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Ajouter une intrigue dans votre langueTen trafficked women attempt escaping ruthless gang after being abducted from resort. Nurse and dancer lead fight for survival in desert against traffickers during daring getaway plan.Ten trafficked women attempt escaping ruthless gang after being abducted from resort. Nurse and dancer lead fight for survival in desert against traffickers during daring getaway plan.Ten trafficked women attempt escaping ruthless gang after being abducted from resort. Nurse and dancer lead fight for survival in desert against traffickers during daring getaway plan.
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I love the concept. It would be nice if there were more horror movies where the female characters are not complete morons.
Unfortunately, this isn't it. It's not a horror movie, more like a really bad comedy.
Almost every scene reminded me a scenes from horror movie parodies.
The acting is absolutely horrible. No character is believable. As bad as the girls were, the parants' "war room" side was so much worse and unnecessary.
The bad guys, especially the boss, were so badly written. The accents just made it worse.
The dialogs and the script are just bad. Karla telling that long dumb unrelated childhood story while being chased was just hilarious.
Also, Lucy finding this ABANDONED structure in the middle of the desert going door to door (openings, no actual doors) asking if anyone is home was absolutely dumb and funny (The building has no roof, ffs!). Surprising, she finds that useless homeless that hands her a plastic bottle that seem to be full with urine and cigarettes, yet she tries to drink it, then vomits.
This movie is terrible. The only thing going for it is the decent cinematography and the desert shots and the pretty good gritty efrects.
Best if avoided.
Unfortunately, this isn't it. It's not a horror movie, more like a really bad comedy.
Almost every scene reminded me a scenes from horror movie parodies.
The acting is absolutely horrible. No character is believable. As bad as the girls were, the parants' "war room" side was so much worse and unnecessary.
The bad guys, especially the boss, were so badly written. The accents just made it worse.
The dialogs and the script are just bad. Karla telling that long dumb unrelated childhood story while being chased was just hilarious.
Also, Lucy finding this ABANDONED structure in the middle of the desert going door to door (openings, no actual doors) asking if anyone is home was absolutely dumb and funny (The building has no roof, ffs!). Surprising, she finds that useless homeless that hands her a plastic bottle that seem to be full with urine and cigarettes, yet she tries to drink it, then vomits.
This movie is terrible. The only thing going for it is the decent cinematography and the desert shots and the pretty good gritty efrects.
Best if avoided.
As a devoted fan of horror/exploitation cinema, the luckiest you can probably get is by attending the world-premiere of a title that might eventually grow out to become a cult classic. I'm honestly not sure if "Escape" will ever become one, but it certainly has the potential and the entertainment value for it! And should it become a cult classic, I'll be even prouder to say I was there at the world premiere in Belgium, at a lovely little genre festival and in the presence of the director and a large part of the cast.
"Escape" is basically an upgrade of the nasty and cruel "Women in Prison/Hunting Humans" exploitation sub-genre of the 70s and early 80s, in which beautiful girls - in torn clothes and with their breasts hanging out - were beaten, raped, hunted, and killed by sadist prison wardens of perverted yokels. Luckily, times have evolved. The girls here aren't hysterical bimbos that run around like headless chickens anymore, but strong and organized power-women that fight back with a plan.
In Fuerteventura, a criminal gang is targeting attractive young (and exclusively blond) young women on holiday, brutally kidnap them, and lock them up in the basement of a secluded villa in the desert until the group is big enough to ship them off on a container ship to overseas customers. The girls, and especially Karla and Lucy, manage to stay relatively calm given the circumstances, and await the first chance they'll get to escape.
Writer/director Howard J. Ford clearly knows and loves the genre. He knows very well what type of "evil" men to cast as the villains. You know, creeps with scars, eye-patches, and terrible dental hygiene that disrespectfully gaze at women as if they are cold beers on a hot summer day. The girls are obviously cast primarily on their good looks and bikini-bodies, but it's fantastic to see how they also have brains and a strong will to survive. "Escape" - too bad about the numeric title - also features several tense moments, exhilarating action, and a handful of shocking scenes. Of course, there are defaults as well, like the clichéd traumas some of the girls are dragging along, but they are not too bothersome. In my humble opinion a movie like "Escape" is successful if you can barely stop yourself from yelling encouraging stuff to the girls on the screen. That was the case for me during "Escape". I dare you NOT to cheer for the girl holding the scissors to do "her thing" during the climax. You simply can't.
"Escape" is basically an upgrade of the nasty and cruel "Women in Prison/Hunting Humans" exploitation sub-genre of the 70s and early 80s, in which beautiful girls - in torn clothes and with their breasts hanging out - were beaten, raped, hunted, and killed by sadist prison wardens of perverted yokels. Luckily, times have evolved. The girls here aren't hysterical bimbos that run around like headless chickens anymore, but strong and organized power-women that fight back with a plan.
In Fuerteventura, a criminal gang is targeting attractive young (and exclusively blond) young women on holiday, brutally kidnap them, and lock them up in the basement of a secluded villa in the desert until the group is big enough to ship them off on a container ship to overseas customers. The girls, and especially Karla and Lucy, manage to stay relatively calm given the circumstances, and await the first chance they'll get to escape.
Writer/director Howard J. Ford clearly knows and loves the genre. He knows very well what type of "evil" men to cast as the villains. You know, creeps with scars, eye-patches, and terrible dental hygiene that disrespectfully gaze at women as if they are cold beers on a hot summer day. The girls are obviously cast primarily on their good looks and bikini-bodies, but it's fantastic to see how they also have brains and a strong will to survive. "Escape" - too bad about the numeric title - also features several tense moments, exhilarating action, and a handful of shocking scenes. Of course, there are defaults as well, like the clichéd traumas some of the girls are dragging along, but they are not too bothersome. In my humble opinion a movie like "Escape" is successful if you can barely stop yourself from yelling encouraging stuff to the girls on the screen. That was the case for me during "Escape". I dare you NOT to cheer for the girl holding the scissors to do "her thing" during the climax. You simply can't.
Two friends take a dreadful and horrifying vacation when criminals kidnap them in order to sell them to the highest bidder. That's when adversity and retribution sets in, this movie is about women empowerment and I was here for it. Good acting, great location scenery and women fighting back. Cliche at times but I enjoyed the film. Director Howard J. Ford previous films The Dead and The Dead 2 were also good movies, as a horror fan I am waiting for The Dead part 3. But I will recommend this movie Escape, I am all for empowering women & I am predicting this will be the year for women. Good Job 💙
Ok its a bit hackneyed, the trafficking of BEBs (Blue-Eyed Blondes) with the ruthless baddies and the helpless young ladies. In this case there is a problem that since all the heroines are all BEBs, and since the film tries to track the action of different BEBs in similar locations, and since we get flashbacks to explain how the BEBs got into this situation, it gets hard to follow. Probably its best just to let the action flow over you rather than work out the plot.
Some nice touches - the girls are not all hopeless and brainless, and do some good fightbacks. The tension is mainly in the last 20 minutes, and the plot extends even into the end credits (good thing I didn't shut it off as soon as the last baddie died!).
All in all watchable but I would not watch it for a third time. Spoiler alert! Not all the baddies are British!
Some nice touches - the girls are not all hopeless and brainless, and do some good fightbacks. The tension is mainly in the last 20 minutes, and the plot extends even into the end credits (good thing I didn't shut it off as soon as the last baddie died!).
All in all watchable but I would not watch it for a third time. Spoiler alert! Not all the baddies are British!
What I liked:
Great choice of location. I found myself looking it up. I'm not someone who particularly likes blood and guts films but the violence was fairly well done.
What I didn't: Terrible script. Most of the acting was quite amateurish but the dialogue didn't help. The rescue room team were a joke and added nothing. What was going on with the mothers? The random vagrant drink in an abandoned and ruined building in the middle of nowhere. How did he get there? And the girl calling into each clearly empty space asking for help! Then there was the completely unnecessary story about a childhood guilt which was met with some dreadful over acting from the listener. Meanwhile the guy hunting them was wandering around aimlessly presumably waiting for her to finish.
Conclusion: A serious subject badly written, produced and directed with the main lure being the very pretty and scantily clad girls. My first thumbs down in a while.
What I didn't: Terrible script. Most of the acting was quite amateurish but the dialogue didn't help. The rescue room team were a joke and added nothing. What was going on with the mothers? The random vagrant drink in an abandoned and ruined building in the middle of nowhere. How did he get there? And the girl calling into each clearly empty space asking for help! Then there was the completely unnecessary story about a childhood guilt which was met with some dreadful over acting from the listener. Meanwhile the guy hunting them was wandering around aimlessly presumably waiting for her to finish.
Conclusion: A serious subject badly written, produced and directed with the main lure being the very pretty and scantily clad girls. My first thumbs down in a while.
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Détails
Box-office
- Budget
- 1 000 000 £ (estimation)
- Brut – à l'échelle mondiale
- 14 139 $ US
- Durée1 heure 33 minutes
- Couleur
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