Qu'est-ce qu'on a fait au Bon Dieu?
Titre original : Qu'est-ce qu'on a fait au bon Dieu?
ÉVALUATION IMDb
7,0/10
47 k
MA NOTE
Un couple catholique français voit sa vie complètement chamboulée lorsque ses quatre filles se marient avec des hommes de religions et d'origines divergentes.Un couple catholique français voit sa vie complètement chamboulée lorsque ses quatre filles se marient avec des hommes de religions et d'origines divergentes.Un couple catholique français voit sa vie complètement chamboulée lorsque ses quatre filles se marient avec des hommes de religions et d'origines divergentes.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 2 nominations au total
Émilie Caen
- Ségolène Verneuil épouse Ling
- (as Emilie Caen)
Frédéric Saurel
- Le pâtissier de Chinon
- (as Fred Saurel)
Avis en vedette
I imagine you have to be a middle class French to fully enjoy the dialog and the rhythm of this comedy but I have difficulties to understand that one cannot enjoy at least the clichés and the excessiveness of the "soooo" French characters. The four daughters are the same age, looking like each other,they are not twins or triplets, nevertheless they behave the same. They have married men of different culture and education not because they are in opposition with their parents' pattern just because it happens! One can admit the scenario is weak and the situation just caricature but I can testify to anyone that it is far below reality! I'm French I have three daughters in law one is Japanese, one is Moldavian and the third one is Chinese, diversity may create some tension. This film is the "Rabbi Jacob" of year 2014 not more than that but as real as that and I'm happy it will have a great success.
In recent years, French cinema has suffered similar fate as Hollywood; whatever was made was too tepid or dumb to be interesting, with an occasional exception... but I digress.
"Serial Bad Weddings" or in literal translation: "What Have We Done To Dear God?" is a comedy about a family with three daughters each marrying a person of different race and religion than their own. If this were Canada or US, it would probably not even be worthy of a film. We all would like to believe that most of us are above racism in N. America, but keen observer will notice that racism has not disappeared, it is only better hidden. This creates a bit of a friction in many circles, and having a film like this goes a long way towards letting some of that pressure out. I am glad that French can still laugh at themselves, because most Brits and Americans will most likely be too scared into political correctness to enjoy the humor in this film.
To have a film expose and attack such deeply engrained attitudes head-on, is quite something. To have it done with "no holds barred" attitude, to the point of making one cringe and laugh at the same time, is what I enjoyed about this film the most.
The cast was absolutely wonderful, and besides Christian Clavier, it includes Pascal N'Zonzi who some cinefiles may remember from "Night On Earth" (the black VIP from an embassy... with "y-vois-rien" joke). Pascal N'Zonzi and Christan Clavier play off of each other so well, it is worth watching this film just for the two of them.
While the film occasionally flat-lines, the jokes are plentiful and well executed. There is only one sequence (maybe two?) that I am not crazy about... but even with that, it is very well worth watching just for the daring humor and attacking the issue of racism head-on in a truly funny manner. No one is spared - no race, and no racist, and everyone is better for it! All in all a good comedy that will not disappoint you, provided political correctness has not robbed you of your sense of humor.
"Serial Bad Weddings" or in literal translation: "What Have We Done To Dear God?" is a comedy about a family with three daughters each marrying a person of different race and religion than their own. If this were Canada or US, it would probably not even be worthy of a film. We all would like to believe that most of us are above racism in N. America, but keen observer will notice that racism has not disappeared, it is only better hidden. This creates a bit of a friction in many circles, and having a film like this goes a long way towards letting some of that pressure out. I am glad that French can still laugh at themselves, because most Brits and Americans will most likely be too scared into political correctness to enjoy the humor in this film.
To have a film expose and attack such deeply engrained attitudes head-on, is quite something. To have it done with "no holds barred" attitude, to the point of making one cringe and laugh at the same time, is what I enjoyed about this film the most.
The cast was absolutely wonderful, and besides Christian Clavier, it includes Pascal N'Zonzi who some cinefiles may remember from "Night On Earth" (the black VIP from an embassy... with "y-vois-rien" joke). Pascal N'Zonzi and Christan Clavier play off of each other so well, it is worth watching this film just for the two of them.
While the film occasionally flat-lines, the jokes are plentiful and well executed. There is only one sequence (maybe two?) that I am not crazy about... but even with that, it is very well worth watching just for the daring humor and attacking the issue of racism head-on in a truly funny manner. No one is spared - no race, and no racist, and everyone is better for it! All in all a good comedy that will not disappoint you, provided political correctness has not robbed you of your sense of humor.
First off, I found this film to have a rather lighthearted and feel- good nature to it, while at the same time, dwelling upon the issue of interracial marriage, which is something not usually done by mainstream films and possible considered taboo in some circles. Compared to other French films I have seen, this one had a somewhat "American" feel to it, similar to many of the romantic comedies churned out by Hollywood in the last decade or so. With that being said, it didn't feel as uniquely "French" as I was expecting, as a film like this could possible be made in any western country that has a fair share of diversity. Of course, that just makes it all the more relatable to non-French audiences.
I found many of the characters interesting as they all came from differing backgrounds, and it was intriguing to see how they would clash and interact with one another. I do feel as if the film focused quite a bit more on the relationship between the daughter who was to marry a black man, as opposed to the other three daughters married to other men from other minorities. I wish the ratio of time focused on each of the daughters was a bit more balanced and that the marriages of the other three daughters could have been fleshed out more, such as by detailing how they fell in love and how the fact that the were not of the same race made an impact, positive or negative, on their relationship. Instead, the film consisted of scenes of the husbands making rather crude, stereotypical remarks at one another without going into much depth of the actual cultural differences. In other words, the film may could have gone a bit further with its premise, which was indeed promising.
either way, it seemed like the film did a decent job of navigating through a subject that many may find to be touchy and even controversial. It injected just the right amount of humor without being too offensive, and it was able to make its point.
I found many of the characters interesting as they all came from differing backgrounds, and it was intriguing to see how they would clash and interact with one another. I do feel as if the film focused quite a bit more on the relationship between the daughter who was to marry a black man, as opposed to the other three daughters married to other men from other minorities. I wish the ratio of time focused on each of the daughters was a bit more balanced and that the marriages of the other three daughters could have been fleshed out more, such as by detailing how they fell in love and how the fact that the were not of the same race made an impact, positive or negative, on their relationship. Instead, the film consisted of scenes of the husbands making rather crude, stereotypical remarks at one another without going into much depth of the actual cultural differences. In other words, the film may could have gone a bit further with its premise, which was indeed promising.
either way, it seemed like the film did a decent job of navigating through a subject that many may find to be touchy and even controversial. It injected just the right amount of humor without being too offensive, and it was able to make its point.
A successful member of the very popular make-fun-of-racism-comedy sub-genre (earlier entries include, among others, monster hit "Intouchables", "Paulette", "Bienvenue chez les Ch'tis" and "Les Invincibles"), this comedy shines not so much by originality or surprises - most gags and the general plot are very obvious choices - as by flawless execution. The rhythm of the gags is relentless - punch, punch, punch ... - not a single boring moment - and I really liked the cast and characters - a bunch of very lovable people, and who's not so from the start will have been turned over to the bright side by the end. Altogether, a rather sweet mix, but recommended for the nice performances and the quick-footed pace!
This film shows you all the disadvantages in france and all the small little details between the races and cultures in france. maybe some people won't find this movie funny and quite offensive but this is the whole point in the film, to show what are the differences between races, how no matter how much you live in a country people will remind you that you are from somewhere else and how a country like france is so devided. Don't get it wrong this is a comedy movie that jokes not on one race but all races, and doesn't cross the line. the actors are so funny and wonderful they add much more to the film. I really loved it.
Le saviez-vous
- AnecdotesFrench visa # 136861 delivered on 16-4-2014.
- GaffesWhen Claude and Marie Verneuil are going shopping by car to prepare for Christmas, people in short sleeves are behind their car.
- ConnexionsFeatured in Starfilm (2017)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Serial (Bad) Weddings
- Lieux de tournage
- Château de Chinon, Chinon, Indre-et-Loire, France(overall view)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 176 404 493 $ US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Qu'est-ce qu'on a fait au Bon Dieu? (2014) officially released in India in English?
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