohanlal's first theatrical successful film post pandemic.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 2 093 761 $ US
- Durée
- 2h 30m(150 min)
- Couleur
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