ÉVALUATION IMDb
5,3/10
64 k
MA NOTE
Une jeune femme et ses deux fils jumeaux emménagent dans une maison à la campagne, qui est marquée par la mort.Une jeune femme et ses deux fils jumeaux emménagent dans une maison à la campagne, qui est marquée par la mort.Une jeune femme et ses deux fils jumeaux emménagent dans une maison à la campagne, qui est marquée par la mort.
- Prix
- 1 victoire et 3 nominations au total
Robert Daniel Sloan
- Dylan Collins
- (as Robert Sloan)
Nicholas King
- Bughuul
- (as Nick King)
Michael B. Woods
- The Creeper
- (as Michael Woods)
John Francis Mountain
- Christmas Father
- (as John Mountain)
Avis en vedette
Being a huge fan of the first Sinister, I was beyond excited for this movie. After seeing the trailer, it looked like they were going to go over the top with this one and make it intense. I really wanted that to happen. I really wanted this to be even better than the first.
I didn't get what I wanted.
This is my first review, so I'll keep it short. Everything that I was hoping this film would have, wasn't there. Not really a spoiler, but I felt like it tried to be more of a family drama movie with some supernatural stuff going on in the background. There were non-genuine jump-scares and the acting was less than average. Even with the glaringly bad plot, I sat there trying to look at some positives. The positives are that some scares got me. I'm jumpy even when I know jump-scares are coming, so they got me on that. But when the movie ended, I couldn't help but reflect on how bad the overall story was and how stupid some of the scares were. I won't spoil any of them, but let's just say that you'll probably be wondering how the scares were "genuine" when you really put it into perspective.
I give this movie a 5/10. Mostly because I just really, really wanted to like it. I kept searching for any redeeming qualities throughout the movie and they are slim to none. I recommend watching if you're bored one night and you've seen just about all the horror movies out there. It'll pass the time, but it's just a plain jump-scare fest with a nonsensical story. Don't go in having high expectations like I did.
EDIT: I gave this movie a 5/10 because I was in denial. This movie not good. 1/10.
I didn't get what I wanted.
This is my first review, so I'll keep it short. Everything that I was hoping this film would have, wasn't there. Not really a spoiler, but I felt like it tried to be more of a family drama movie with some supernatural stuff going on in the background. There were non-genuine jump-scares and the acting was less than average. Even with the glaringly bad plot, I sat there trying to look at some positives. The positives are that some scares got me. I'm jumpy even when I know jump-scares are coming, so they got me on that. But when the movie ended, I couldn't help but reflect on how bad the overall story was and how stupid some of the scares were. I won't spoil any of them, but let's just say that you'll probably be wondering how the scares were "genuine" when you really put it into perspective.
I give this movie a 5/10. Mostly because I just really, really wanted to like it. I kept searching for any redeeming qualities throughout the movie and they are slim to none. I recommend watching if you're bored one night and you've seen just about all the horror movies out there. It'll pass the time, but it's just a plain jump-scare fest with a nonsensical story. Don't go in having high expectations like I did.
EDIT: I gave this movie a 5/10 because I was in denial. This movie not good. 1/10.
Sinister is one of my favorite horror films from the past few years, so when the reviews for this sequel started coming out, I was really disappointed. I mean, it has a 13% on Rotten Tomatoes at the time that I'm writing this. But after going into the movie with an open mind, I actually thought it was surprisingly solid, a whole lot better than the reviews would have you believe.
When Sinister 2 was originally announced, I was pretty skeptical. The original focused so heavily on a mystery that was solved by the end, so how do you make another one when we already know what's going on? C. Robert Cargill and Scott Derrickson pull that off by offering something totally different that still feels familiar. We follow the madness from a child's perspective this time, and that allows us to explore the rules of this universe in a really interesting way. In the first one we're begging for the Oswalt family to leave the house, but this time, we're begging for the family to stay in it. The formula is flipped around a bit, and while still being structured around a collection of film reels, Sinister 2 feels different enough to justify its existence.
It's also quite creepy just as the original movie was, although the atmosphere isn't as bleak and relentless this time. A whole lot of scenes take place during the day and just consist of a lot of dialogue, and it was definitely missing the Scott Derrickson touch in some places. Sinister 2 also relies on jump scares a bit more than its predecessor did, and in fact nearly every single scare in the movie is accompanied by a loud noise. They all worked on me, so I didn't mind too much, but I wish I could say the scares in this one were as inventive as they were the last time.
But overall, Sinister 2 does a really solid job of building on the first one. The plot is far more interesting than I expected, James Ransone and Shannyn Sossamon are both great, and the film reels themselves are all pretty fantastic (except for one that goes a bit over the top and just looks silly, but I won't spoil it). Best of all, while Mr. Boogie gets more screen time here, I never felt the added exposure made him any less terrifying, and luckily the franchise hasn't gone the Halloween route of explaining too much.
No, it's not as good as the original, but if you enjoyed that movie as much as I did, you should have a good time with Sinister 2.
When Sinister 2 was originally announced, I was pretty skeptical. The original focused so heavily on a mystery that was solved by the end, so how do you make another one when we already know what's going on? C. Robert Cargill and Scott Derrickson pull that off by offering something totally different that still feels familiar. We follow the madness from a child's perspective this time, and that allows us to explore the rules of this universe in a really interesting way. In the first one we're begging for the Oswalt family to leave the house, but this time, we're begging for the family to stay in it. The formula is flipped around a bit, and while still being structured around a collection of film reels, Sinister 2 feels different enough to justify its existence.
It's also quite creepy just as the original movie was, although the atmosphere isn't as bleak and relentless this time. A whole lot of scenes take place during the day and just consist of a lot of dialogue, and it was definitely missing the Scott Derrickson touch in some places. Sinister 2 also relies on jump scares a bit more than its predecessor did, and in fact nearly every single scare in the movie is accompanied by a loud noise. They all worked on me, so I didn't mind too much, but I wish I could say the scares in this one were as inventive as they were the last time.
But overall, Sinister 2 does a really solid job of building on the first one. The plot is far more interesting than I expected, James Ransone and Shannyn Sossamon are both great, and the film reels themselves are all pretty fantastic (except for one that goes a bit over the top and just looks silly, but I won't spoil it). Best of all, while Mr. Boogie gets more screen time here, I never felt the added exposure made him any less terrifying, and luckily the franchise hasn't gone the Halloween route of explaining too much.
No, it's not as good as the original, but if you enjoyed that movie as much as I did, you should have a good time with Sinister 2.
Many a horror sequel fail to live up to the legacy of its predecessor because it is content to simply do the same thing over again and/or try to compensate for that familiarity by over-doing on cheap jump scares. Thankfully, 'Sinister 2' isn't that kind of sequel. As much as it places yet another family in a creepy old house with a past, there are more than enough new elements that differentiate it from the original, while at the same time remaining thematically faithful to the earlier Scott Derrickson film that was regarded as one of the better horror films of its year.
Derrickson doesn't return to direct this sequel, but he and C. Robert Cargill again assume writing duties here. Given the fate of Ethan Hawke's character at the end of 'Sinister', the duo has wisely chosen to leave his character to rest; instead, it is James Ransone's Deputy So & So who makes a comeback, the former deputy who had previously assisted Hawke's Ellison Oswalt now himself obsessed over such similar cases. Indeed, the erstwhile police officer has been tracking houses which were scenes of grisly murders accompanied by the disappearance of the families' youngest, and his own investigation has since brought him to a rural farmhouse where a mother is taking refuge with her two sons from her abusive husband.
Unbeknownst to her, the older twin Dylan (Robert Daniel Sloan) has been seeing several ghosts of young children around the house, who conspire every night to get Dylan to sneak to the basement and watch snuff movies recorded on Super 8 film of them killing their entire families. If Dylan doesn't cooperate, they promise that his nightmares won't go away – or that the demon by the name of Bughuul would be very, very upset. Their intentions only become clearer much later on, and without spoiling the surprise, let's just say that it has to do with some sibling rivalry between Dylan and his much more impetuous younger brother Zach (Dartanian Sloan).
Although casting the accursed family as a protective mother and her twin sons might seem a convenient way of appealing to audience sympathy, there is a much more ingenious reason for the conceit. Those who have seen the first movie will recall the twist near the end where each unfortunate family meets their end only after moving from a previous scene of murder to a new residence; as it turns out, Courtney (Shannyn Sossamon) is particularly inclined to moving away whether by force or volition once she is found by her husband Clint (Lea Coco) . That adds a frisson of urgency to the deputy's quest to find out more about Bughuul before her inevitable move, a personal mission which also puts him directly in evil's way.
Whereas the earlier movie was told largely from Ellison's perspective, Derrickson and his substitute Ciaran Foy opt not just to observe the proceedings from Courtney's point of view but also that of Dylan's, especially as the latter is repeatedly seduced by the seemingly innocuous exhortations of Bughuul's ghost kids. At the same time, reinstating the former's offbeat supporting character into this narrative also provides a perfect opportunity to explore the mythology of Bughuul, in particular a vital clue left behind by Professor Jonas (Vincent D'Onofrio) whom Ellison had previously consulted that points to the demon's modus operandi from more than four decades ago.
At no point do the writers nor Foy sacrifice proper storytelling for convenient scares, and aside from the unsettling moments that are meant to make you squirm (or jump) in your seat, there is a surprisingly well-developed narrative that keeps you on edge. The former however should not be under-estimated, as Foy shows more gumption than Derrickson by upping the shlock factor of the found footage – one shows an entire family being electrocuted by their son while seated in a pool of water in their kitchen, another shows a separate family buried in the snow to die of hypothermia, but the most shocking of all is that which takes place on the grounds which Courtney had moved into, which sees the family of a church minister and the minister himself being burrowed alive by rats trapped on top of their stomachs under a bowl on which rests a piece of hot coal.
Even without its predecessor's benefit of surprise, 'Sinister 2' packs plenty of suspense as it unravels the origins of Bughuul while demonstrating in detail just how each one of the missing children is exploited to recruit his very next victim. Like we said at the beginning, this sequel proves superior than most others of its ilk by being much more than just a retread of the original while showing an impressive restraint against jump scares. It doesn't hurt that it also boasts a gripping story which builds to a strong finish that reinforces the malevolence of the children who have fallen prey to Bughuul's devilish charms. Yes, it is a more than worthy sequel all right, and one that most certainly lives up to its title.
Derrickson doesn't return to direct this sequel, but he and C. Robert Cargill again assume writing duties here. Given the fate of Ethan Hawke's character at the end of 'Sinister', the duo has wisely chosen to leave his character to rest; instead, it is James Ransone's Deputy So & So who makes a comeback, the former deputy who had previously assisted Hawke's Ellison Oswalt now himself obsessed over such similar cases. Indeed, the erstwhile police officer has been tracking houses which were scenes of grisly murders accompanied by the disappearance of the families' youngest, and his own investigation has since brought him to a rural farmhouse where a mother is taking refuge with her two sons from her abusive husband.
Unbeknownst to her, the older twin Dylan (Robert Daniel Sloan) has been seeing several ghosts of young children around the house, who conspire every night to get Dylan to sneak to the basement and watch snuff movies recorded on Super 8 film of them killing their entire families. If Dylan doesn't cooperate, they promise that his nightmares won't go away – or that the demon by the name of Bughuul would be very, very upset. Their intentions only become clearer much later on, and without spoiling the surprise, let's just say that it has to do with some sibling rivalry between Dylan and his much more impetuous younger brother Zach (Dartanian Sloan).
Although casting the accursed family as a protective mother and her twin sons might seem a convenient way of appealing to audience sympathy, there is a much more ingenious reason for the conceit. Those who have seen the first movie will recall the twist near the end where each unfortunate family meets their end only after moving from a previous scene of murder to a new residence; as it turns out, Courtney (Shannyn Sossamon) is particularly inclined to moving away whether by force or volition once she is found by her husband Clint (Lea Coco) . That adds a frisson of urgency to the deputy's quest to find out more about Bughuul before her inevitable move, a personal mission which also puts him directly in evil's way.
Whereas the earlier movie was told largely from Ellison's perspective, Derrickson and his substitute Ciaran Foy opt not just to observe the proceedings from Courtney's point of view but also that of Dylan's, especially as the latter is repeatedly seduced by the seemingly innocuous exhortations of Bughuul's ghost kids. At the same time, reinstating the former's offbeat supporting character into this narrative also provides a perfect opportunity to explore the mythology of Bughuul, in particular a vital clue left behind by Professor Jonas (Vincent D'Onofrio) whom Ellison had previously consulted that points to the demon's modus operandi from more than four decades ago.
At no point do the writers nor Foy sacrifice proper storytelling for convenient scares, and aside from the unsettling moments that are meant to make you squirm (or jump) in your seat, there is a surprisingly well-developed narrative that keeps you on edge. The former however should not be under-estimated, as Foy shows more gumption than Derrickson by upping the shlock factor of the found footage – one shows an entire family being electrocuted by their son while seated in a pool of water in their kitchen, another shows a separate family buried in the snow to die of hypothermia, but the most shocking of all is that which takes place on the grounds which Courtney had moved into, which sees the family of a church minister and the minister himself being burrowed alive by rats trapped on top of their stomachs under a bowl on which rests a piece of hot coal.
Even without its predecessor's benefit of surprise, 'Sinister 2' packs plenty of suspense as it unravels the origins of Bughuul while demonstrating in detail just how each one of the missing children is exploited to recruit his very next victim. Like we said at the beginning, this sequel proves superior than most others of its ilk by being much more than just a retread of the original while showing an impressive restraint against jump scares. It doesn't hurt that it also boasts a gripping story which builds to a strong finish that reinforces the malevolence of the children who have fallen prey to Bughuul's devilish charms. Yes, it is a more than worthy sequel all right, and one that most certainly lives up to its title.
SINISTER 2 is an unwanted sequel that carries on the below-par outcome of the first film. As I recall it, the first half of the original SINISTER was an exemplary little thriller, about a guy uncovering the antics of a historical serial killer and the creepy home movies he left behind. Then it all went supernatural and turned into a dumb INSIDIOUS clone.
Unfortunately for the viewer, SINISTER 2 carries on in this same supernatural category, although for some odd reason the filmmakers seem to be more inspired by CHILDREN OF THE CORN here than the original movie. It's unfortunate that nobody in Hollywood tries to be truly creative these days instead of copying what has come previously.
Anyway, this is a typical ghostly B-flick little different from a hundred others. The film is saddled with annoying kid characters for the leads, while the adults fail to act or do much. The sense of dread from the first half of SINISTER, with the creepy music and home movies, is gone here. There are still home movies but they lack the novelty shock value and have been too planned out. SINISTER 2 is a dud, and let's hope they don't bother with a third.
Unfortunately for the viewer, SINISTER 2 carries on in this same supernatural category, although for some odd reason the filmmakers seem to be more inspired by CHILDREN OF THE CORN here than the original movie. It's unfortunate that nobody in Hollywood tries to be truly creative these days instead of copying what has come previously.
Anyway, this is a typical ghostly B-flick little different from a hundred others. The film is saddled with annoying kid characters for the leads, while the adults fail to act or do much. The sense of dread from the first half of SINISTER, with the creepy music and home movies, is gone here. There are still home movies but they lack the novelty shock value and have been too planned out. SINISTER 2 is a dud, and let's hope they don't bother with a third.
While Sinister 2 is still quite well
sinister, it certainly lacks any of the originality and constant vibe of fear that made its predecessor such a memorable and competent horror film that found both success at the box office and on home release.
Directed by soon to be Dr. Strange deliverer Scott Derrickson, Sinister was a competently made horror that featured scarily good sound designs, an assured lead turn from Ethan Hawke and a somewhat unique premise that introduced us all to one of horror's most eerie creations of recent times in the form of the child hungry Bughuul.
Where the first film's use of home footage horrors and sudden appearances of Bughuul and his tribe were used to horrific effect, new director Ciarán Foy struggles to utilise the murderous footage to chilling affects here (even though a rat centric set piece is a dastardly delight) and an overuse of Bughuul undoes many of the films wannabe scares. It also doesn't help that an uninteresting story that's been co-created by Derrickson fails to engage like Ethan Hawke's struggling writer plot line of the first film.
Trying to keep things tied together by the return of James Ransone's one time sheriff's deputy So & So (seriously we never get to hear his name) and his quest to stop Bughuul's evil dominance, the plot that also includes Shannyn (yes I'm still acting) Sossamon's mother of two increasingly doomed boys just fails to fire and with a mere handful at best of genuine frightening or terrifying moments, Sinister 2 fails to recreate the ominous mood of the first film and where the first film culminated in a shocking finale, Sinister 2 try's but fails to shock us with a fiery and scythe laden crescendo.
The first Sinister offered up so much opportunity for a new franchise to take hold and while Bughuul still remains and interesting and scary creation, Sinister 2 seems to mark an early drop off in form that will likely see the Sinister franchise relegated to bargain bins before long, which is a sad proposition for a storyline that if done right, could be all types of horror filled greatness.
1 ½ late night basement movie screenings out of 5
Directed by soon to be Dr. Strange deliverer Scott Derrickson, Sinister was a competently made horror that featured scarily good sound designs, an assured lead turn from Ethan Hawke and a somewhat unique premise that introduced us all to one of horror's most eerie creations of recent times in the form of the child hungry Bughuul.
Where the first film's use of home footage horrors and sudden appearances of Bughuul and his tribe were used to horrific effect, new director Ciarán Foy struggles to utilise the murderous footage to chilling affects here (even though a rat centric set piece is a dastardly delight) and an overuse of Bughuul undoes many of the films wannabe scares. It also doesn't help that an uninteresting story that's been co-created by Derrickson fails to engage like Ethan Hawke's struggling writer plot line of the first film.
Trying to keep things tied together by the return of James Ransone's one time sheriff's deputy So & So (seriously we never get to hear his name) and his quest to stop Bughuul's evil dominance, the plot that also includes Shannyn (yes I'm still acting) Sossamon's mother of two increasingly doomed boys just fails to fire and with a mere handful at best of genuine frightening or terrifying moments, Sinister 2 fails to recreate the ominous mood of the first film and where the first film culminated in a shocking finale, Sinister 2 try's but fails to shock us with a fiery and scythe laden crescendo.
The first Sinister offered up so much opportunity for a new franchise to take hold and while Bughuul still remains and interesting and scary creation, Sinister 2 seems to mark an early drop off in form that will likely see the Sinister franchise relegated to bargain bins before long, which is a sad proposition for a storyline that if done right, could be all types of horror filled greatness.
1 ½ late night basement movie screenings out of 5
Le saviez-vous
- AnecdotesEaster Egg: There is a drawing of The Red Faced Demon from the Insidious movies on a board in the Professor's office (roughly 59mins in).
- Gaffes(at around 1h 22 mins) After leaving his car in the cornfield, the family runs into the house. Outside the burning house the car appears in the driveway.
- Citations
Ex-Deputy So & So: That voice on the radio. What does it mean?
Dr. Stomberg: It's Norwegian. She says, 'Quiet. Bughuul can't hear me over your yelling, Mom.'
- Générique farfeluAt the end of the credits, you can hear static immediately followed by a short tune of a child playing a piano. Similar to the piece heard on the Ham Radio during the movie.
- ConnexionsFeatured in FoundFlix: Sinister 2 (2015) Ending Explained (2019)
- Bandes originalesSilence Teaches You How to Sing
Written by Kristoffer Rygg, Jørn H. Sværen and Tore Ylwizaker
Performed by Ulver
Courtesy of Jester Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Sinister 2
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 27 740 955 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 542 116 $ US
- 23 août 2015
- Brut – à l'échelle mondiale
- 53 329 150 $ US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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