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4,8/10
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Ajouter une intrigue dans votre langueA stranger breaks into the house of a couple, ties up the husband and, having a whole weekend to play with, plays a slow game with the woman, a game of threats, fear, obedience - and intimac... Tout lireA stranger breaks into the house of a couple, ties up the husband and, having a whole weekend to play with, plays a slow game with the woman, a game of threats, fear, obedience - and intimacy.A stranger breaks into the house of a couple, ties up the husband and, having a whole weekend to play with, plays a slow game with the woman, a game of threats, fear, obedience - and intimacy.
- Prix
- 1 nomination au total
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The biggest weakness here is that the story doesn't seem to have much of a point. In one way, it's kind of a standard home invasion movie. It opens with a man entering a couple's home, tying the husband up and throwing him in the bathtub, and then torturing and humiliating him throughout the weekend that follows. As for the wife? Well, she gets tied up and there's some eroticism involved in his plans for her - a lot of touching, leading to fear and humiliation, but not much more. Really, the intruder's plan for the wife isn't made all that clear. Essentially, the intruder seems to want to play house with her, for lack of any better way of putting it. So, what was the point to this? Was there a point? I honestly finished this not being sure about the answer to either question.
Admittedly, the story has an uneasy attraction for the viewer. It's almost voyeuristic in a lot of uncomfortable ways. As the movie progresses we learn a lot about Alison and Tom (the unfortunate couple) but very little about Aaron - the intruder - until the last scene of the movie, which at least explains how he managed to break into their house, and shows him to be compulsive in his behaviour. Alison and Tom are revealed to be an unhappy couple with a lot of problems in their marriage. Aaron's motivation - aside from being one sick puppy - is never really made clear. (And maybe it's just that he is one sick puppy.)
It's not a bad movie. It actually succeeds in being a movie that both repels the viewer and attracts the viewer often at the same time. But it isn't a great movie, either. And if you can't handle a few scenes of torture (that are never particularly graphic, but that are nevertheless made very clear) then you should probably avoid this like the plague. (6/10)
Admittedly, the story has an uneasy attraction for the viewer. It's almost voyeuristic in a lot of uncomfortable ways. As the movie progresses we learn a lot about Alison and Tom (the unfortunate couple) but very little about Aaron - the intruder - until the last scene of the movie, which at least explains how he managed to break into their house, and shows him to be compulsive in his behaviour. Alison and Tom are revealed to be an unhappy couple with a lot of problems in their marriage. Aaron's motivation - aside from being one sick puppy - is never really made clear. (And maybe it's just that he is one sick puppy.)
It's not a bad movie. It actually succeeds in being a movie that both repels the viewer and attracts the viewer often at the same time. But it isn't a great movie, either. And if you can't handle a few scenes of torture (that are never particularly graphic, but that are nevertheless made very clear) then you should probably avoid this like the plague. (6/10)
The story is dull and doesn't make any sense. There is no suspense and characters make absolutely no sense
Interesting title and cover print. Mature content and dark scenes. A couple gets a visit from a stranger/friend, and things don't go well for them. Film is mostly shot from inside a home moving from the living room/kitchen to the bathroom. Cast are fairly new to me as someone watching this in 2025 and is only seen what has been shared mainstream. Stranger plays a twisted games with the couple and pitting them against each other at one point and testing their loyalty to each other. They bear challenging moments and see each other in vulnerable positions. Recommend this to 25 years or older due to mature content. Contains drama, relationship struggles, infidelity and punishment.
It's a long and drawn out film, with a "torture porn" feel to it, whilst trying not to look like a soft BDSM clip. Nothing in this movie is really interesting. The characters are boring, the villain is boring, the plot is also predictable. Free on Prime, because i wouldn't go out of my way to rent this film. Little is done with sets and scenery. It could have been filmed on an iPhone. Elements of Munchausen syndrome mixed with sadism, you would be better off finding something else to do with you 90 minutes. Seems to appeal to ppl into japanese bondage and stress positions. This film is a pass..
Ate De Jong brings Mark Rogers' story of fetish, and horror to life in dark, visceral , sometimes uncomfortable intensity. Normally I pass on films that I consider torture porn, or at least I bail on the film once I get that impression. I am glad that I did not check out on "Deadly Virtues" because it is definitely a tight, methodical nightmare that pushes one to experience that taboo in the horror genre, the eroticism of sexual nightmares. Much like "Straw Dogs (the remake)", this movie goes into those areas and exploits those darker subjects.
"Deadly Virtues" doesn't completely nail it, there are moments that play out almost like cliché of the erotic horror subgenre. At times the energy falters, and certain moments that could have really pushed the horror over the edge are only mediocre. That being said, the characters are developed more than you usually see in these sorts of stories, the subtext is deep and dark, and the acting is captivating enough to cause you to built a very intense connection with the characters. Plus the ending is one that I didn't quite see coming, made me angry until the ending finally played out- an ending that is well worth setting through the sexual overture that runs through "Deadly Virtues", and that sense of discomfort in seeing some of the scenes play out.
Overall, "Deadly Virtues" is worth watching on so many levels. I enjoyed being pushed into less comfortable forays of "what is horror" and "what is erotic". Rogers story balances it nicely and De Jong brings it to scream wonderfully. The special effects are practical, even though they are limited and not a big focal point of the movie. The real focal point of "Deadly Virtues" comes from actually watching the film, experiencing this situation through the eyes of these tragic characters, and that ending. This is one of the better, more elevated torture-porn, exploitation, and modern cult films I have seen in a while.
"Deadly Virtues" doesn't completely nail it, there are moments that play out almost like cliché of the erotic horror subgenre. At times the energy falters, and certain moments that could have really pushed the horror over the edge are only mediocre. That being said, the characters are developed more than you usually see in these sorts of stories, the subtext is deep and dark, and the acting is captivating enough to cause you to built a very intense connection with the characters. Plus the ending is one that I didn't quite see coming, made me angry until the ending finally played out- an ending that is well worth setting through the sexual overture that runs through "Deadly Virtues", and that sense of discomfort in seeing some of the scenes play out.
Overall, "Deadly Virtues" is worth watching on so many levels. I enjoyed being pushed into less comfortable forays of "what is horror" and "what is erotic". Rogers story balances it nicely and De Jong brings it to scream wonderfully. The special effects are practical, even though they are limited and not a big focal point of the movie. The real focal point of "Deadly Virtues" comes from actually watching the film, experiencing this situation through the eyes of these tragic characters, and that ending. This is one of the better, more elevated torture-porn, exploitation, and modern cult films I have seen in a while.
Le saviez-vous
- AnecdotesSadie Frost was also in another film titled "Love, Honour and Obey" with Ray Winstone.
- Bandes originalesMystery Dawn
Performed by Sun and Moon
Written by Steven Gaydos and Gregg Stewart
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- How long is Deadly Virtues: Love.Honour.Obey.?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Đạo Đức Chết Người
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 27 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the Canadian French language plot outline for Deadly Virtues: Love.Honour.Obey. (2014)?
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