Alice de l'autre côté du miroir

I couldn't have been less interested in this franchise, completely dumbfounded as to why they were trying to make sense out of an intentionally non-sensical world. This sequel continues that journey into unneeded clarity, though with better results. Maybe I was just more prepared for what was to come, but I also think it has decent emotional arcs and cool visual ideas, despite Depp's lazy performance and way too much plot.

This film is quite zany compared to the first one. It has some new additions - the queens and the time travel - that make it quite fresh. However, showing the backstory of the queens can also make them feel too grounded and not surreal enough. The whole "saving the world" feel is also a bit too typical for Hollywood. The visual imagination is good as always though.

Tim Burton refused to direct this movie..and there is a reason..simply the script is terrible. There is no real and solid story behind this movie if not a marketing operation. The direction works well, nothing special but nothing you can complain about, also the rhythm and the storytelling works good, the problem is the script. The movie is visually stunning , probably visual effects are the only reason to watch this movie. Jhonny Deep is probably on his worst interpretation, he isn't able to transmit anything not even the madness of his character. Mia Wasikovska is the only one who truly believe in the project and tries to produce a decent interpretation. Sacha Baron Coen is funny on his character but maybe he could add more personality in his interpretation. As I already said you can watch this movie just for the amazing visual effects..but without a decent story isn't so entertaining

Alice travels into the past on an adventure to save the Mad Hatter from the grief that is poisoning him.

Set in 1875, it brings up albeit only briefly explores the misogyny of patriarchy, where mediocre men take away everything from extraordinary women through the limitations they put on them. It seems more comfortable examining problems between family members; Tarrant feels rejected by his father, mostly because he has been. And this is of course a much safer thing for a mainstream film to go into, and Disney prefers taking the well trodden path to profit to taking risks. Just like the Tim Burton original, this is nowhere near as creative and imaginative as the 1951 original, or, from what I hear, the novels. This does take a few steps in the right direction, though both of these definitely lose something in trying to make Wonderland a real, physical place that operates on some continuity and logic, when part of the appeal was that this was not the case. I appreciate that this is something that has been done with a lot of adaptations in recent years, and a lot, perhaps even most, of the time that is the right approach; however, like any rule, it has exceptions, and this is one. This is essentially Back to the Future in a fantasy setting; if you altered various aesthetic aspects, and a handful of lines of dialog, you would never get that it was related to the work of Lewis Carroll, which should never be the case with this sort of thing. The third Men in Black movie has a similar issue.

It is very much one of those sequels that expects you to have watched and remember the predecessor; it doesn't particularly reintroduce the recurring characters. The action is exciting, especially in the effective climax. This is filmed and edited well, capturing the sometimes epic scope. The special effects are convincing, and the design of sets, creatures, makeup and costumes is impressive and provides a very high number of memorable, unique sights and sounds. These include traversing the face of a massive clock, living chess pieces, seconds becoming minutes(you'll know it when you reach it), talking animals, bipedal vegetables, loops and a seemingly non-stop barrage of time puns. The cast are clearly having a ball, in particular the always deeply engaging to watch Helena Bonham Carter.

I recommend this only to the biggest fans of those involved. 7/10.

It is "decent". Not extraordinary, nor a waste of time. The sad thing is that it focuses more on the sparkly scenes, like these would impact the viewer the most. In fact, the story lacks substance and this should have been the epicentre of interest. It is far from great, although it's not a disappointment. Something slipped through the fingers of the producers when they were producing this movie. Now it's another commercial film.