The Crazy Ones

I don't quite understand where the low rating comes from. I thought this show delivered very good comedy. There is some cheesy humour, but there are also great metaphors and references to films. I found a lot of the dialogue to be smart and well written. Robin Williams carries most of the comedic value, as can be expected. It often seems a lot in his scenes is spontaneous, which works out great. Sarah Michelle Gellar does not deliver many laughs on her own, and her acting seems a bit stiff, but then again this demeanor fits her character. The other cast fit well, although it's difficult to get used to Hamish Linklater in a role so different than in Newsroom. Overall, definitely one of the better comedy shows on TV.

Robin Williams is finally back to doing what he's always done best -- off-the-cuff riffing on whatever subject you put in front of him. He's brilliant. While America's sense of humor has changed a bit since Mrs. Doubtfire, Williams' ability to turn his incredible sense of humor into a source of drama (it's obvious that his characters' silliness is a response to his own desperation) shows that as an actor, he's gone from silly to serious and come back out the other side with a remarkable ability to showcase the two simultaneously and sensitively.

Sarah Michelle Gellar is perfectly cast in her role, as a foil for Williams. Her ability to (act like she can) see the serious and important sides of absurd and silly situations -- honed to a keen point in Buffy -- is exactly what Williams' character needs to have the truth of his tragicomic situation highlighted.

Also, this is the first show that I've ever seen where the unabashedly promiscuous person (Zach/James Wolk) is a guy -- and it's AWESOME! The way that everyone treats him (the line was something like "Zach, lose a layer. If it goes badly, two.") is perfect. ("To be safe, I'm going to need some meat. Zach! Vaya con queso, amigo!") I realize that Zach is theoretically supposed to be the main character of the show, and honestly, he's *almost* able to hold his own next to Williams and Gellar. Give him a few episodes, and he'll shine. He's pretty and obviously a great actor, and I can't wait to see him blossom.

This show isn't going to appeal to everyone -- it's paced like Scandal, has the emotional volatility of the Newsroom, and the pop culture references of Franklin & Bash. ("Lopez wants to be paid in diamonds, Aidelle is British...and Pink threatened me.") The problem is that it's billed as a zany comedy/Mad Men with Robin Williams, but the truth is that it's actually a very dramatic story hidden beneath zaniness, and a lot of people are going to have a problem with that.

I watched the pilot and had a good time! I thought the writing and acting were way above what we usually get in network television shows. I usually only watch cable weekly series because the writing is smarter and has more depth than the networks. But I thought this show had pretty decent writing. Although, I am almost certain they're letting Robin have a lot of improvisational play room! So far I'm mostly liking everyone in it. I'm only having a slight problem with Amanda Setton's character, the pretty dark-haired assistant. Her repeated "fake" laughs at almost everything Robin's character says could get annoying. As far as the two leads, I think both Robin and Sarah are well-matched. They both seem comfortable and natural in their parts individually and with each other. Robin's always been very quick with his delivery, but Sarah's a smart actress and is keeping up with him fine. (BTW, I didn't see her one-season-only flop last year. But I loved her in BTVS and in all of her movies I've seen.) Besides the comic timing needed in this, it also looks like they'll be dealing with some honest real-life-like touching moments. Sarah has always been brilliant at that and Robin's acting in that department can also be very heartfelt.

I think the show's off to a pretty good start and has a decent shot at some longevity, especially with David E. Kelley as its creator and exec producer. He's had tons of success in the past with shows like Picket Fences, Chicago Hope, The Practice, Ally McBeal, Boston Public and Boston Legal. Not a bad resume! So I wish this one luck and will definitely be tuning in to see where it goes. BTW, I loved Kelly Clarkson's bitchy side in this episode. LOL! I hope they have other known celebrities making cameos in future episodes! It could keep the story lines fresh from week to week, kind of like what they're doing on Web Therapy. (OMG, I just compared a network show to a well-written cable series! Well, maybe it does have a pretty damn good chance!) I gave this pilot a rating of 8/10 stars.

I rarely notice anything on the old-guard networks, so I was completely unaware that this series even existed. After the unfortunate passing of Robin Williams I learned about The Crazy Ones and watched it.

Robin Williams had a set of characters. These were him. Just like my grandfather, he could call up an appropriate character and bring it into perspective. I'm absolutely certain that every day on the set of The Crazy Ones involved a lot of laughing, a lot of fun, and a LOT of material that couldn't possibly be used on network television. What we got was a mediocre but entertaining show.

Robin Williams as the 63 year old elder agency head is perfect because of these things, they are not faults. He's older, more mature, more experienced, definitely more jaded. The younger ones are learning at his knee, as it should be.

As a requiem for Robin Williams' career, this series is a tragic and amazingly funny summary. They're all there. There's a bit of Mork, a bit of Mrs. Doubtfire, some Adrian Cronauer, you'll recognize the Genie, and the Indian Chief, and more. Yes, Robin's career was stale and he was essentially doing the same shtick as he was doing in the 70s. But it was good. He was fast. He was an amazingly funny man, filled with heart and care. We loved him for it. Maybe the younger generation will never get Robin, but anyone over 30 should have.

If I had left behind the body of work that Robin Williams did, and that included this little unpolished gem, I'm certain I could have left this planet fulfilled. We will miss him.

I decided to watch this show only because of Sarah Michelle Gellar and Robin Williams and didn't have any expectations. But I am very happy with what I got.

The Pilot was over before it started which can mean only one thing-I didn't get bored.It was constantly funny,but not laughing out loud funny,it was subtle and constant.

Robin is his usual self,I think there is a lot of improvising on his behalf and I like it.

Sarah is very natural in her role and I can see her as updated version of Ally McBeal. She has a comedic bone in herself but didn't get much chance in The Pilot to prove herself in that area(although there was a great moment where she is watching some McDonalds executive fall for her colleague's charm and she makes a face,it was so funny). But in every dialogue with Robin there is so much chemistry. Especially where there is only two of them in the scene. It's like they know each other their whole life,just like father and daughter. (Not very usual to see these days on TV)

The rest of the cast will hopefully get to shine in next episodes but I will mention James Wolk's character which is very likable.

I really hope they keep up the good work and get people to know them better.