Deux jours, une nuit

The heart of this film does not lie in the simple plot, but in the portrayal of a woman, and her family, struggling with depression and the prospect of losing everything.

After coming out the other side of an apparently lengthy battle with depression, Sandra (Cotillard) faces the prospect of losing her job if she cannot convince the majority of her colleagues to forgo a €1,000 bonus in favour of her staying with the company. One by one, she reaches out the her co-workers in the hope that she can convince them to vote for her to stay. On the whole, it is not these interactions that steal the show, but Sandra's own personal struggles with having to ask. The guilt she feels, pleading with people to give up money that most of them desperately need in order for her to keep a job she's not been at for months, coupled with her on-going struggles with depression and her own demons. Cotillard's performance is exceptional throughout, her frustration and upset so believable that it's easy to forget that this an actress playing a role. Anyone who has been affected by depression, either personally or indirectly, will find large portions of the film relatable and harrowing.

A strong supporting cast and a truly moving script complete this understated gem of a movie.

This is my first Dardenne Bros film and at the end of this film I was like "I need to explore more of their films". This is a hard hitting slow story. It could be described as monotonous, but I would describe it as very very real. Following Marion's character, Sandra (la performance c'est très magnifique), we see the hardship of how a series of simple tasks turns into the hardest thing she has to do over the Two days and one night.

The Dardenne Bros and the Cinematographer Alain Marcoen used long shots, with very little cuts in certain scenes. At times whole scenes were just one shot. This left Sandra and Manu (Fabrizio Rongione) to hold the screen and make us believe what is going on and they did a great job with this. It allowed me to get into their emotions and into their lives of what they were going through. The lack of soundtrack also added that extra realism into the story.

I found this a heart wrenching and at times victorious film - a very good balance. The flow was great. It is slow, but just like Sofia Coppolo's Lost in Translation the slow-moving pace is necessary to tell the story.

I was able to get a ticket to this film at Festival de Cannes and it was received very well by the audience around us.

I'm off, now, to watch some more Dardenne Bros films!

I heard nothing about Two Days, One night before I decided to check it out on Netflix, and I must say that this is one of the best foreign films I have seen in a while. Actually it's just one of the best films I've seen in a while.

Two Days, One night tells us a story of a woman's desperate attempts to persuade her co-workers into making a very important decision that determines her future. The story focuses on human nature and our ability to give something up for someone we barely know. It feels incredibly intimate and human throughout and there were times where the emotions were so raw that I kept forgetting that I'm just watching a film. It felt so real and I really wanted to see this character succeed, mainly because her character was so well acted. The plot is very simple but there is a wavering sense of unpredictability and even tension as we watch this desperation-fueled journey unfold. The main plot line sets off many little strings of other interactions that I would never have saw coming, making this a unique and highly enjoyable first viewing.

The acting all around was fantastic. Our main character, played by Marion Cotillard, was emotionally broken and this actress did an amazing job showing it. She covered so much range in her performance that I simply could not keep my eyes off her, for more than just the obvious reason. She was excellently formed as we constantly see her entire demeanor and mannerism change after every character interaction. She reacted realistically in a way that made me feel very immersed within the film's story and narrative. I greatly wanted to see this character succeed at her goal, and if she had not been as well acted, I definitely would not have cared as much. Another great thing about Two Days, One Night, besides the excellent acting, is that we can all relate to it's personal and socially accurate storytelling.

Our character is seen asking many individuals to make quite a large sacrifice. The great thing is that we all know what this feels like. So we can place ourselves in the shoes of either character and feel incredibly attached to the story. This constant feeling of immersion and realism felt absolutely perfect and there was not one second where I felt like the film dragged or included an unnecessary scene. I enjoyed every second of it and I really didn't want it to end. But when that time did come, it felt extremely satisfying and understandable. There was no complex enigmatic riddle to solve or deep metaphor with infinite possible meanings to interpret. The ending was just as meaningful without any of these things.

I thoroughly enjoyed Two Days, One Night. It tells an interesting story that could very well happen to anyone. It was involving, emotionally raw, and just fantastically human.

You absolutely will be disappointed if you are looking for a "robot fighting robot" movie or anything superficial, or beautiful woman. (Well no one can say Cottilard is not beautiful, but she deliberately gives up her beauty to fit the character.)

This movie shows us what real emotions is. It reveals life in such a vivid and convincing way that you'll think about your own life, although you may be a lot better off than the characters.

After all this movie is a feast of fine acting, a reason that movies are still called art, and a spirit lifting experience that is going to linger on for a long time after you finish it.

It's as low key and quiet as a film can get. It's not enhanced for comedy, action, or drama. Just a realistic human story of the basic struggle to make ends meet in this world.

It's the type of movie that separates the movie geeks from the film geeks.

As a film geek, I can appreciate how the filmmakers did so much with so little, especially actress,Marion Cotillard.

The movie counts on her being realistic, all the way down to the weight it looks like she lost in order to play a woman who just got over an illness, and in order to get her job back spends a weekend visiting her coworkers in order to convenience them to vote for her to get her job back in a secret ballet on Monday, over a big bonus they would all get if she stays laid-off. She had to be believable as a proud woman who did not want to ask her coworkers of this, she did not want their pity, but she needed to support her family, a situation all of her coworkers are also in. It's a truly unbalanced and unfair situation for everyone and Marion did an excellent job portraying how uncomfortable that is.

As a movie geek, though the movie was watered down with absolutely no sugar, I'm glad it was not boring. It helps that the subject is something almost everyone who has a job in this economy can relate to, no matter which side of the equation you're on.

Definitely the type of picture we'll all be discussing long after the film is over. '