Un groupe d'amis qui se réunit fréquemment pour des soirées de jeux de société se retrouve impliqué dans un véritable mystère lorsque le frère de l'un d'entre eux est enlevé par de dangereux... Tout lireUn groupe d'amis qui se réunit fréquemment pour des soirées de jeux de société se retrouve impliqué dans un véritable mystère lorsque le frère de l'un d'entre eux est enlevé par de dangereux criminels.Un groupe d'amis qui se réunit fréquemment pour des soirées de jeux de société se retrouve impliqué dans un véritable mystère lorsque le frère de l'un d'entre eux est enlevé par de dangereux criminels.
- Directors
- Writer
- Stars
- Prix
- 4 victoires et 22 nominations au total
Zerrick Williams
- Val
- (as Zerrick Deion Williams)
Avis en vedette
"Where'd you find her? TED Talk?"
If you're game for a hilarious night at the movies, then see the black comedy Game Night. This romantic thriller is a mix of screwball comedy, Marx Brothers slapstick, and witty repartee you'll vow to go back for (about the handsomer brother: "He's like the Mark Wahlberg to Max's Donnie!") so you can catch at least half of the brilliant dialogue from the pen of writer Mark Perez.
Max (Jason Bateman) and Annie (Rachel McAdams) is a childless married couple who relax with friends playing highly competitive games like Scrabble and Charades. This night, however, with the return of his charming, successful brother, Brooks (Kyle Chandler), the game becomes fraught with sibling rivalry and violence that somehow never eclipses the humor. For the audience, determining what is just a game and what is real is the enjoyable endgame, and not easily solved.
The high-flying chases and quips remind me of Grant and Russell in their screwball days, throwing intellectual barbs while their lives are at stake (about a ditzy blonde guest: "Where'd you find her? TED Talk?"). Although Bateman has cornered the market on the clueless but still sharp middle class professional with the classic slow burn, McAdams is a discovery as a robust bright partner only a little clueless but plenty savvy. Her takeoff on Amanda Plummer with the diner hostages in Pulp Fiction is priceless.
Besides McAdams' surprise comedic chops, Jesse Plemons as the off- center, next-door cop Gary sheds his Matt Damon lookalike calling card and crafts a memorable role to prove his talent as a comic character. However, he's just another achiever in an ensemble overloaded with charm. Now and then a fine film comes in this dead-zone time of year: Game Night is that one, a promise of good films to come long after Oscar has gone to hibernation.
If you're game for a hilarious night at the movies, then see the black comedy Game Night. This romantic thriller is a mix of screwball comedy, Marx Brothers slapstick, and witty repartee you'll vow to go back for (about the handsomer brother: "He's like the Mark Wahlberg to Max's Donnie!") so you can catch at least half of the brilliant dialogue from the pen of writer Mark Perez.
Max (Jason Bateman) and Annie (Rachel McAdams) is a childless married couple who relax with friends playing highly competitive games like Scrabble and Charades. This night, however, with the return of his charming, successful brother, Brooks (Kyle Chandler), the game becomes fraught with sibling rivalry and violence that somehow never eclipses the humor. For the audience, determining what is just a game and what is real is the enjoyable endgame, and not easily solved.
The high-flying chases and quips remind me of Grant and Russell in their screwball days, throwing intellectual barbs while their lives are at stake (about a ditzy blonde guest: "Where'd you find her? TED Talk?"). Although Bateman has cornered the market on the clueless but still sharp middle class professional with the classic slow burn, McAdams is a discovery as a robust bright partner only a little clueless but plenty savvy. Her takeoff on Amanda Plummer with the diner hostages in Pulp Fiction is priceless.
Besides McAdams' surprise comedic chops, Jesse Plemons as the off- center, next-door cop Gary sheds his Matt Damon lookalike calling card and crafts a memorable role to prove his talent as a comic character. However, he's just another achiever in an ensemble overloaded with charm. Now and then a fine film comes in this dead-zone time of year: Game Night is that one, a promise of good films to come long after Oscar has gone to hibernation.
This is not a movie I went in expecting to love, in all honesty it was just the next film showing. Imagine my surprise when I was treated to one of the best comedies I have see in quite a while. Bateman and McAdams are as likeable and charismatic as you would expect and the rest of the cast are pretty great too. It helps that this cast were given well written, interesting characters to work with. This film also boasts brilliant and creative camera work as well as very imaginative transitions that help to draw the viewer into the story and show that a lot of thought and effort was put into the making of this film. There are a small handful of jokes that don't land and a small number of logical errors but for the most part it is a very funny and entertaining thrill-ride, also stay during the beginning of the credits as they are very well done. Keep away from trailers for this film as they do give some things away that are better not to know going in, once this hits Netflix definitely check it out.
7/10
GAME NIGHT may not be a great film by any stretch of the imagination, but it's definitely a genuine blast and an entertaining ride from beginning to the very end (seriously, stay for the post-credits scene!) The rare major studio comedy that actually feels like a film, rather than a soulless exercise in assembly-line filmmaking, thanks to such creative choices like Cliff Martinez's thumping score and Barry Peterson's cinematography, which not only introduces new locations as if zooming in on a board game piece, but also sports a surprisingly well-executed long take. Lamorne Morris and Billy Magnussen are some of the obvious standouts among the film's enjoyable cast of characters, but Jesse Plemons is the true MVP, stealing every single one of his scenes with ease. The film isn't without its problems, with the convoluted third act jumping the shark almost to the point of parody, and not all of the jokes land (although most do thanks to the cast's great comedic timing), but nonetheless GAME NIGHT makes for a perfectly fun time at the movies.
GAME NIGHT may not be a great film by any stretch of the imagination, but it's definitely a genuine blast and an entertaining ride from beginning to the very end (seriously, stay for the post-credits scene!) The rare major studio comedy that actually feels like a film, rather than a soulless exercise in assembly-line filmmaking, thanks to such creative choices like Cliff Martinez's thumping score and Barry Peterson's cinematography, which not only introduces new locations as if zooming in on a board game piece, but also sports a surprisingly well-executed long take. Lamorne Morris and Billy Magnussen are some of the obvious standouts among the film's enjoyable cast of characters, but Jesse Plemons is the true MVP, stealing every single one of his scenes with ease. The film isn't without its problems, with the convoluted third act jumping the shark almost to the point of parody, and not all of the jokes land (although most do thanks to the cast's great comedic timing), but nonetheless GAME NIGHT makes for a perfectly fun time at the movies.
This was a very enjoyable comedy. Plenty of jokes hit their mark and the audience loved it from the laughter I heard in the session. To be upfront I some advanced session tickets from the Australian distributor, won in a competition. So we all saw it for free, but if I wanted to see a good comedy this one is worth paying to watch.
The humour is good, nothing too highbrow but you won't find any crass humour here, just good fun throughout the film.
The film does have its silly moments and the twists towards the end stretch believability, but you don't really care as you don't watch this film to critique, but just to enjoy the ride for a few hours. The characters are not deep, but you quickly grow to like them all or feel sorry for them as the film flows on.
Enjoyable, good clean fun with the odd bit of blood, that is even used to humourous effect.
The humour is good, nothing too highbrow but you won't find any crass humour here, just good fun throughout the film.
The film does have its silly moments and the twists towards the end stretch believability, but you don't really care as you don't watch this film to critique, but just to enjoy the ride for a few hours. The characters are not deep, but you quickly grow to like them all or feel sorry for them as the film flows on.
Enjoyable, good clean fun with the odd bit of blood, that is even used to humourous effect.
I watched "Game Night" on an 8-hour flight back from Denmark immediately after watching another comedy, "Blockers." While "Blockers" had some funny moments, compared to "Game Night" it came across as a random assortment of gags, and the importance of a tight script in a comedy was made clear in the comparison.
"Game Night" is very funny, mostly because of the winning combination of Jason Bateman and Rachel McAdams, but this is the rare comedy that gives all of its actors moments to shine. Good, funny comedies are extremely hard to come by, so if you've been searching in vain for one, give this one a try.
Grade: A-
"Game Night" is very funny, mostly because of the winning combination of Jason Bateman and Rachel McAdams, but this is the rare comedy that gives all of its actors moments to shine. Good, funny comedies are extremely hard to come by, so if you've been searching in vain for one, give this one a try.
Grade: A-
Le saviez-vous
- AnecdotesA tilt-shift lens is used to give several wide aerial shots the miniaturized look of the Game of Life board game.
- GaffesWhen Brooks gets kidnapped the door gets broken down and busted up, but in a later shot the door looks fine and has no issues.
- Générique farfeluThe Warner Bros, New Line Cinema and Access Entertainment logos are in the form of game pieces.
- ConnexionsFeatured in WatchMojo: Top 10 Best Movies of 2018 (So Far) (2018)
- Bandes originalesGood Pills
Written by Justin Toland, Thomas Starz and Andrew Denham
Performed by Dirty Streets featuring Justin Toland, Tommy Starz and Andrew Denham
Courtesy of Alive Naturalsound
By arrangement with Ocean Park Music Group
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Détails
Box-office
- Budget
- 37 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 69 268 230 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 17 005 332 $ US
- 25 févr. 2018
- Brut – à l'échelle mondiale
- 117 768 230 $ US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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