Dan Lawson, un détective de Chicago, se rend en Écosse pour rejoindre le détective Boyd, suite à la résurgence d'un tueur en série dont les crimes correspondent à une affaire non résolue qu'... Tout lireDan Lawson, un détective de Chicago, se rend en Écosse pour rejoindre le détective Boyd, suite à la résurgence d'un tueur en série dont les crimes correspondent à une affaire non résolue qu'il a examinée 5 ans auparavant à Chicago.Dan Lawson, un détective de Chicago, se rend en Écosse pour rejoindre le détective Boyd, suite à la résurgence d'un tueur en série dont les crimes correspondent à une affaire non résolue qu'il a examinée 5 ans auparavant à Chicago.
Samantha Coughlan
- Sarah Christie
- (as Samantha Ellen Coughlan)
Avis en vedette
I couldn't say why the writers wanted Samuel L Jackson in Scotland. Possibly Gianni Capaldi, one of the three writers and co-star, simply wanted to meet him.
A local Scottish detective (Capaldi) has a US cop (Jackson) help with a case due to the similarity of some murders in the States. He then enlists the help of a Frenchman (Cassel) and former colleague who happens to be in London and the unlikely trio attempt to solve the mystery as more murders occur.
The premise is implausible. Jackson phones in his performance. Foreboding moments are neon signs. The twists and ending are unsatisfying.
There are a couple of good performances from Laura Haddock and Kate Dickie as the wife of the Scottish detective and detective Kessler respectively but they by no means lift the film above average.
It really was an unsatisfying conclusion. In itself the reason for the review.
A local Scottish detective (Capaldi) has a US cop (Jackson) help with a case due to the similarity of some murders in the States. He then enlists the help of a Frenchman (Cassel) and former colleague who happens to be in London and the unlikely trio attempt to solve the mystery as more murders occur.
The premise is implausible. Jackson phones in his performance. Foreboding moments are neon signs. The twists and ending are unsatisfying.
There are a couple of good performances from Laura Haddock and Kate Dickie as the wife of the Scottish detective and detective Kessler respectively but they by no means lift the film above average.
It really was an unsatisfying conclusion. In itself the reason for the review.
A bit of a flop for me.
None of the characters seemed likeable, there was too much "accidental and forced" relationship drama that interrupted the storyline (which wasn't all that great to begin with), and there was no reason behind some of the character attributes. You'll see Samuel L. Jackson's character drinking constantly from scene one, so it's not a spoiler, but what does it add to the plot?
And speaking of Jackson, here's a good double standard for you: The retirement age for ANY Chicago cop is 63 and yet Samuel L. Jackson is 75. But somehow Leonardo DiCaprio caught hell for being too old for his role in "Killers of the Flower Moon." Now, I love both these guys--but Jackson gets a free pass because???
None of the characters seemed likeable, there was too much "accidental and forced" relationship drama that interrupted the storyline (which wasn't all that great to begin with), and there was no reason behind some of the character attributes. You'll see Samuel L. Jackson's character drinking constantly from scene one, so it's not a spoiler, but what does it add to the plot?
And speaking of Jackson, here's a good double standard for you: The retirement age for ANY Chicago cop is 63 and yet Samuel L. Jackson is 75. But somehow Leonardo DiCaprio caught hell for being too old for his role in "Killers of the Flower Moon." Now, I love both these guys--but Jackson gets a free pass because???
So with me being the movie person that I am I thought I was going to enjoy this way more then I actually did. The problem is any movie person has seen this story before so many times prior. I dried out alcoholic cop that is great at their job, but not reaching their full potential because of the alcohol and some life issue that is causing them to be miserable. This story is no different. A cop from Chicago is now in Europe working. He's very good at his job but the story doesn't really seem to care. The film is just ok. It's like watching a made for TV movie. It's just ok. I don't think I would recommend or view again.
I watched this movie at my local movie theater. Looks to be a limited release film. I enjoyed it for what it was. I just wished there was some loose ends sorted out. I highly doubt that there will be a sequel to this. I'd be thrilled if there was. I think this would've worked better as a limited television series. But with a much better ending. I'm surprised Samuel L. Jackson signed up for this film. Definitely feels like a straight to video kind of movie. I would love a part 2 to this. Just to make the ending to this one less crappier. It just feels unfinished to me. In my dreams, I suppose...
This movie has so many possibilities but poor direction and some editing flaws the overall experience. It is a perfect example where a "big name" is used just to boost a story or production. I feel for Samuel Jackson here, as he should be awarded for his tenacity and perseverance during this stumbling-along story
Don't get me wrong - there are other notable performances too, but they don't get the credit they deserve - it is all about using SJ's persona. It is a real pity, but this is not the only movie that has used this trait
As for the story itself - well written and executed although the surprise element was a little obvious towards the middle of the movie. The storyline could have done with some punch here and there to counter the slow burning and sometimes awkward watching experience (I fell asleep twice)
For the editing - well, this trait of leaving some scenes hanging for three or four seconds longer than necessary is not doing the experience any good. When a scene tells its story, MOVE ON!
The directing is OK although some scenes make you wonder why? Perhaps creating goofs on purpose? The murder scenes are rather irritating from a factual point of view. They are TOO obviously fake and the prop guys could have done so much more to make the scenes more accurate and believable. Using SJ they could have learnt from "7even" a bit
Overall just a popcorn-Saturday-rainy-night movie.
Don't get me wrong - there are other notable performances too, but they don't get the credit they deserve - it is all about using SJ's persona. It is a real pity, but this is not the only movie that has used this trait
As for the story itself - well written and executed although the surprise element was a little obvious towards the middle of the movie. The storyline could have done with some punch here and there to counter the slow burning and sometimes awkward watching experience (I fell asleep twice)
For the editing - well, this trait of leaving some scenes hanging for three or four seconds longer than necessary is not doing the experience any good. When a scene tells its story, MOVE ON!
The directing is OK although some scenes make you wonder why? Perhaps creating goofs on purpose? The murder scenes are rather irritating from a factual point of view. They are TOO obviously fake and the prop guys could have done so much more to make the scenes more accurate and believable. Using SJ they could have learnt from "7even" a bit
Overall just a popcorn-Saturday-rainy-night movie.
Le saviez-vous
- AnecdotesDetective Lawton expresses his love for golf. This is actor Samuel L. Jackson's real life passion and he often has clauses in his movie contracts allowing him time off to play golf.
- GaffesDCI Boyd repeatedly investigates alone. Scottish Police Procedures require two officers at all times for the sake of corroboration. By attending crime scenes, suspects, witnesses or other important lines of investigation alone, he would be ruining any evidence seen or heard, which would be disregarded by Scottish Courts due to lack of corroboration.
- Citations
Dan Lawson: I rather enjoy controlling your pain.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Почерк кілера
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 390 143 $ US
- Durée1 heure 37 minutes
- Couleur
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