Night of the Hunted
- 2023
- 1h 35m
ÉVALUATION IMDb
5,3/10
5,1 k
MA NOTE
Ajouter une intrigue dans votre langueA woman stops at a remote gas station in the middle of the night and becomes the target of a sociopathic sniper with a secret vendetta.A woman stops at a remote gas station in the middle of the night and becomes the target of a sociopathic sniper with a secret vendetta.A woman stops at a remote gas station in the middle of the night and becomes the target of a sociopathic sniper with a secret vendetta.
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What is it these days with making characters so unlikable, and so pathetically entitled, particularly in horror/thrillers where you are supposed to want them to survive!?
It fails in the basic task of creating a 'good' character you root for against a 'bad' character that you want to see fail and/or die.
The 'good' character here is actually written as a unpleasant, rude, obnoxious, man-hating woman who we discover is cheating on her supportive (apparently 'too nice') husband, who wants kids and thinks she's seeing a fertility doctor, with a co-worker who she appears to hold in equal contempt. She mentions on multiple occasions her disdain for men, and that is apparently her reason for not wanting kids, but lying to her husband that she does while cheating on him with another man - makes sense huh? She has no redeeming characteristics despite attempts to give her some redeeming situations, and at no point did I actually want her to survive.
Their idea for the 'bad' character was a feeling-hard-done-by right-wing anti-vaxxer conspiracy theorist who decides to kill innocent people and reinforce the stereotypes he apparently despises. It's almost comical how little effort was made, even if you find those kind of people ridiculous and dislikable. He isn't at all threatening or scary, just a childish idiot who got off Twitter and decided to kill people in a gas station in the middle of the night.
Some failed attempts are made to try to link the antagonist to the protagonist with her working for a pharmaceutical company and him hating "big pharma" companies and their employees, but it's all rather nonsensical.
Despite this, after switching off my brain, I weirdly found myself enjoying the overall premise of the film, and it could have been much better with more imaginative script-writers, but I don't think you'll find it particularly suspenseful or engaging so unless you can enjoy a film even when it's ridiculous you'll probably be more likely to dislike this as much as you do the characters within it.
It fails in the basic task of creating a 'good' character you root for against a 'bad' character that you want to see fail and/or die.
The 'good' character here is actually written as a unpleasant, rude, obnoxious, man-hating woman who we discover is cheating on her supportive (apparently 'too nice') husband, who wants kids and thinks she's seeing a fertility doctor, with a co-worker who she appears to hold in equal contempt. She mentions on multiple occasions her disdain for men, and that is apparently her reason for not wanting kids, but lying to her husband that she does while cheating on him with another man - makes sense huh? She has no redeeming characteristics despite attempts to give her some redeeming situations, and at no point did I actually want her to survive.
Their idea for the 'bad' character was a feeling-hard-done-by right-wing anti-vaxxer conspiracy theorist who decides to kill innocent people and reinforce the stereotypes he apparently despises. It's almost comical how little effort was made, even if you find those kind of people ridiculous and dislikable. He isn't at all threatening or scary, just a childish idiot who got off Twitter and decided to kill people in a gas station in the middle of the night.
Some failed attempts are made to try to link the antagonist to the protagonist with her working for a pharmaceutical company and him hating "big pharma" companies and their employees, but it's all rather nonsensical.
Despite this, after switching off my brain, I weirdly found myself enjoying the overall premise of the film, and it could have been much better with more imaginative script-writers, but I don't think you'll find it particularly suspenseful or engaging so unless you can enjoy a film even when it's ridiculous you'll probably be more likely to dislike this as much as you do the characters within it.
I have to be honest, this was not my favorite... there was just a lot of things that didn't work for me.
It felt like this movie was three hours long with very slow pacing and was quite repetitive in nature. The acting also generally didn't help, it wasn't the best on anyone's part and there wasn't a likable or redeemable character to enjoy. Also the amount of suspension of disbelieve required to navigate your way through this plot is hearty. But what really got me about this movie was the message/point.
It got to be extremely preachy, talking about all of these modern day issues... like, ALL of them. It felt like it was taking itself very seriously and thought that they were being very clever and woke while simultaneously not really saying or doing anything of substance. It touched on 101 different topics and issues, but none of them felt like the main premise. It also then left us completely and utterly unfulfilled in the end.
All of this added up begs the question, what was the point? I hate saying this about movies but it felt like a bit of a waste of time. It wasn't total trash but I would not recommend.
It felt like this movie was three hours long with very slow pacing and was quite repetitive in nature. The acting also generally didn't help, it wasn't the best on anyone's part and there wasn't a likable or redeemable character to enjoy. Also the amount of suspension of disbelieve required to navigate your way through this plot is hearty. But what really got me about this movie was the message/point.
It got to be extremely preachy, talking about all of these modern day issues... like, ALL of them. It felt like it was taking itself very seriously and thought that they were being very clever and woke while simultaneously not really saying or doing anything of substance. It touched on 101 different topics and issues, but none of them felt like the main premise. It also then left us completely and utterly unfulfilled in the end.
All of this added up begs the question, what was the point? I hate saying this about movies but it felt like a bit of a waste of time. It wasn't total trash but I would not recommend.
I like movies which takes place at an isolated gas station situated in the middle of nowhere.
I thoroughly enjoyed Open 24 Hours (2018).
This movie enticed me via the settings of a gas station but found it to be a disappointment.
Nothing original bah this unnecessary lengthy movie. The editing is so atrocious that the movie gets very repetitive n boring.
The villain doesn't sound intimidating or terrifying n there is absolutely no character study or background story.
This movie is lifted from so many other thrillers. Some of them r mentioned below.
Carnage Park (a psychotic sniper terrorizes a bank robber and his hostage). Carnage Park is boring n had lots of flickering lights n hand held shaky cam stuff.
Roadside (A couple fight for their lives when they are held hostage in their car by a concealed gunman at the side of a desolate road). Haven't seen Roadside but very bad reviews on IMDb.
Phonebooth (A publicist finds his life under threat when he answers a ringing phone at a phone booth. The caller tells him that he will be shot the minute he cuts the call).
Phonebooth is one of the best thriller n everything has already been said bah this movie.
Downrange (A group of friends are killed one by one by a ruthless sniper after they get stuck in the middle of nowhere).
Downrange is violent, brutal n tension filled. It's from the director of Midnight Meat Train.
And the recent To Catch a Killer (A cop is recruited by the FBI to help profile and track down a sniper).
This one has top notch acting n it is a thriller. This has more to do with catching the sniper.
I thoroughly enjoyed Open 24 Hours (2018).
This movie enticed me via the settings of a gas station but found it to be a disappointment.
Nothing original bah this unnecessary lengthy movie. The editing is so atrocious that the movie gets very repetitive n boring.
The villain doesn't sound intimidating or terrifying n there is absolutely no character study or background story.
This movie is lifted from so many other thrillers. Some of them r mentioned below.
Carnage Park (a psychotic sniper terrorizes a bank robber and his hostage). Carnage Park is boring n had lots of flickering lights n hand held shaky cam stuff.
Roadside (A couple fight for their lives when they are held hostage in their car by a concealed gunman at the side of a desolate road). Haven't seen Roadside but very bad reviews on IMDb.
Phonebooth (A publicist finds his life under threat when he answers a ringing phone at a phone booth. The caller tells him that he will be shot the minute he cuts the call).
Phonebooth is one of the best thriller n everything has already been said bah this movie.
Downrange (A group of friends are killed one by one by a ruthless sniper after they get stuck in the middle of nowhere).
Downrange is violent, brutal n tension filled. It's from the director of Midnight Meat Train.
And the recent To Catch a Killer (A cop is recruited by the FBI to help profile and track down a sniper).
This one has top notch acting n it is a thriller. This has more to do with catching the sniper.
This movie had amazing potential, but the severely saturated political BS and message passing was just too much.
A little political isn't bad but the writer went overboard from racial, vaccine, mask wearing, abortions, guns and religious bases touched. It was just as if the writer had gone crazy during Covid-19 shutdown and thought "how can I project me anger and frustration at the world"..and here we have the is projection.
The actual premise isn't unlike some other single shot location movies where the lead is trapped and 90% of the film is revolved around that place.
Splinter/Phonebooth/Night of the Living Dead.
A little political isn't bad but the writer went overboard from racial, vaccine, mask wearing, abortions, guns and religious bases touched. It was just as if the writer had gone crazy during Covid-19 shutdown and thought "how can I project me anger and frustration at the world"..and here we have the is projection.
The actual premise isn't unlike some other single shot location movies where the lead is trapped and 90% of the film is revolved around that place.
Splinter/Phonebooth/Night of the Living Dead.
There must be at least a dozen or so horror/thriller movies in which most of the action occurs at remote gas stations or roadhouses. I'm always a sucker for them. This one follows the usual script more or less, and I can say that I did enjoy it even if it was fairly predictable. The one thing that many of them seem to have in common is that they fail to wrap things up neatly at the end, so I always feel a bit disappointed or cheated because of that. This movie is no exception in this unfortunately. If asked how I'd improve the movie I'd say that a few more characters trapped in the gas station would have permitted the writer to create more interesting dialog and the interaction between characters given the writer far more scope and diversity. As it is I feel it got a bit bogged down and drawn out for a fair amount of the time. Another suggestion would be to have a character enter the gas station with the aim of robbing it. Of course they'd be armed and be able to shoot back to some degree. But could the woman trust them?
Le saviez-vous
- Anecdotes'Night of the Hunted' is a remake of the Spanish film 'Night of the rat' (2015).
- GaffesThere were a few occasions where Camille Rowe spoke to the Sniper without pressing on the walkie-talkie.
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- How long is Night of the Hunted?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Noche de Caza
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 344 758 $ US
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the Canadian French language plot outline for Night of the Hunted (2023)?
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