Un journaliste politique raconte l'histoire de la recherche d'une femme pour son fils, qui lui a été enlevé il y a des décennies après être tombée enceinte et forcée de vivre dans un couvent... Tout lireUn journaliste politique raconte l'histoire de la recherche d'une femme pour son fils, qui lui a été enlevé il y a des décennies après être tombée enceinte et forcée de vivre dans un couvent.Un journaliste politique raconte l'histoire de la recherche d'une femme pour son fils, qui lui a été enlevé il y a des décennies après être tombée enceinte et forcée de vivre dans un couvent.
- Director
- Writers
- Stars
- Nommé pour 4 oscars
- 33 victoires et 86 nominations au total
Avis en vedette
The film features some terrific acting, a nicely written script, lovely mood music and will keep your interest from start to finish. It was nominated for various Oscars (including Best Picture).
I know that some feel that "Philomena" is seen by some as anti- Catholic and I would certainly agree that it is, at least in part, anti-Catholic. BUT, considering what happened to the real life Philomena, how could it not be anti-Catholic?! After all, the woman was treated abominably by representatives of the church and her story is very, very sad. This doesn't mean ALL Catholics are bad-- but some of these folks certainly were pretty awful (even if the confrontation scene at the end never actually happened this way).
Judi Dench, as the Irish woman whose out-of-wedlock son is taken from her by Catholic nuns and sold to a rich American couple in the 1950's, has never been better. She imbues the role with a mix of wisdom (after all, as she reminds us repeatedly, she was nurse for 30 years) and naiveté that would seem to be impossible were it not so deftly handled. While the cynical atheist portrayed by Steve Coogan rarely misses an opportunity to poke fun at her, more often than not she enjoys the last laugh.
Despite the consummate acting, and Frears' slick directing, the greatest treat of the film is Steve Coogan's screenplay. Given its subject matter, the story could easily have veered into melodrama, but just when it is on the verge of doing so Coogan pulls us back from the edge. Thankfully, Coogan himself is there to convey precisely the proper blend of sarcasm and compassion.
Le saviez-vous
- AnecdotesThere are flashbacks, done with "home movies". Some were created for this movie, and some are footage of Philomena's actual son.
- GaffesWhen the phone rings in Martin's Washington, D.C. hotel room, the ringtone is typical UK, not US: two short rings, which repeat. "Filming Locations" indicate that interior hotel scenes were filmed at the London Marriott Hotel. The sound editor should have changed ringtone.
- Citations
Martin Sixsmith: The end of all our exploring will be to arrive where we started and know the place for the first time.
Philomena: That's lovely, Martin. Did you just think of that?
Martin Sixsmith: No, it's T.S. Eliot
- Générique farfeluReal footage of Anthony/Michael is shown at the ending credits
- ConnexionsFeatured in At the Movies: Venice Film Festival 2013 (2013)
- Bandes originalesMother of God Here I Stand
Composed by John Tavener and Mikhail Lermontov
Published by Chester Music Ltd.
By kind permission of Music Sales Creative
Performed by The Tiffin Boys' Choir
Choir Director: Simon Toyne
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Lost Child of Philomena Lee
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 37 709 979 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 128 435 $ US
- 24 nov. 2013
- Brut – à l'échelle mondiale
- 100 129 872 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1