Ajouter une intrigue dans votre langueIn a fateful bumper car collision, Jake and Ella meet and become the most loving couple in the long history of romance. But when a scheming "other" woman drives a wedge of jealousy into thei... Tout lireIn a fateful bumper car collision, Jake and Ella meet and become the most loving couple in the long history of romance. But when a scheming "other" woman drives a wedge of jealousy into their perfect courtship, insecurity and hatred spell out an untimely fate. With only the help ... Tout lireIn a fateful bumper car collision, Jake and Ella meet and become the most loving couple in the long history of romance. But when a scheming "other" woman drives a wedge of jealousy into their perfect courtship, insecurity and hatred spell out an untimely fate. With only the help of a disgraced magician and his forbidden "soul machine", Ella takes the form of Jake's nu... Tout lire
- Prix
- 3 victoires et 8 nominations au total
- Ella
- (voice)
- Jake
- (voice)
- …
- Assassin
- (voice)
- Floozy
- (voice)
- …
- El Merto
- (voice)
- …
- Additional Voices
- (voice)
- (as Kelly Kriegshauser)
Avis en vedette
I saw it as part of the Atlanta film festival
Cheatin' continues Bill's tradition of experimentation and evolution, with some truly stunning results. While it seems to use a similar technical process to Idiots & Angels, it's about as far from that film's dingy noir as you can get. Every frame of Cheatin' is filled with vibrant colors, for a pastel watercolor look. Long, exaggerated shadows dance across scenes that always seem to take place at dawn or sunset. The character designs themselves are likewise a bit of a departure, with exaggerated anatomy that borders on grotesque. Whether by virtue of new technology, or just experience, this seems to be Bill's most fluid animation to date, as well. It certainly doesn't approach the liquid-smooth 24 frames per second of Disney animation, it's the closest Bill has ever come.
Cheatin' also provides further evidence that Plympton has matured -- and yes, perhaps mellowed -- in recent years. While not without its surreal twists and turns, Cheatin' is more grounded in reality and has a stronger human component that any of Plympton's earlier films. We're introduced to Ella, a beautiful woman who has closed her heart, preferring the solitude of books to the company of others. When the muscular, handsome Jake rescues her from a perilous bumper car accident, she opens her heart at last and falls madly in love. The two marry and move in together, but others jealous of their love seek to tear them apart, beginning a spiral of self-destruction, infidelity, and revenge.
This story is told visually, without any dialog, but it seems less concerned with the sight gags and slapstick violence that drive Bill's earlier works. The net result is a movie that seems more focused on its story, if perhaps not as laugh out loud funny. Some might see this as a toning down, but it's equally apparent that this is still not a movie for kids. There may not be as much blood and guts, but there's still plenty of sex and adult themes.
It's great to see someone as established as Bill moving out of his comfort zone and exploring new territory, both artistically, thematically, and technically, and the result is one of his strongest works yet.
Sometimes the art style and acting doesn't fit well with the tone. The exaggerated and flippant animated scenes didn't help either. Felt very amateurish
Everything stops making sense at the end. It will leave you telling yourself 'oh okay that's happening'
I have to mention that it isn't all bad. There are scenes that I can't imagine being any better.
This tale is very beautifully and poetically told with no actual spoken words and portrays the highs and lows of relationships with great depth and much humor. It is not a children's cartoon in either what it shows visually or its themes - that is, it is about things that concern adults, and it is not just about sex.
The pacing is about the best of all the Plympton feature films and the story is quite coherent. The only problem it has, like most of his features, is feeling a bit stretchy about three quarters in but not intolerably so.
There are many rewards to reap from viewing this film, both visually and emotionally and it gets to the heart of the complexity of relationships better than many live action movies. If it weren't for the pacing issues on the last quarter of the film (which aren't as bad as I'm making them sound) I'd give this film a 9 or a 10.
Le saviez-vous
- AnecdotesThere is no dialogue. Only grunts and moans.
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Détails
Box-office
- Budget
- 100 916 $ US (estimation)
- Brut – États-Unis et Canada
- 15 077 $ US
- Brut – à l'échelle mondiale
- 15 077 $ US
- Durée
- 1h 16m(76 min)
- Couleur