Le chariot des damnées

The Homesman is a watchable film depicting the old west in a more true, and less glorious, fashion that most westerns. At first it is confusing, with flashbacks to explain the story, but later it becomes clear.

Prarie madness sets in and three women are slated to be returned Back East. The problem is that one of the three "responsible" men is unwilling to step up, so a woman volunteers. She is strong and courageous, more than most men, but isolated and desperate for a husband because she is "bossy, and plain as an old tin can."

Her ultimate fate is incongruous, completely at odds with her character. A willful suspension of disbelief is required at this point.

Solid performances by Swank, Jones, Lithgow, and the actress who played the madwomen make it entertaining, if a bit long.

I really liked the western "The Homesman", but I strongly suspect that it won't be to everyone's taste. And I will admit that even this die hard fan of westerns didn't find it a perfect movie. The opening thirty minutes of the movie, for one thing, are somewhat confusing with some details, though eventually everything comes together and the audience knows what's been going on. And after that first thirty minutes, the movie continues to test the patience of viewers by being quite slow moving and long (the movie is over two hours long.) But I stuck with the movie despite all those things, and I feel I was rewarded in the end. The atmosphere of the movie feels extremely authentic, showing many of the hardships life in the wild west gave many people. Though the story is slow-moving, there are a number of interesting vignettes along the way. And you probably won't predict what eventually happens - the major plot turn around the two-thirds mark really took me by surprise. The last scene is a little unclear as to where one of the characters is headed, but it is memorable all the same. As I said, the movie is not for all tastes, but western fans who are in a patient mood will likely embrace it despite its flaws.

The Homesman, about a 31 year old (un-married/childless) woman (Hilary Swank) who takes up the challenge of bringing three crazed women across the Nebraska plains over five weeks with the help of a deserter-drifter left for dead (Jones), is in some ways meant to be a real Feminist Western (with a capital 'F'), and not in the way that a silly work like The Quick and the Dead was with Sharon Stone. Here, it's much more about depicting a time and place that was quite bleak and desolate and, in some spaces, without much hope. Ultimately Tommy Lee Jones, through the novel it's based on, sees a little more light at the end of the tunnel for his protagonist than, say, Eastwood did in Unforgiven. But it's a combination of things it's about, and emotionally the film does work quite well, in particular in the relationship that unfolds between the two leads.

If you're curious to see a western that has the love of the plains of the West visually speaking ala Ford, but has the dark contours of someone like Mann - and added to that those super dirty production designs and character realizations from Spaghetti Westerns - this might be it, at least up to a point. It's so unrelentingly dark in how it looks on at the deteriorating mental states of these women, and the desperation in the journey for Jones and Swanks' characters, that the few moments of humor are rather surprising - and welcome - especially when Jones first appears to Swank on the noose and the horse. It's the kind of scene that shows this actor, well into his 60's and pushing 70, trying something new in a performance (if only for a scene or two).

It's got a cast that is practically distracting for the who's who that shows up, mostly for one scene a piece: James Spader, Tim Blake Nelson, John Lithgow, William Fichtner, Meryl Streep (!) and Hailee Steinfeld (who appears almost to have wandered from the True Grit set to this one). There's so much going for the Homesman that it's a shame the script is uneven, and there's a plot twist two thirds of the way through that is sort of explained but not at all at the same time, and it leaves the film with a gaping tragedy that can never quite be filled. Interestingly, if you watch the behind the scenes on the blu-ray one of the screenwriters mentions the book left things unexplained as well. That might be fine in the book - or perhaps more was explained in other ways - but it still doesn't work, and what Jones goes for in awe-inspiring shots he leaves behind with some muddled story beats.

Nevertheless, The Homesman is a good Western, a solid western digging into the roots of the genre and mixing the unsavory and horrifying (not like a horror movie, just some repellant images at times, but for a point), though whether one will want to return to it like other, better Westerns is another story. It's the kind of picture I can't put down for its artistry, even if things can be looked at more critically, which may explain why it didn't find its way through the End-of-Awards-time (albeit it was accepted at Cannes).

December 19, 2014

A homesman is someone tasked to bring people back to their homes. In this film, the people that needed safe transport are three mentally- disturbed women. Mary Bee McCuddy, a plain but hardy spinster, volunteered to be their homesman. Along the way, she rescues a old man Thomas Briggs from being hung by vigilantes and conscripts him to help her with her mission in exchange for saving his life. Together, they gather the three ladies and escort them from Nebraska homes across the dangerous Midwest prairie to a safe haven in Iowa.

Hilary Swank is an actress who had already won a couple of Oscars for playing strong women who had taken on masculine roles in life -- Brandon Teena in "Boys Don't Cry" and Maggie Fitzgerald in "Million Dollar Baby". As Mary Bee McCuddy, a pioneer lady who bravely accepts a task only men are expected to do, Swank again goes on the same award-baiting path. The movie worked so well when Swank was on screen. She was absolutely compelling in this offbeat role as if this was written with her in mind. The movie was not the same when her character was not there.

Tommy Lee Jones is one actor who, as of late, had seemingly been confined to playing curmudgeonly and cantankerous old men, and his Briggs here is not any different. This film is only Jones' second directorial effort since his critically-acclaimed debut in "Three Burials of Melquiades Estrada" back in 2005. As director, he was very generous to his lead female star Swank, and always gave way to let her shine. As actor, he does consistently as he is expected but this role of a grumpy old outlaw seems too familiar for him already. He wisely played Briggs with some self-deprecating humor to break the tendency of the story to become monotonously bleak.

There were some remarkable cameos from other award-winning or nominated stars in much smaller roles. John Lithgow is his usual capable self playing the Reverend Dowd who reluctantly sends McCuddy off on her task. Hailee Steinfeld plays 16-year old Tabitha Hutchinson to whom Briggs offers a surprising proposal. James Spader, in his usual over-the-top style, plays condescending hotel owner Aloysius Duffy. And last, but definitely not the least, none other than THE Meryl Streep plays perfectly kind and hospitable Altha Carter, who runs the institution in Iowa the women are headed for. These actors appear on screen for only ten minutes or so, but they leave a lasting impression.

The narrative may have been slow and desolate . However, the unusual situations, disturbing imagery, startling story developments and committed performances by the cast all keep our attention riveted. The cinematography with the muted colors worked well with the windswept landscape of its setting, as much a character in itself. The costumes and production design rang true to its mid-19th century time period. The haunting and unsettling musical score create an atmosphere of bitter emptiness. The insufferably miserable topic is clearly not for everyone. But for those who decide to give it a chance, the rewards will be satisfying. 7/10.

Riveting film about a spinster , a drifter and a peculiar promise , being slickly developed by actor-director Tommy Lee Jones . Starring Hilary Swank returns to the heights of a career that saw her win two Best Actress Oscars by the age of 30 . This is her most recent film , The Homesman in which she starred opposite Tommy Lee Jones , John Lithgow , Meryl Streep , James Spader , among others . Here Tommy Lee Jones's acting and direction are magnificent and remaining cast is pretty well , giving terrific performances . This above average film concerns about a pious , independent-minded woman called Mary Bee Cuddy (Hilary Swank) is assigned by the village priest (John Lightow) to carry three women (Miranda Otto , Sonja Richter , and Grace Gummer , Meryl's Streep daughter) who have been driven mad by pioneer life . They have to be transported across the country by a covered wagon . The two-fisted woman obstinately carries out the dangerous assignment and in turn employs low-life drifter George Briggs (Tommy Lee Jones) to assist her . She forces the drifter for to a journey across the plains to locate the risked destination . Both of whom are determined to find the paths , through the prairies plagued by savage Indians , until the easy civilization . This journey will bring forward the stark contrast between the values of two ways of life and the landscape transversed is both geographical and emotional .

This enjoyable film is a touching and violent Western drama with elevated cinematographic values . The movie realizes an awesome actors reunion , showing the different characters and explores their apprehension , ambitions , fears and circumstances . The two protagonists result to be a pair ¨Quixotes¨ who obstinately undertake a trip whose objective looks to fulfill a pledge by whatever means . The main character George Briggs , superbly played by Tommy Lee Jones, seems to be living resolutely in the past and while the brave spinster wishes to marry him and create a family . Support cast is frankly excellent such as Barry Corbin , William Fichtner , Evan Jones , Jesse Plemons , Grace Gummer , Miranda Otto , and Tim Blake Nelson-James Spader, this duo previously appeared in ¨Lincoln¨ along with Tommy Lee and Hailee Steinfeld's second western after her Oscar-nominated , breakout role in ¨True Grit¨ . And , of course , the great Meryl Streep in her third collaboration with Tommy Lee Jones following "A Prairie Home Companion" and "Hope Springs . Intelligent and thoughtful screenplay by Kieran Fitzgerald , Wesley Oliver and the same Tommy Lee Jones , based on the novel by Glendon Swarthout that was published in 1988 ; in fact , Paul Newman owned the rights for a time, and wanted to direct the film himself , after a number of scripts, he gave up . Sensitive and evocative musical score by Marco Beltrani (Red eye , The Three Burials of Melquiades Estrada) . Special mention for glimmer and fascinating cinematography by Rodrigo Prieto he splendidly reflects the impressive outdoors from the filming locations : Lumpkin , Georgia , San Miguel County , Santa Fe , Oikay Owinger Pueblo , New Mexico . Much of the movie was shot on Tommy Lee Jones's own ranch .

The film is a nice co-production , being produced , among others , by the great producer and director , the French Luc Besson . The picture was compellingly directed by Tommy Lee Jones , being his theatrical directing debut ¨The Three Burials of Melquiades Estrada¨ that won a deserved prize in Cannes , this film bears a remarkable resemblance to ¨The Homesman¨ , dealing equally with a dangerous journey plenty of contrasts , attacks and many other things . His only other directing credits were the TV movies ¨Good old boys¨ (1995) and ¨The Sunset Limited¨ (2011) with Samuel L Jackson and all of them starred by Tommy Lee Jones . ¨Homesman¨ rating : Better than average , though overlong and slow-moving . Well worth watching , it's a must see for Tommy Lee Jones enthusiasts